Eliza Hamilton Dunlop (c.1796-1880), words: The Aboriginal mother [Oh! hush thee - hush my baby] (Tune: ’Twas when the seas were roaring, G. F. Handel) (Sydney, 1838); first modern performance; Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022
Field | Value | Language |
dc.contributor.author | Peres Da Costa, Neal | |
dc.contributor.author | van Stade, Koen | |
dc.contributor.author | Stephens, Matthew | |
dc.contributor.author | Skinner, Graeme | |
dc.coverage.spatial | Sydney, NSW | en_AU |
dc.coverage.spatial | Myall Creek, NSW | en_AU |
dc.coverage.temporal | Colonial era | en_AU |
dc.coverage.temporal | Early 19th century | en_AU |
dc.date.accessioned | 2022-08-12T00:02:56Z | |
dc.date.available | 2022-08-12T00:02:56Z | |
dc.date.issued | 2022-08-12 | |
dc.identifier.uri | https://hdl.handle.net/2123/29392 | |
dc.description.abstract | The Irish poet Eliza Hamilton Dunlop arrived in NSW with her family in January 1838, and over the next two years her series of eight ‘Songs of exile’ were successively published in Sydney newspapers. The most famous of these is her lament for a murdered child, ‘The Aboriginal mother’, written in response to a recent colonial atrocity, the Myall Creek Massacre, and to be sung to George Frederick Handel’s suitably melancholy theatre song, ‘’Twas when the seas were roaring’. Words (first verse only): Oh! hush thee - hush my baby, / I may not tend thee yet. / Our forest home is distant far, / And midnight's star is set. / Now, hush thee - or the pale-faced men / Will hear thy piercing wail, / And what would then thy mother's tears / Or feeble strength avail! The words in full and music of The Aboriginal mother can be viewed here: https://www.sydney.edu.au/paradisec/australharmony/dunlop-eliza-hamilton.php#1838-aboriginal-mother | en_AU |
dc.format.extent | 3 minutes 57 seconds | en_AU |
dc.format.medium | Digital audio visual file and PDF file | en_AU |
dc.language.iso | en | en_AU |
dc.relation.ispartof | Concert, ‘On the Plains of Emu’ - Settler Art Music in Early NSW, Elizabeth Bay House, Sydney, 27 February 2022. | en_AU |
dc.relation.ispartof | https://hdl.handle.net/2123/29315 | |
dc.relation.uri | https://hdl.handle.net/2123/29315 | |
dc.rights | Creative Commons Attribution-NonCommercial-ShareAlike 4.0 | en_AU |
dc.subject | Australian colonial music | en_AU |
dc.subject | European classical music in early colonial Australia | en_AU |
dc.subject | Settler colonialism | en_AU |
dc.subject | Colonial massacres | en_AU |
dc.title | Eliza Hamilton Dunlop (c.1796-1880), words: The Aboriginal mother [Oh! hush thee - hush my baby] (Tune: ’Twas when the seas were roaring, G. F. Handel) (Sydney, 1838); first modern performance; Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022 | en_AU |
dc.type | Audiovisual | en_AU |
dc.subject.asrc | 1904 Performing Arts and Creative Writing | en_AU |
dc.subject.asrc | 2002 Cultural Studies | en_AU |
dc.subject.asrc | 21 History and Archaeology | en_AU |
dc.relation.arc | DP210101511 | |
usyd.faculty | Sydney Conservatorium of Music | en_AU |
workflow.metadata.only | No | en_AU |
Associated file/s
Associated collections
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Hearing the Music of Early NSW
Recordings of early musical repertoire in the period 1788-1860