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dc.contributor.authorPeres Da Costa, Neal
dc.contributor.authorvan Stade, Koen
dc.contributor.authorStephens, Matthew
dc.contributor.authorSkinner, Graeme
dc.coverage.spatialSydney, NSWen
dc.coverage.spatialMyall Creek, NSWen
dc.coverage.temporalColonial eraen
dc.coverage.temporalEarly 19th centuryen
dc.date.accessioned2022-08-12T00:02:56Z
dc.date.available2022-08-12T00:02:56Z
dc.date.issued2022-08-12
dc.identifier.urihttps://hdl.handle.net/2123/29392
dc.description.abstractThe Irish poet Eliza Hamilton Dunlop arrived in NSW with her family in January 1838, and over the next two years her series of eight ‘Songs of exile’ were successively published in Sydney newspapers. The most famous of these is her lament for a murdered child, ‘The Aboriginal mother’, written in response to a recent colonial atrocity, the Myall Creek Massacre, and to be sung to George Frederick Handel’s suitably melancholy theatre song, ‘’Twas when the seas were roaring’. Words (first verse only): Oh! hush thee - hush my baby, / I may not tend thee yet. / Our forest home is distant far, / And midnight's star is set. / Now, hush thee - or the pale-faced men / Will hear thy piercing wail, / And what would then thy mother's tears / Or feeble strength avail! The words in full and music of The Aboriginal mother can be viewed here: https://www.sydney.edu.au/paradisec/australharmony/dunlop-eliza-hamilton.php#1838-aboriginal-motheren
dc.format.extent3 minutes 57 secondsen
dc.format.mediumDigital audio visual file and PDF fileen
dc.language.isoenen
dc.relation.ispartofConcert, ‘On the Plains of Emu’ - Settler Art Music in Early NSW, Elizabeth Bay House, Sydney, 27 February 2022.en
dc.relation.ispartofhttps://hdl.handle.net/2123/29315
dc.relation.urihttps://hdl.handle.net/2123/29315
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlike 4.0en
dc.subjectAustralian colonial musicen
dc.subjectEuropean classical music in early colonial Australiaen
dc.subjectSettler colonialismen
dc.subjectColonial massacresen
dc.titleEliza Hamilton Dunlop (c.1796-1880), words: The Aboriginal mother [Oh! hush thee - hush my baby] (Tune: ’Twas when the seas were roaring, G. F. Handel) (Sydney, 1838); first modern performance; Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022en
dc.typeAudiovisualen
dc.subject.asrc1904 Performing Arts and Creative Writingen
dc.subject.asrc2002 Cultural Studiesen
dc.subject.asrc21 History and Archaeologyen
dc.relation.arcDP210101511
usyd.facultySydney Conservatorium of Music, Hearing the Music of Early NSWen
workflow.metadata.onlyNoen


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