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dc.contributor.authorPeres Da Costa, Neal
dc.contributor.authorvan Stade, Koen
dc.contributor.authorStephens, Matthew
dc.contributor.authorSkinner, Graeme
dc.coverage.spatialSydney, NSWen_AU
dc.coverage.spatialMyall Creek, NSWen_AU
dc.coverage.temporalColonial eraen_AU
dc.coverage.temporalEarly 19th centuryen_AU
dc.date.accessioned2022-08-12T00:02:56Z
dc.date.available2022-08-12T00:02:56Z
dc.date.issued2022-08-12
dc.identifier.urihttps://hdl.handle.net/2123/29392
dc.description.abstractThe Irish poet Eliza Hamilton Dunlop arrived in NSW with her family in January 1838, and over the next two years her series of eight ‘Songs of exile’ were successively published in Sydney newspapers. The most famous of these is her lament for a murdered child, ‘The Aboriginal mother’, written in response to a recent colonial atrocity, the Myall Creek Massacre, and to be sung to George Frederick Handel’s suitably melancholy theatre song, ‘’Twas when the seas were roaring’. Words (first verse only): Oh! hush thee - hush my baby, / I may not tend thee yet. / Our forest home is distant far, / And midnight's star is set. / Now, hush thee - or the pale-faced men / Will hear thy piercing wail, / And what would then thy mother's tears / Or feeble strength avail! The words in full and music of The Aboriginal mother can be viewed here: https://www.sydney.edu.au/paradisec/australharmony/dunlop-eliza-hamilton.php#1838-aboriginal-motheren_AU
dc.format.extent3 minutes 57 secondsen_AU
dc.format.mediumDigital audio visual file and PDF fileen_AU
dc.language.isoenen_AU
dc.relation.ispartofConcert, ‘On the Plains of Emu’ - Settler Art Music in Early NSW, Elizabeth Bay House, Sydney, 27 February 2022.en_AU
dc.relation.ispartofhttps://hdl.handle.net/2123/29315
dc.relation.urihttps://hdl.handle.net/2123/29315
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlike 4.0en_AU
dc.subjectAustralian colonial musicen_AU
dc.subjectEuropean classical music in early colonial Australiaen_AU
dc.subjectSettler colonialismen_AU
dc.subjectColonial massacresen_AU
dc.titleEliza Hamilton Dunlop (c.1796-1880), words: The Aboriginal mother [Oh! hush thee - hush my baby] (Tune: ’Twas when the seas were roaring, G. F. Handel) (Sydney, 1838); first modern performance; Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022en_AU
dc.typeAudiovisualen_AU
dc.subject.asrc1904 Performing Arts and Creative Writingen_AU
dc.subject.asrc2002 Cultural Studiesen_AU
dc.subject.asrc21 History and Archaeologyen_AU
dc.relation.arcDP210101511
usyd.facultySydney Conservatorium of Musicen_AU
workflow.metadata.onlyNoen_AU


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