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dc.contributor.authorCarter, Bethany
dc.date.accessioned2022-08-05T05:30:15Z
dc.date.available2022-08-05T05:30:15Z
dc.date.issued2022en_AU
dc.identifier.urihttps://hdl.handle.net/2123/29369
dc.description.abstractWays in which young people’s positive self-development and maturation can be enhanced is of great interest to educators, parents and society alike. This study adopted a phenomenological approach to investigate the relationship between beginner group harp learning and self-efficacy and musical/harp self-concept, and the transferability of this relationship to academic contexts; using a combination of pedal, lever, non-lever and lap harps. Five female participants, all of whom attended a public secondary school in regional NSW, engaged in 20 beginner harp group learning sessions, 10 of which were filmed, and completed four questionnaires dispersed throughout the study. The role of the researcher, who also led the sessions, was considered through the process of ethnography. Findings revealed, from mostly qualitative data, that beginner group harp learning enhanced enjoyment, connectedness, and accessibility, and was perceived as a more relaxed form of learning. Self-efficacy was discovered to develop through the theme of confidence, and impacted participants’ perceptions of themselves as harpists. Ultimately, increasing levels of self-efficacy and a developed musical/harp self-concept was suggested to impact either participants’ achievements, perceptions of self-efficacy in academic settings, and/or their wellbeing.en_AU
dc.language.isoenen_AU
dc.subjectself-efficacyen_AU
dc.subjectself-concepten_AU
dc.subjectharp ensembleen_AU
dc.subjectbeginner ensembleen_AU
dc.subjectmusical abilityen_AU
dc.titleThe Impact of Beginner Group Harp Learning on Self Efficacy and Musical/Harp Self Concept: Changes to Perceptions, Approaches and Behaviours in Non-Harp Settingsen_AU
dc.typeThesis
dc.type.thesisMasters by Researchen_AU
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en_AU
usyd.facultySeS faculties schools::Sydney Conservatorium of Musicen_AU
usyd.degreeMaster of Music (Music Education) M.Mus.(Mus.Ed.)en_AU
usyd.awardinginstThe University of Sydneyen_AU
usyd.advisorCoyle, James


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