The discontinuity of matter : Salvador Dalí, painting and architecture / Simon Weir.
| Field | Value | Language |
| dc.contributor.author | Weir, Simon | |
| dc.date.accessioned | 2022-06-16T04:46:07Z | |
| dc.date.available | 2022-06-16T04:46:07Z | |
| dc.date.issued | 2010 | en_AU |
| dc.identifier.uri | https://hdl.handle.net/2123/28849 | |
| dc.description | b38135632_v1 | en_AU |
| dc.description.abstract | Salvador Dali, is known primarily as a Surrealist painter, dandy and provocateur. His theoretical works are far less known. Dali’s theories, interspersed throughout his eleven books and numerous essays and interviews range across the fields of art, architecture, psychology and science. In this thesis I examine these ideas, in particular Dali’s paranoiac critical method, for their potential application in contemporary issues regarding representation and architecture. | en_AU |
| dc.language.iso | en | en_AU |
| dc.subject | Dwellings in art | en_AU |
| dc.subject | Modern movement (Architecture) | en_AU |
| dc.subject | Surrealism -- Influence | en_AU |
| dc.title | The discontinuity of matter : Salvador Dalí, painting and architecture / Simon Weir. | en_AU |
| dc.type | Thesis | |
| dc.type.thesis | Doctor of Philosophy | en_AU |
| dc.rights.other | The author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission. | en_AU |
| usyd.faculty | Faculty of Architecture: Design and Planning | en_AU |
| usyd.degree | Doctor of Philosophy Ph.D. | en_AU |
| usyd.awardinginst | The University of Sydney | en_AU |
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