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dc.contributor.authorCurran, Georgia
dc.date.accessioned2022-06-07T23:05:53Z
dc.date.available2022-06-07T23:05:53Z
dc.date.issued2019en
dc.identifier.urihttps://hdl.handle.net/2123/28763
dc.description.abstractWarlpiri fire ceremonies, including Jardiwanpa, have been documented in various ethnographies and films for over 100 years. Focused on the documented history of these rituals in Yuendumu, and through ethnographic observations from recent decades, I analyse the transforming meanings of fire ceremonies in contemporary Warlpiri lives. I demonstrate that there have been post-settlement shifts in ritual purpose due to sedentarisation and the increased connections that Warlpiri people have made to a broader world. I note in particular that, when monetary payment for performing Jardiwanpa for filmic representation became standard practice in the 1990s, the intricacies of the Dreaming were no longer central, nor were the original purposes of conflict resolution and the opening up of marriage restrictions. Several films have been made of fire ceremonies, resulting in fixed representations of what otherwise are emergent practices. This has impacted the ways in which these rituals can be held today, and Warlpiri people have had to creatively re-negotiate a space for Jardiwanpa and similar fire ceremonies.en
dc.language.isoenen
dc.publisherWiley-Blackwellen
dc.relation.ispartofOceaniaen
dc.rightsOtheren
dc.subjectAustralian Aboriginal ceremoniesen
dc.subjectWarlpiri songsen
dc.subjectfire ceremoniesen
dc.subjectconflict resolutionen
dc.subjectWarlpiri language C15
dc.title‘Waiting for Jardiwanpa’: History and Mediation in Warlpiri Fire Ceremoniesen
dc.typeArticleen
dc.subject.asrc1601 Anthropologyen
dc.identifier.doi10.1002/ocea.5211
dc.type.pubtypeAuthor accepted manuscripten
dc.relation.arcLP160100743
dc.rights.other"This is the peer reviewed version of the following article: Curran, G. (2019), ‘Waiting for Jardiwanpa’: History and Mediation in Warlpiri Fire Ceremonies. Oceania, 89: 20-35. which has been published in final form at https://doi.org/10.1002/ocea.5211. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Use of Self-Archived Versions. This article may not be enhanced, enriched or otherwise transformed into a derivative work, without express permission from Wiley or by statutory rights under applicable legislation. Copyright notices must not be removed, obscured or modified. The article must be linked to Wiley’s version of record on Wiley Online Library and any embedding, framing or otherwise making available the article or pages thereof by third parties from platforms, services and websites other than Wiley Online Library must be prohibited."en
usyd.facultySydney Conservatorium of Musicen
usyd.citation.volume89en
usyd.citation.issue1en
usyd.citation.spage20en
usyd.citation.epage35en
workflow.metadata.onlyNoen


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