Towards a Language of Interruption
| Field | Value | Language |
| dc.contributor.author | Sturgess, Helen Mary | |
| dc.date.accessioned | 2008-07-11 | |
| dc.date.available | 2008-08-04 | |
| dc.date.issued | 2008-03-31 | |
| dc.identifier.uri | http://hdl.handle.net/2123/2665 | |
| dc.description | Master of Visual Arts | en |
| dc.description.abstract | My research paper is an attempt to begin to articulate and document my lived experience of being both a mother and an artist. Underpinned by research into the cultural and social history of the experience of mothering and the cultural institution of ‘motherhood’, I revisit and reinterpret some of my earlier works, and explore issues of identity brought up by the relational experience of mothering. I seek out other women who are, or have been, both mothers and artists – particularly sculptors – whose work relates to their subjective experiences of mothering. From them I select and investigate both works, and reflections, which I feel resonate with my own experience of combining the roles of mother and artist. Against this background I describe and interpret my own recent body of work, drawn from my subjective experience of becoming, and being, a mother whilst continuing my artistic practice. | en |
| dc.rights | The author retains copyright of this thesis | |
| dc.rights.uri | http://www.library.usyd.edu.au/copyright.html | |
| dc.subject | mother | en |
| dc.subject | artist | en |
| dc.subject | mothering | en |
| dc.subject | art | en |
| dc.subject | motherhood | en |
| dc.subject | intersubjectivity | en |
| dc.subject | identity | en |
| dc.title | Towards a Language of Interruption | en |
| dc.type | Thesis | en |
| dc.date.valid | 2008-01-01 | en |
| dc.type.thesis | Masters by Research | en |
| usyd.faculty | Sydney College of the Arts | en |
| usyd.department | Department of Sculpture, Performance and Installation | en |
| usyd.degree | Master of Visual Arts M.V.A. | en |
| usyd.awardinginst | The University of Sydney | en |
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