TaikOz – Performing Australian Taiko

Abstract

TaikOz have for twenty years pioneered taiko and shakuhachi music in Australia to international acclaim. Taiko, the Japanese word for drum, is also the name of a multifaceted collection of Japanese-looking drumming cultures popular worldwide since the 1960s. As taiko players bolster the legitimacy of their activities with tangential histories of older, even imagined, Japanese art forms, Australian musicians TaikOz spend considerable effort trying to match their practice to this discourse while also challenging its validity. Stuck fitting in as outsiders, TaikOz head taiko proficiency globally and collaborate with the pioneers of the staged genre. By assessing several TaikOz compositions and collaborative projects, and through compilation of all print media mentions of TaikOz, this thesis demonstrates that the stories told about taiko and TaikOz are skewed. Through interviews and fieldwork, TaikOz revealed the ways they work, but how their processes are often unrecognised or misinterpreted. This thesis investigates where communicative errors are occurring and promotes that using a template of performativity might yield more honest renderings of this inter-cultural artistic exercise into text.