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dc.contributor.authorBeaugeais, Katia
dc.date.accessioned2021-04-29T01:09:30Z
dc.date.available2021-04-29T01:09:30Z
dc.date.issued2021en_AU
dc.identifier.urihttps://hdl.handle.net/2123/24991
dc.description.abstractThis PhD thesis examines the dual role of a composer-performer in various creative collaborative contexts. It is presented in two parts: (1) the role of a composer-performer in relation to one’s own compositions, and (2) the role of a composer-performer when performing other composers’ works. Part 1 focuses on how my role as composer-saxophonist influences my compositional writing for saxophone and other instruments. Gestural production through the use of contemporary saxophone playing techniques to form the main motivic framework is discussed in relation to my saxophone concerto, saxophone orchestra, and didgeridoo and wind symphony work. Composition analyses illustrate avant-garde saxophone gestural effects in delicate, melodic solo settings, and in mass, fusion, textural sound block formations to create different sound worlds. My improvisatory stylistic composition approach and score graphic notation methods - including sensory aural and visual gestural devices and unconventional player positioning – allow for different ensemble interpretations, increased ensemble collaboration, surround sound spatialisation and enhanced audience communication. Part 2 addresses the following interrelationship themes between composer and performer practice: performing composer acting as creative contributor; rarity of performer influencing the aesthetic structure of composers’ works; composer-performer interactional mechanisms to create a collective sharing approach; and score function acting as an important collaborative tool. Focus is placed upon the commissioning, creating and recording stages of new Australian saxophone music. Investigation into creative collaborative activity between composer-performer and composer during the rehearsal process highlights specific saxophone idiomatic issues that arose leading up to the international premiere performances and recording of the composers’ works for a 2019 ABC New Waves saxophone podcast and my ABC Classic solo saxophone album.en_AU
dc.language.isoenen_AU
dc.subjectcomposer-performeren_AU
dc.subjectsaxophoneen_AU
dc.subjectcollaborationen_AU
dc.subjectextended techniquesen_AU
dc.subjectNew Australian musicen_AU
dc.titleDual Role of a Composer-Performer: Creative Collaboration in New Australian Saxophone Music and Large-Scale Worksen_AU
dc.typeThesis
dc.type.thesisDoctor of Philosophyen_AU
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en_AU
usyd.facultySeS faculties schools::Sydney Conservatorium of Musicen_AU
usyd.degreeDoctor of Philosophy Ph.D.en_AU
usyd.awardinginstThe University of Sydneyen_AU
usyd.advisorReid, Anna


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