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dc.contributor.authorBall, Karen
dc.date.accessioned2008-03-07
dc.date.available2008-03-07
dc.date.issued2007-12-01
dc.identifier.urihttp://hdl.handle.net/2123/2249
dc.descriptionMaster of Visual Artsen
dc.description.abstractWe all play roles in life. This paper is a personal reflection on identity, and the questioning of this identity. The writer allows the reader into a dream like environment where a life role is acted out as autobiographical narrative through appropriation and reference to the other. Theoretical sources include Walter Benjamin, Roland Barthes, Jacques Lacan and Joseph Kosuth. With reference to these sources, comparison is made between Jan Vermeer’s seventeenth century portraits of women and Bertolt Brecht’s early twentieth century epic theatre.en
dc.rightsThe author retains copyright of this thesis
dc.rights.urihttp://www.library.usyd.edu.au/copyright.html
dc.subjectautobiograhical narrativeen
dc.subjectappropriationen
dc.subjectreference to the otheren
dc.titleTrois Pieces en Forme de Poire (Three Pieces in the Shape of a Pear)en
dc.typeThesisen
dc.date.valid2007-01-01en
dc.type.thesisMasters by Researchen
usyd.facultySydney College of the Artsen
usyd.awardinginstThe University of Sydneyen


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