Unison and "disagreement" in a mixed women's and men's performance from the Ellis collection, Oodnadatta, 1966
| Field | Value | Language |
| dc.contributor.author | Barwick, Linda | |
| dc.date.accessioned | 2019-05-20 | |
| dc.date.available | 2019-05-20 | |
| dc.date.issued | 1995-01-01 | |
| dc.identifier.citation | Barwick, Linda. “Unison and ‘Disagreement’ in a Mixed Women’s and Men’s Performance from the Ellis Collection, Oodnadatta, 1966.” In The Essence of Singing and the Substance of Song, edited by Linda Barwick, Allan Marett, and Guy Tunstill, 95–105. Oceania Monograph 46. Sydney: Oceania Publications, University of Sydney, 1995. | en_AU |
| dc.identifier.isbn | 978-0-86758-994-8 | |
| dc.identifier.uri | http://hdl.handle.net/2123/20431 | |
| dc.description.abstract | This chapter explores the nature of musical 'disagreements' in a performance of the Kungka Kutjara (Two Women) performed by Antikirinya women and men at Oodnadatta in 1966, recorded by Catherine Ellis. Although unisonic performance is preferred in most Central Australian singing, varying degrees of divergence can be heard, generally resulting from a lack of synchronicity in presenting the melodic contour. In the performance in question, it appears that the women and men singers apply different principles in setting the rhythmic text to the melody. | en_AU |
| dc.description.sponsorship | Australian Research Council Queen Elizabeth II Fellowship | en_AU |
| dc.language.iso | en_AU | en_AU |
| dc.publisher | Oceania Publications | en_AU |
| dc.relation.ispartofseries | Oceania monograph | en_AU |
| dc.relation.ispartofseries | 46 | en_AU |
| dc.rights | This material is copyright. Other than for the purposes of and subject to the conditions prescribed under the Copyright Act, no part of it may in any form or by any means (electronic, mechanical, microcopying, photocopying, recording or otherwise) be altered, reproduced, stored in a retrieval system or transmitted without prior written permission from the University of Sydney Library and/or the appropriate author. | en |
| dc.source.uri | http://www.usyd.edu.au/disclaimer.shtml | en |
| dc.subject | Aboriginal music | en_AU |
| dc.subject | women's music | en_AU |
| dc.subject | music analysis | en_AU |
| dc.title | Unison and "disagreement" in a mixed women's and men's performance from the Ellis collection, Oodnadatta, 1966 | en_AU |
| dc.type | Book chapter | en_AU |
| dc.contributor.department | Sydney Conservatorium of Music | en_AU |
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