Baartjap's Wangga
Field | Value | Language |
dc.contributor.author | Marett, Allan | |
dc.contributor.author | Barwick, Linda | |
dc.contributor.author | Ford, Lysbeth | |
dc.date.accessioned | 2019-05-07 | |
dc.date.available | 2019-05-07 | |
dc.date.issued | 2016-11-01 | |
dc.identifier.citation | Barrtjap, T., Moyle, A., Marett, A., Elkin, A., Maddock, K., Barwick, L., … Marett, A. (2016). Barrtjap’s wangga . Sydney: Sydney University Press. | en_AU |
dc.identifier.isbn | 9781743325254 | |
dc.identifier.uri | http://hdl.handle.net/2123/20380 | |
dc.description.abstract | From the 1950s to the 1980s, Barrtjap (Tommy Burrenjuck, c. 1925–1992) was a ritual leader and one of the most prominent singers/composers in Belyuen (Delissaville), one of the heartlands of the wangga tradition. The community’s proximity to Darwin in the Northern Territory meant that Barrtjap and his songs were heard and recorded by many visitors and tourists. Characterised by great musical inventiveness and precision of form, Barrtjap’s songs mixed his ancestral language, Batjamalh, with the utterances of the song-giving ghosts who visited him in a dream. The CD includes recordings of Barrtjap’?s repertory made by Alice Moyle, Allan Marett and other visitors to Belyuen. Barrtjap’s wife, the late Esther Burrenjuck, collaborated closely in the documentation work on Barrtjap’s repertoire, and his sons Kenny Burrenjuck (d. 2010) and Timothy Burrenjuck have carried on his songs and his legacy into the present day. | en_AU |
dc.publisher | Sydney University Press | en_AU |
dc.subject | Indigenous Australian music | en_AU |
dc.subject | Daly River Region | en_AU |
dc.title | Baartjap's Wangga | en_AU |
dc.type | Other | en_AU |
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