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dc.contributor.authorMarett, Allan
dc.contributor.authorBarwick, Linda
dc.contributor.authorFord, Lysbeth
dc.date.accessioned2019-05-07
dc.date.available2019-05-07
dc.date.issued2016-11-01
dc.identifier.citationBarrtjap, T., Moyle, A., Marett, A., Elkin, A., Maddock, K., Barwick, L., … Marett, A. (2016). Barrtjap’s wangga . Sydney: Sydney University Press.en_AU
dc.identifier.isbn9781743325254
dc.identifier.urihttp://hdl.handle.net/2123/20380
dc.description.abstractFrom the 1950s to the 1980s, Barrtjap (Tommy Burrenjuck, c. 1925–1992) was a ritual leader and one of the most prominent singers/composers in Belyuen (Delissaville), one of the heartlands of the wangga tradition. The community’s proximity to Darwin in the Northern Territory meant that Barrtjap and his songs were heard and recorded by many visitors and tourists. Characterised by great musical inventiveness and precision of form, Barrtjap’s songs mixed his ancestral language, Batjamalh, with the utterances of the song-giving ghosts who visited him in a dream. The CD includes recordings of Barrtjap’?s repertory made by Alice Moyle, Allan Marett and other visitors to Belyuen. Barrtjap’s wife, the late Esther Burrenjuck, collaborated closely in the documentation work on Barrtjap’s repertoire, and his sons Kenny Burrenjuck (d. 2010) and Timothy Burrenjuck have carried on his songs and his legacy into the present day.en_AU
dc.publisherSydney University Pressen_AU
dc.subjectIndigenous Australian musicen_AU
dc.subjectDaly River Regionen_AU
dc.titleBaartjap's Wanggaen_AU
dc.typeOtheren_AU


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