Show simple item record

FieldValueLanguage
dc.contributor.authorMarett, Allan
dc.contributor.authorBarwick, Linda
dc.contributor.authorFord, Lysbeth
dc.date.accessioned2019-05-07
dc.date.available2019-05-07
dc.date.issued2016-11-01
dc.identifier.citationMarett, A., Treloyn, S., Crocombe, M., Barwick, L., Ford, L., Ngulkur, M., & Marett, A. (2016). Ma-yawa wangga . Sydney: Sydney University Press.en_AU
dc.identifier.isbn9781743325285
dc.identifier.urihttp://hdl.handle.net/2123/20375
dc.description.abstractThe Ma-yawa wangga repertory was given to songmen by the Marri Ammu ancestral ghosts known as Ma-yawa. Before the late 1960s, it seems that this repertory was frequently performed at Wadeye, but nowadays Marri Ammu people join their Marri Tjavin neighbours in performing the Walakandha wangga repertory for ceremony. All but one of the Ma-yawa wangga songs were composed by the senior Marri Ammu lawman and artist Charlie Niwilhi Brinken (c. 1910–1993), but so far as we know, no recording was ever made of him singing. Maurice Tjakurl Ngulkur (Nyilco) (1940–2001), the Marri Ammu songman, inherited the repertory and added one of his own songs to it. Since his passing in 2001, the songs have rarely been performed. With its strong focus on the Dreamings (ngirrwat) and Dreaming sites (kigatiya) of the Marri Ammu people, the Ma-yawa wangga repertory holds a unique place within the corpus.en_AU
dc.publisherSydney University Pressen_AU
dc.subjectIndigenous Australian musicen_AU
dc.subjectDaly River Regionen_AU
dc.titleMa-Yawa Wanggaen_AU
dc.typeOtheren_AU


Show simple item record

Associated file/s

Associated collections

Show simple item record

There are no previous versions of the item available.