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dc.contributor.authorChung, Li Chloe
dc.date.accessioned2019-04-04
dc.date.available2019-04-04
dc.date.issued2018-02-28
dc.identifier.urihttp://hdl.handle.net/2123/20243
dc.description.abstractThis Masters dissertation is an auto-ethnographic study which details and reflects upon my personal journey of learning to perform the solo dizi 笛子 (Chinese bamboo flute) tradition from various teachers and performers of the dizi tradition over the past three years, and how I have integrated this knowledge to contribute to my developing performance practice as a Western and Chinese flute specialist. By sharing my personal learning experiences living inside and outside of China, I show how these experiences have enriched my overall performance practice, and ultimately transformed it into an intercultural one. The performance component of the thesis illustrates the gestalt of this transformation, an hour-long recital showcasing solo pieces from both the Chinese and Western flute canon. The preparation process for learning some of the pieces for the final recital is documented in this dissertation component.en_AU
dc.rightsThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en_AU
dc.subjectperformance ethnographyen_AU
dc.subjectfluteen_AU
dc.subjectdizien_AU
dc.subjectinterculturalen_AU
dc.subjectcross-culturalen_AU
dc.subjectmusickingen_AU
dc.titleIntercultural Musicking: A study of the dizi from a Western flute perspectiveen_AU
dc.typeThesisen_AU
dc.type.thesisMasters by Researchen_AU
usyd.facultySydney Conservatorium of Musicen_AU
usyd.departmentMusicologyen_AU
usyd.degreeMaster of Music (Performance) M.Mus.(Performance)en_AU
usyd.awardinginstThe University of Sydneyen_AU


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