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dc.contributor.authorChung, Li Chloe
dc.date.accessioned2019-04-04
dc.date.available2019-04-04
dc.date.issued2018-02-28
dc.identifier.urihttp://hdl.handle.net/2123/20243
dc.description.abstractThis Masters dissertation is an auto-ethnographic study which details and reflects upon my personal journey of learning to perform the solo dizi 笛子 (Chinese bamboo flute) tradition from various teachers and performers of the dizi tradition over the past three years, and how I have integrated this knowledge to contribute to my developing performance practice as a Western and Chinese flute specialist. By sharing my personal learning experiences living inside and outside of China, I show how these experiences have enriched my overall performance practice, and ultimately transformed it into an intercultural one. The performance component of the thesis illustrates the gestalt of this transformation, an hour-long recital showcasing solo pieces from both the Chinese and Western flute canon. The preparation process for learning some of the pieces for the final recital is documented in this dissertation component.en
dc.rightsThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en
dc.subjectperformance ethnographyen
dc.subjectfluteen
dc.subjectdizien
dc.subjectinterculturalen
dc.subjectcross-culturalen
dc.subjectmusickingen
dc.titleIntercultural Musicking: A study of the dizi from a Western flute perspectiveen
dc.typeThesisen
dc.type.thesisMasters by Researchen
usyd.facultySydney Conservatorium of Musicen
usyd.departmentMusicologyen
usyd.degreeMaster of Music (Performance) M.Mus.(Performance)en
usyd.awardinginstThe University of Sydneyen


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