Reviewing, reconstructing and reinterpreting ethnographic data on musical instruments in archives and museums

Post, Jennifer C.

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Open Access

Field	Value	Language
dc.contributor.author	Post, Jennifer C.
dc.date.accessioned	2017-04-21
dc.date.available	2017-04-21
dc.date.issued	2015-01-01
dc.identifier.citation	Post, J. (2015). Reviewing, reconstructing and reinterpreting ethnographic data on musical instruments in archives and museums. In A. Harris, N. Thieberger & L. Barwick (Eds.) 'Research, records and responsibility: ten years of PARADISEC' (pp. 133-159). Sydney: Sydney University Press.	en
dc.identifier.uri	http://hdl.handle.net/2123/16670
dc.description.abstract	It is surprising how easy it is to relate Zeitlin’s discussions about a highly valued, finely made musical instrument to other instruments that may not have been made for longevity, connected to well-documented dynasties, or produced in long-established instrument workshops. Over the centuries, musical instruments have travelled along trading routes, with touring performers, with musicians experiencing forced or voluntary migration, and due to the actions of collectors representing museums, archives, academic disciplines, or building personal collections.	en
dc.publisher	Sydney University Press	en
dc.rights	Other	en
dc.subject	archiving	en
dc.subject	digitisation	en
dc.subject	PARADISEC	en
dc.subject	anthropology	en
dc.subject	cultural studies	en
dc.subject	digital preservation	en
dc.title	Reviewing, reconstructing and reinterpreting ethnographic data on musical instruments in archives and museums	en
dc.type	Thesis	en
dc.rights.other	Copyright Sydney University Press	en
usyd.faculty	Sydney University Press	en