The Western Australian New Music Archive: performing as remembering
| Field | Value | Language |
| dc.contributor.author | Hope, Cat | |
| dc.contributor.author | MacKinney, Lisa | |
| dc.contributor.author | Green, Lelia | |
| dc.contributor.author | Travers, Meghan | |
| dc.contributor.author | Mahoney, Tos | |
| dc.date.accessioned | 2017-04-21 | |
| dc.date.available | 2017-04-21 | |
| dc.date.issued | 2015-01-01 | |
| dc.identifier.citation | Hope, C. et al. (2015). The Western Australian New Music Archive: performing as remembering. In A. Harris, N. Thieberger & L. Barwick (Eds.) 'Research, records and responsibility: ten years of PARADISEC'. Sydney: Sydney University Press. | en_AU |
| dc.identifier.isbn | 9781743324431 | |
| dc.identifier.uri | http://hdl.handle.net/2123/16667 | |
| dc.description.abstract | The curation of WANMA is guided by, and confronts the challenges presented by, such a broad definition, with a focus on constructing a representative canon of Western Australian new music history from 1970 to the present day. A drawback of the Western Australian music collection at the State Library of Western Australia (SLWA), and indeed of many other Australian music collections (such as that at the Australian Music Centre and UWA’s Callaway Collection). | en_AU |
| dc.language.iso | en_AU | en_AU |
| dc.publisher | Sydney University Press | en_AU |
| dc.rights | Copyright Sydney University Press | |
| dc.subject | archiving | en_AU |
| dc.subject | digitisation | en_AU |
| dc.subject | PARADISEC | en_AU |
| dc.subject | anthropology | en_AU |
| dc.subject | cultural studies | en_AU |
| dc.subject | digital preservation | en_AU |
| dc.title | The Western Australian New Music Archive: performing as remembering | en_AU |
| dc.type | Book chapter | en_AU |
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