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dc.contributor.authorRahman, Sabina Begum
dc.date.accessioned2016-07-20
dc.date.available2016-07-20
dc.date.issued2016-03-16
dc.identifier.urihttp://hdl.handle.net/2123/15366
dc.description.abstractThis thesis examines the representation of the three estates of medieval society in the early Robin Hood ballads, suggesting that they are echoing and stimulating social change away from the tripartite model of feudalism and towards a more equitable, if still hierarchical, social model. It will look particularly at the early texts “Robin Hood and the Monk”, “Robin Hood and Guy of Gisborne”, “Robin Hood and the Potter” and “A Gest of Robyn Hode” examining themes of violence, transgression, and fellowship to lead to a conclusion that the ballads are testing current laws and social norms to reveal their inherent weaknesses and to promote an idealised conception of the free common man.en
dc.rightsThe author retains copyright of this thesis
dc.subjectMedievalen
dc.subjectViolenceen
dc.subjectHomosocialen
dc.subjectChurchen
dc.subjectCarnivalen
dc.subjectSurveillanceen
dc.titleRobin Hood and the Three Estates of Medieval Societyen
dc.typeThesisen
dc.date.valid2016-01-01en
dc.type.thesisMasters by Researchen
usyd.facultySeS faculties schools::Faculty of Arts and Social Sciences::School of Art, Communication and Englishen
usyd.departmentDepartment of Englishen
usyd.degreeMaster of Philosophy M.Philen
usyd.awardinginstThe University of Sydneyen


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