Musical form and style in Murriny Patha djanba songs at Wadeye (Northwest Australia)
Field | Value | Language |
dc.contributor.author | Barwick, Linda | |
dc.date.accessioned | 2015-04-08 | |
dc.date.available | 2015-04-08 | |
dc.date.issued | 2011-01-01 | |
dc.identifier.citation | Barwick, Linda. “Musical Form and Style in Murriny Patha Djanba Songs at Wadeye (Northwest Australia).” In Analytical and Cross-Cultural Studies in World Music, edited by Michael Tenzer and John Roeder, 316–354. Oxford and New York: Oxford University Press, 2011. | en_AU |
dc.identifier.isbn | 978-0-19-538458-1 | |
dc.identifier.uri | http://hdl.handle.net/2123/13102 | |
dc.description | This is a postprint of the author's accepted manuscript with page numbers edited to match the published version. | en_AU |
dc.description.abstract | This chapter concerns the musical form and social history of djanba songs—public dance-songs in Murriny Patha language from Wadeye, in Australia's northwest Northern Territory—and how they fit within the musical landscape of traditional Australian Indigenous song styles. One djanba song composed by Lawrence Kolumboort is compared with exemplars of other relevant public dance-song genres, namely junba (from the Kimberley region of Western Australia, composed by Ngarinyin-Miwa composer Scotty Nyalgodi Martin) and lirrga (a didjeridu-accompanied dance-song in Marri Ngarr language, composed by Pius Luckan and often performed alongside djanba in the community of Wadeye). Analysis shows how encounters and exchanges with other musical styles have been of profound importance in the genesis and development of djanba song style. | en_AU |
dc.description.sponsorship | Australian Research Council DP0450131, DP1096897 | en_AU |
dc.language.iso | en_AU | en_AU |
dc.publisher | Oxford University Press | en_AU |
dc.rights | This material is copyright. Other than for the purposes of and subject to the conditions prescribed under the Copyright Act, no part of it may in any form or by any means (electronic, mechanical, microcopying, photocopying, recording or otherwise) be altered, reproduced, stored in a retrieval system or transmitted without prior written permission from the University of Sydney Library and/or the appropriate author. | en |
dc.rights.uri | http://www.usyd.edu.au/disclaimer.shtml | en |
dc.subject | ethnomusicology | en_AU |
dc.subject | Wadeye, NT | en_AU |
dc.subject | music analysis | en_AU |
dc.subject | djanba songs | en_AU |
dc.subject | Murrinh-patha | en_AU |
dc.subject | Marri Ngarr | en_AU |
dc.subject | Ngarinyin | en_AU |
dc.subject | musical style | en_AU |
dc.title | Musical form and style in Murriny Patha djanba songs at Wadeye (Northwest Australia) | en_AU |
dc.type | Book chapter | en_AU |
dc.contributor.department | PARADISEC, Sydney Conservatorium of Music, University of Sydney | en_AU |
dc.identifier.doi | 10.1093/acprof:oso/9780195384581.003.0009 |
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