Tempo bands, metre and rhythmic mode in Marri Ngarr 'Church Lirrga' songs
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ArticleAuthor/s
Barwick, LindaAbstract
During the 1970s, the Marri Ngarr composer Pius Luckan and his brother Clement Tchinburur created a set of liturgical songs ('churcb lirrga') based on the didjeridu-accompanied dance-song genre Lirrga, one of several public ceremonial genres in Wadeye, NT. Musical analysis and ...
See moreDuring the 1970s, the Marri Ngarr composer Pius Luckan and his brother Clement Tchinburur created a set of liturgical songs ('churcb lirrga') based on the didjeridu-accompanied dance-song genre Lirrga, one of several public ceremonial genres in Wadeye, NT. Musical analysis and discussion witb composers sbows that the songs fall into named distinct tempo ranges ('tempo bands’), that tempo bands correlate witb different metres in the vocal part (tbis combination is termed 'rhythmic mode'), and that singers highlight rhythmic mode by systematic juxtaposition of contrasting songs. Accounts of similar compositional practices in other Australian song repertoires are noted.
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See moreDuring the 1970s, the Marri Ngarr composer Pius Luckan and his brother Clement Tchinburur created a set of liturgical songs ('churcb lirrga') based on the didjeridu-accompanied dance-song genre Lirrga, one of several public ceremonial genres in Wadeye, NT. Musical analysis and discussion witb composers sbows that the songs fall into named distinct tempo ranges ('tempo bands’), that tempo bands correlate witb different metres in the vocal part (tbis combination is termed 'rhythmic mode'), and that singers highlight rhythmic mode by systematic juxtaposition of contrasting songs. Accounts of similar compositional practices in other Australian song repertoires are noted.
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Date
2003-01-01Publisher
Australasian Music ResearchLicence
This material is copyright. Other than for the purposes of and subject to the conditions prescribed under the Copyright Act, no part of it may in any form or by any means (electronic, mechanical, microcopying, photocopying, recording or otherwise) be altered, reproduced, stored in a retrieval system or transmitted without prior written permission from the University of Sydney Library and/or the appropriate author.Department, Discipline or Centre
PARADISEC, Sydney Conservatorium of Music, University of SydneyCitation
Barwick, Linda. "Tempo bands, metre and rhythmic mode in Marri Ngarr 'Church Lirrga' songs." Australasian Music Research 7 (2003): 67–83.Share