Italian Traditional Music in Adelaide in the 1970s and 1980s
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Barwick, LindaAbstract
A version of this chapter was originally presented at the Second National Folklore Conference in Sydney in October 1986, responding to the conference theme “multicultural influences upon the Australian folk heritage”. This version of the paper presented here has been substantially ...
See moreA version of this chapter was originally presented at the Second National Folklore Conference in Sydney in October 1986, responding to the conference theme “multicultural influences upon the Australian folk heritage”. This version of the paper presented here has been substantially updated with references to published research that has appeared since its original presentation. The paper addresses three questions: • In what sense it is useful to talk about “the Australian folk heritage” in the singular? • In what avenues might any “multicultural” influences operate? • How would it be possible to identify such influences after the event? Italy has a number of historical and geographical features that make its traditional popular culture extremely diverse. Political unification did not occur until 1861, and the national language remained largely literary and bureaucratic in use until the twentieth century. Because of this relatively recent political and linguistic unification of the country, regional cultures characterised by diverse dialects and rich oral traditions thrived until quite recently, when the impact of mass media began increasingly to overwhelm the underlying cultural diversity. Some aspects of these traditions have survived more strongly in Australia than in Italy because of lack of competition from the national language, while others have died out due to changes in social structures in Australia.
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See moreA version of this chapter was originally presented at the Second National Folklore Conference in Sydney in October 1986, responding to the conference theme “multicultural influences upon the Australian folk heritage”. This version of the paper presented here has been substantially updated with references to published research that has appeared since its original presentation. The paper addresses three questions: • In what sense it is useful to talk about “the Australian folk heritage” in the singular? • In what avenues might any “multicultural” influences operate? • How would it be possible to identify such influences after the event? Italy has a number of historical and geographical features that make its traditional popular culture extremely diverse. Political unification did not occur until 1861, and the national language remained largely literary and bureaucratic in use until the twentieth century. Because of this relatively recent political and linguistic unification of the country, regional cultures characterised by diverse dialects and rich oral traditions thrived until quite recently, when the impact of mass media began increasingly to overwhelm the underlying cultural diversity. Some aspects of these traditions have survived more strongly in Australia than in Italy because of lack of competition from the national language, while others have died out due to changes in social structures in Australia.
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2012-01-01Publisher
Lyrebird PressLicence
This material is copyright. Other than for the purposes of and subject to the conditions prescribed under the Copyright Act, no part of it may in any form or by any means (electronic, mechanical, microcopying, photocopying, recording or otherwise) be altered, reproduced, stored in a retrieval system or transmitted without prior written permission from the University of Sydney Library and/or the appropriate author.Department, Discipline or Centre
PARADISEC, Sydney Conservatorium of Music, University of SydneyCitation
Barwick, Linda. (2012). Italian Traditional Music in Adelaide in the 1970s and 1980s. In L. Barwick & M. Sorce Keller (Eds.), Italy in Australia's Musical Landscape (pp. 65–82). Melbourne: Lyrebird Press.Share