The rhythm of life: the perfect rhythm of morse code

Abstract

Morse code is a unique exemplar of the inherent complexities of rhythm. Learning Morse code in wartime presented challenges to expedite skill acquisition. This thesis explored the strategies used to teach and learn Morse code in the second World War and investigated the resourceful techniques used by the WRANS in an empirical study. The first study investigated the teaching and learning strategies of wartime telegraphists to learn Morse code. Five WRANS described a series of techniques to learn Morse code, including rote learning and repetition, visualisation and pattern recognition, intoning and mnemonics, and music. Music provided effective training for the fundamental teaching and learning of Morse code by matching the rhythmical properties of Morse code to music. Music equipped Morse code operators with a unique approach to Morse code instruction. Learning Morse code with music was described as a way of making sense of the ‘rhythm’ and ‘shape’ of the Morse code letters and proved an invaluable aid to learning and teaching Morse code. The second study examined the effectiveness of learning Morse code with the aid of music. Novices formed two groups, Control Group (no music aid) and Music Group (with music aid). Results confirmed the effectiveness of music training in three Morse code letters, Q V, and A in two experiments, the first with known Morse code letters (Q V A) and the second with unknown letters. The Music Group accurately identified 90% of known and unknown Morse code letters compared to the Control Group who identified less then 50% of known and unknown Morse code letters. This thesis explored the transferable attributes of rhythm perception in music as a teaching and learning mechanism for Morse code. There is extensive research on the complex learning and retention of Morse code but the studies in this thesis have indicated that the ground-breaking wartime strategy of music and Morse code is a powerful duo. The investigation of learning and teaching strategies of the WRANS showed that musical rhythm influenced the skill acquisition of Morse code and the perceptual test suggests that current work in rhythm perception extends beyond music pedagogy and has further implications for all cognitive function.