Sydney Conservatorium of Music: Recent submissions
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John Barnett (1802-1890), Harry Stoe van Dyk (words): The light guitar [Oh! leave the gay and festive scenes]; Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022
Published 2022-08-12This theatre song, with its chivalric evocations of troubadors and guitars, was first popularised by a star theatrical singer in 1820s London, Madame (Lucia) Vestris. A decade later, in Sydney, the song was still being ...Open AccessAudiovisual -
William Ellard (d. c. 1838/39): The much admired Australian quadrilles (Dublin and Sydney, 1835) (‘Dedicated by permission to Miss Hely of Engehurst’) [1] La Sydney; [2] La Wooloomooloo [sic]; [3] La Illawarra; [4] La Bong-Bong; [5] La Engehurst; Neal Peres Da Costa (pianoforte), Annie Gard (violin), Daniel Yeadon (violoncello); Elizabeth Bay House, Sydney, 27 February 2022
Published 2022-08-12Dublin-born Francis Ellard, Sydney’s earliest specialist music publisher, advertised his first sheet music titles late in 1835. Ellard engraved all of his later sheet music himself and had it printed here in Sydney, but ...Open AccessAudiovisual -
Henry Rowley Bishop (1787-1856): Overture to Guy Mannering (arr. for pianoforte trio); Neal Peres Da Costa (pianoforte), Annie Gard (violin), Daniel Yeadon (violoncello); Elizabeth Bay House, Sydney, 27 February 2022
Published 2022-08-12Following quickly on its first publication, Walter Scott’s 1815 novel ‘Guy Mannering’ was adapted for the lyric stage as an opera produced in London the following year, with a score ‘composed, selected, and arranged’ by ...Open AccessAudiovisual -
William Joseph Cavendish (1789-1839); Fairy quadrilles and waltzes (Sydney, 1833); first modern performance; Neal Peres Da Costa (pianoforte), Annie Gard (violin), Daniel Yeadon (violoncello); Elizabeth Bay House, Sydney, 27 February 2022
Published 2022-08-12Movements: [1] Pantalon (Radoma); [2] L’Été (Betanimena); [3] Poule (Kurry Jong); [4] Pastourelle (Woo-loo-moo-loo) [sic]; [5] Finale (Matitanana); [6] Waltz No. 1; [7] Waltz No. 2. Until he tragically drowned in Sydney ...Open AccessAudiovisual -
Alexander Lee (1802-1851), Thomas Haynes Bayly (words): Come where the aspens quiver]; Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022
Published 2022-08-12This theatre song, with its chivalric evocations of troubadors and guitars, was first popularised by a star theatrical singer in 1820s London, Mrs (Harriet) Waylett. A decade later, in Sydney, the song was still being sung ...Open AccessAudiovisual