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Sydney Conservatorium of Music: Recent submissions

    • Songs and the Deep Present 

      Barwick, Linda
      Published 2023
      This chapter contributes to frameworks for understanding the deep human past by considering how expansion of attention to the present, through performance among other practices, can change one’s awareness of self in relation ...
      Open Access
      Book chapter
      View
    • Mozart Piano Concerto K. 488 Project 

      Peres Da Costa, Neal
      Published 2022-12-15
      The 20th-century heralded unprecedented change in ‘classical’ music performance aesthetics as documented in sound recordings. By 1950, many unnotated expressive techniques (belonging to a long-established continuum of ...
      Open Access
      Recording, musical
      View
    • William Joseph Cavendish (1789-1839); Fairy quadrilles and waltzes (Sydney, 1833); first modern performance; Neal Peres Da Costa (pianoforte), Annie Gard (violin), Daniel Yeadon (violoncello); Elizabeth Bay House, Sydney, 27 February 2022 

      Peres Da Costa, Neal; Yeadon, Daniel; Gard, Annie; Stephens, Matthew; Skinner, Graeme
      Published 2022-08-12
      Movements: [1] Pantalon (Radoma); [2] L’Été (Betanimena); [3] Poule (Kurry Jong); [4] Pastourelle (Woo-loo-moo-loo) [sic]; [5] Finale (Matitanana); [6] Waltz No. 1; [7] Waltz No. 2. Until he tragically drowned in Sydney ...
      Open Access
      Audiovisual
      View
    • John Barnett (1802-1890), Harry Stoe van Dyk (words): The light guitar [Oh! leave the gay and festive scenes]; Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022 

      Peres Da Costa, Neal; van Stade, Koen; Stephens, Matthew; Skinner, Graeme
      Published 2022-08-12
      This theatre song, with its chivalric evocations of troubadors and guitars, was first popularised by a star theatrical singer in 1820s London, Madame (Lucia) Vestris. A decade later, in Sydney, the song was still being ...
      Open Access
      Audiovisual
      View
    • William Ellard (d. c. 1838/39): The much admired Australian quadrilles (Dublin and Sydney, 1835) (‘Dedicated by permission to Miss Hely of Engehurst’) [1] La Sydney; [2] La Wooloomooloo [sic]; [3] La Illawarra; [4] La Bong-Bong; [5] La Engehurst; Neal Peres Da Costa (pianoforte), Annie Gard (violin), Daniel Yeadon (violoncello); Elizabeth Bay House, Sydney, 27 February 2022 

      Peres Da Costa, Neal; Yeadon, Daniel; Gard, Annie; Stephens, Matthew; Skinner, Graeme
      Published 2022-08-12
      Dublin-born Francis Ellard, Sydney’s earliest specialist music publisher, advertised his first sheet music titles late in 1835. Ellard engraved all of his later sheet music himself and had it printed here in Sydney, but ...
      Open Access
      Audiovisual
      View
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