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|Title:||Post-digital aesthetics and the function of process.|
Australian Network for Art & Technology
University of Sydney
|Citation:||Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.|
|Abstract:||The theorisation of post-digital aesthetics in music and sound art seems to be split in two contradictory directions. One direction emphasises the foregrounding of digital processes through the use of process-based procedures, while the other tends toward a neo-modernist, sound-in-itself tendency that would seek to obscure the role of process in the work. This paper argues for a re-evaluation of post-digital music and sound art practices from the perspective of non-subjective modes of composition and making, where aesthetic intentions are suspended.|
|Type of Work:||Conference Paper|
|Appears in Collections:||Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney|
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