An investigation into a cohesive method of teaching jazz harmony and improvisation to elective music students in secondary schools using the basic principals of chord-scale theory
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Open Access
Type
ThesisThesis type
Masters by ResearchAuthor/s
Forster, RaymondAbstract
This study investigates and suggests a coherent method/curriculum of teaching the basic principals of ‘chord-scale theory’ to elective music students in high schools with a view of increasing and enhancing their skill and understanding of modern jazz harmony and improvisation. The ...
See moreThis study investigates and suggests a coherent method/curriculum of teaching the basic principals of ‘chord-scale theory’ to elective music students in high schools with a view of increasing and enhancing their skill and understanding of modern jazz harmony and improvisation. The teaching was delivered as a series of eight lessons to a group of Year 10 elective music students in a school in NSW, Australia. In doing so, the purpose of the study was not only to provide information to the students on the harmonic implications of this theory (chords), but also to suggest improvisational possibilities (scales), and to record their personal or group responses to these lessons. The conclusions reached are the results of questionnaires, class recordings, class and individual participation, the students’ general enthusiasm for the subject, and the relevance of the lessons to statements about improvisation in the Music syllabuses of the NSW Board of Studies.
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See moreThis study investigates and suggests a coherent method/curriculum of teaching the basic principals of ‘chord-scale theory’ to elective music students in high schools with a view of increasing and enhancing their skill and understanding of modern jazz harmony and improvisation. The teaching was delivered as a series of eight lessons to a group of Year 10 elective music students in a school in NSW, Australia. In doing so, the purpose of the study was not only to provide information to the students on the harmonic implications of this theory (chords), but also to suggest improvisational possibilities (scales), and to record their personal or group responses to these lessons. The conclusions reached are the results of questionnaires, class recordings, class and individual participation, the students’ general enthusiasm for the subject, and the relevance of the lessons to statements about improvisation in the Music syllabuses of the NSW Board of Studies.
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Date
2010-01-01Licence
The author retains copyright of this thesis.Faculty/School
Sydney Conservatorium of MusicAwarding institution
The University of SydneyShare