The Bow and the Lyre: Harmonious structures and opposite tensions – collaboration and extramusical inspiration in composition
Access status:
Open Access
Type
ThesisThesis type
Professional doctorateAuthor/s
Meurant, Cyrus LouisAbstract
This folio of compositions and accompanying exegesis represents a wide range of works often created in response to briefs from musicians, choreographers, directors and other advisors. The works demonstrate, to varying extents, how approaches towards the consideration of a work’s ...
See moreThis folio of compositions and accompanying exegesis represents a wide range of works often created in response to briefs from musicians, choreographers, directors and other advisors. The works demonstrate, to varying extents, how approaches towards the consideration of a work’s utility, genre and extramusical inspiration are intrinsically manifest in the compositional processes employed. Beginning with Monday to Friday – a work composed for installation in care homes and informed by literature pertaining to the use of music in dementia care – the discussion initially relates to ideas surrounding how consideration of a work’s utility can directly influence the underlying theoretical approach to its creation. Following on, the Concertino for clarinet and string quartet is representative of approaches pertaining to the generation of form through content informed by concepts of genre. Music composed in relation to literary and extramusical stimulus is then presented in the string orchestra work Vessel (including introductory Prelude) along with the 1-hour dance work Le Petit Prince. All these compositional strategies culminate in the opera Herakleitos which sets selected surviving fragments of the philosopher Heraclitus in a series of seven tableaux for three singers and chamber ensemble. The work endeavours to open a theatrical and interrogative framework whereby multiple layers of historical meaning can be considered in tandem with Heraclitus’ ideas, epoch and legacy. Ultimately the endeavour of these compositions is the cultivation of a musical art which promotes immediate audience engagement and active listening, often as a basis for interdisciplinary collaboration. Genre, utility, metaphor, and cross disciplinary collaboration informed by a deep desire to create an art which is open to a wide scope of interpretation – for both performers and listeners – are the key tenets of these works.
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See moreThis folio of compositions and accompanying exegesis represents a wide range of works often created in response to briefs from musicians, choreographers, directors and other advisors. The works demonstrate, to varying extents, how approaches towards the consideration of a work’s utility, genre and extramusical inspiration are intrinsically manifest in the compositional processes employed. Beginning with Monday to Friday – a work composed for installation in care homes and informed by literature pertaining to the use of music in dementia care – the discussion initially relates to ideas surrounding how consideration of a work’s utility can directly influence the underlying theoretical approach to its creation. Following on, the Concertino for clarinet and string quartet is representative of approaches pertaining to the generation of form through content informed by concepts of genre. Music composed in relation to literary and extramusical stimulus is then presented in the string orchestra work Vessel (including introductory Prelude) along with the 1-hour dance work Le Petit Prince. All these compositional strategies culminate in the opera Herakleitos which sets selected surviving fragments of the philosopher Heraclitus in a series of seven tableaux for three singers and chamber ensemble. The work endeavours to open a theatrical and interrogative framework whereby multiple layers of historical meaning can be considered in tandem with Heraclitus’ ideas, epoch and legacy. Ultimately the endeavour of these compositions is the cultivation of a musical art which promotes immediate audience engagement and active listening, often as a basis for interdisciplinary collaboration. Genre, utility, metaphor, and cross disciplinary collaboration informed by a deep desire to create an art which is open to a wide scope of interpretation – for both performers and listeners – are the key tenets of these works.
See less
Date
2019-09-24Licence
The author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.Faculty/School
Sydney Conservatorium of MusicAwarding institution
The University of SydneyShare