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Reflective Practice in Hybrid Sound Fields: Reconceptualising Sound-Based Composition for the Mixed Reality Continuum

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Thesis (PDF, 11.71MB)
CROSS, Tiernan 430214442 Performance recording Track 1 (X-AIFF, 62.1MB)
CROSS, Tiernan 430214442 Performance recording Track 2 (X-WAV, 53.1MB)
CROSS, Tiernan 430214442 Performance recording Track 3 (X-WAV, 45.45MB)
CROSS, Tiernan 430214442 Performance recording Track 4 (X-AIFF, 61.27MB)
CROSS, Tiernan 430214442 Performance recording Track 5 (X-WAV, 61.92MB)
CROSS, Tiernan 430214442 Performance recording Track 6 (X-AIFF, 43.76MB)
CROSS, Tiernan 430214442 Performance recording Track 7 (X-AIFF, 49.65MB)
CROSS, Tiernan 430214442 Performance recording Track 8 (X-AIFF, 28.79MB)
Date
2018-12-25
Author
Cross, Tiernan
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Abstract
We currently exist in a post-biological age. Mixed-realities shape the way in which we live modern life; half in physical form, half in a hyper-mediated virtual environment of network protocols. This thesis discusses the technological impacts on the phenomenology of sound and the ways in which mixed-reality sound environments are developing through augmented combinations of auditory matter. In doing so, it examines ways in which field recording techniques can be reconceptualised to match the power and capacity of today’s hybrid environments of occupancy. The system architecture and implementation of an original software patch will be presented, demonstrating the utilization of modern programming methods to capture and record mixed reality sound fields. Conclusively, a composition portfolio will explore ways in which sound-based creativity can be reinterpreted for mixed-reality spaces as a somewhat mimicry or response to our immediate sound environments.
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http://hdl.handle.net/2123/20548
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  • Sydney Digital Theses (University of Sydney Access only) [2933]

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Privacy
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ABN: 15 211 513 464
CRICOS Number: 00026A