The Singing Flute: Tone Philosophies from the French Flute School to the Present Day

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Field	Value	Language
dc.contributor.author	Bradstreet, Jennifer
dc.date.accessioned	2019-04-05
dc.date.available	2019-04-05
dc.date.issued	2018-06-30
dc.identifier.uri	http://hdl.handle.net/2123/20251
dc.description.abstract	The Singing Flute is written in four parts and surveys tone philosophies from past to present. It includes four significant flautists. Part I explores the French Flute School teachings of Marcel Moyse (1889-1984); the following three parts document tonal practices of current international flute experts: Philippe Bernold (France, 1960 -), Leone Buyse (USA, 1947 -), and Thies Roorda (Netherlands, 1954 -).	en_AU
dc.rights	The author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.	en_AU
dc.subject	Tone	en_AU
dc.subject	Flute	en_AU
dc.subject	Roorda	en_AU
dc.subject	Moyse	en_AU
dc.subject	Bernold	en_AU
dc.subject	Buyse	en_AU
dc.title	The Singing Flute: Tone Philosophies from the French Flute School to the Present Day	en_AU
dc.type	Thesis	en_AU
dc.type.thesis	Masters by Research	en_AU
usyd.faculty	Sydney Conservatorium of Music	en_AU
usyd.degree	Master of Music M.Mus.	en_AU
usyd.awardinginst	The University of Sydney	en_AU