Scary Monsters and Super Creeps: Analogue Photography Materialising the Australian Gothic
Access status:
Open Access
Type
ThesisThesis type
Masters by ResearchAuthor/s
Conroy, Claire ElizabethAbstract
This research paper positions my creative practice within the theoretical framework of the Gothic mode and analogue photography. In doing so I have been able to explore expressive methods of relating to the natural world in a colonised country. My creative research expands my ...
See moreThis research paper positions my creative practice within the theoretical framework of the Gothic mode and analogue photography. In doing so I have been able to explore expressive methods of relating to the natural world in a colonised country. My creative research expands my analogue photographic practice in process and subject matter. I materialise my theoretical concerns through the photographic image, paper negative, chemistry and the hand-made camera. I have created a camera obscura from a 1955 caravan, which is a theatrical space for experiencing the projected image of the outside world. I have also made this caravan a mobile pinhole camera, studio and darkroom. I expanded my photographic chemical practice by incorporating household products such as coffee to create my black and white lens-less photography. This research has also culminated in the creation of four series of photographic works: Scary Monsters and Super Creeps, Other Worlds, Weltzmertz and Weltzmertz Disrupted.
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See moreThis research paper positions my creative practice within the theoretical framework of the Gothic mode and analogue photography. In doing so I have been able to explore expressive methods of relating to the natural world in a colonised country. My creative research expands my analogue photographic practice in process and subject matter. I materialise my theoretical concerns through the photographic image, paper negative, chemistry and the hand-made camera. I have created a camera obscura from a 1955 caravan, which is a theatrical space for experiencing the projected image of the outside world. I have also made this caravan a mobile pinhole camera, studio and darkroom. I expanded my photographic chemical practice by incorporating household products such as coffee to create my black and white lens-less photography. This research has also culminated in the creation of four series of photographic works: Scary Monsters and Super Creeps, Other Worlds, Weltzmertz and Weltzmertz Disrupted.
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Date
2015-08-01Licence
The author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.Faculty/School
Sydney College of the ArtsAwarding institution
The University of SydneyShare