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|dc.contributor.author||Ross, Douglas Robert||-|
|dc.description.abstract||I propose in this thesis that the internal evidence of the composition of Richard Strauss’s Concerto for Horn, Op. 11 indicates that the horn part of the concerto may originally have been conceived with the natural horn in mind. Contrary to the claims of successive performers and scholars, the advanced hand-horn techniques in use in the late nineteenth century would have made it entirely playable on the natural horn by expert performers. It is therefore my intention in the performance component of the degree to perform the work on the natural horn.||en_AU|
|dc.publisher||University of Sydney||en_AU|
|dc.publisher||Sydney Conservatorium of Music||en_AU|
|dc.subject||concerto for horn, Op.11 horn||en_AU|
|dc.title||Richard Strauss’s concerto for horn, Op.11 and the natural horn||en_AU|
|dc.type.pubtype||Master of Music (Performance) M.Mus.(Performance)||en_AU|
|Appears in Collections:||Sydney Digital Theses (Open Access)|
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|ross_dr_thesis.pdf||Thesis||12.24 MB||Adobe PDF|
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