Debussy and late-romantic performing practices: an investigation of Debussy's piano rolls of 1913
Field | Value | Language |
dc.contributor.author | Ho, Jocelyn | |
dc.date.accessioned | 2016-08-03 | |
dc.date.available | 2016-08-03 | |
dc.date.issued | 2009-01-01 | |
dc.identifier.uri | http://hdl.handle.net/2123/15462 | |
dc.language.iso | en_AU | en_AU |
dc.rights | This copy was made by or on behalf of the University of Sydney. The author retains copyright of this material. | |
dc.subject | Debussy, Claude, 1862-1918 -- Criticism and interpretation | en_AU |
dc.subject | Performance practice (Music) -- History -- 20th century | en_AU |
dc.subject | Piano music -- Analysis, appreciation | en_AU |
dc.subject | Piano music -- Interpretation (Phrasing, dynamics, etc.) | en_AU |
dc.subject | Player piano rolls | en_AU |
dc.title | Debussy and late-romantic performing practices: an investigation of Debussy's piano rolls of 1913 | en_AU |
dc.type | Thesis | en_AU |
dc.contributor.department | Sydney Conservatorium of Music | en_AU |
dc.type.thesis | Masters by Research | en_AU |
usyd.faculty | Sydney Conservatorium of Music | en_AU |
usyd.degree | Master of Music (Performance) M.Mus.(Performance) | en_AU |
usyd.awardinginst | The University of Sydney | en_AU |
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