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|2007||Musical and linguistic perspectives on Aboriginal song||Marett, Allan; Barwick, Linda; PARADISEC, Sydney Conservatorium of Music, University of Sydney|
|2005||Communities of interest: issues in establishing a digital resource on Murrinh-patha song at Wadeye (Port Keats), NT||Barwick, Linda; Marett, Allan; Walsh, Michael; Reid, Nicholas; Ford, Lysbeth; PARADISEC, Sydney Conservatorium of Music, University of Sydney|
|2003||Endangered songs and endangered languages.||Marett, Allan; Barwick, Linda|
|2006||The National Recording Project for Indigenous Performance in Australia: year one in review||Marett, Allan; Yunupingu, Mandawuy; Langton, Marcia; Gumbula, Neparrŋa; Barwick, Linda; Corn, Aaron|
|2007||Arriving, digging, performing, returning: an exercise in rich interpretation of a djanba song text in the sound archive of the Wadeye Knowledge Centre, Northern Territory of Australia||Barwick, Linda; Marett, Allan; Blythe, Joe; Walsh, Michael; PARADISEC, SLAM, Faculty of Arts and Social Sciences; Department of Linguistics|
|2004||Sound recordings as maruy among the Aborigines of the Daly region of north west Australia||Marett, Allan|
|2014||Mirrwana and wurrkama: applying an Indigenous knowledge framework to collaborative research on ceremonies||Ford, Payi Linda; Barwick, Linda; Marett, Allan; Sydney Conservatorium of Music|