https://hdl.handle.net/2123/10416 Sun, 07 Jun 2026 02:09:09 GMT 2026-06-07T02:09:09Z https://hdl.handle.net/2123/14875 INSTRUCTIONS FOR DESC9115 2016 FINAL WRITTEN REVIEW Martens, William The objective of this assignment is to provide students with the opportunity to demonstrate their ability to explain the application of digital audio technology in a product development scenario. This will require both the explanation of fundamental digital audio principles and a specification of how a practical problem can be solved using digital audio signal processing (DSP). To successfully complete this assignment students will submit typewritten text of about 1200 words (about 4 pages) to explain the audio product development project that they have chosen. The text should include at least one original diagram to present the details of the proposed DSP application (not copied from another publication). In explaining the fundamental digital audio principles associated with the application, a mathematical specification of the applied DSP technique(s) should be included (e.g., equations specifying how filter output samples are calculated from input samples). The key to success here is to present the product development in such a way that there is no doubt in the readers’ minds you will be able to complete the work by a projected date: There should be no uncertain details in this functional specification. Sat, 07 May 2016 00:00:00 GMT https://hdl.handle.net/2123/14875 2016-05-07T00:00:00Z https://hdl.handle.net/2123/11440 Beat Tracking with Randomised Audio Effects Processing Chiara, Peregrin Sun, 29 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/11440 2014-06-29T00:00:00Z https://hdl.handle.net/2123/10630 Final Review Anderson, David In this written review the author discusses the physical properties of a particular audio effect, the Leslie rotary speaker, as well as audio signal processing and DSP techniques required to simulate the effect in the digital domain, comparing existing two methodologies. A implementation performed by the author in then discussed, with improvements suggested. Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10630 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10642 Multi-Band Limiter Value to Production Chain and Its Processing Limitation Nirwandar, Rizkirrahman Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10642 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10636 Pitch Shifting with Formants of Original Sound Dowdy, Rachel Pitch shifting is the process of changing the frequencies of a sound but keeping the same duration. This change in frequency creates new formants, changing the character of the original sound. This paper proposes a way to maintain the original formants while pitch shifting the sound. Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10636 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10641 Emulating Reverb and Delay Units Using Fast Convolution Marco, Velasco Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10641 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10646 ANALYZE THE PRINCIPALS OF PITCH-SHIFTING Xiao, Han Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10646 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10637 Digital Flangers Basa, Tony This paper will look at the implementation of flangers in the digital domain and address the key issues facing their use. Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10637 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10633 Final Review Ahmad Rasidi, Ainnol Lilisuliani A review on artificial reverb Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10633 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10644 THREE MAIN SPATIAL TECHNIQUES of SPATIAL MIXING SYSTEM Park, Sangkyou This written review is to have a deep review for three techniques to realize spatial effects, which are Head Related Transfer Functions, Image Source Method, and Schroeder Reverberation, utilized in Spatial Mixing System, 2nd lab report. Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10644 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10640 Written Review 2 - Vibrato Boog, Damien Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10640 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10639 Vibrato O'Brien, David A review on the digital effect Vibrato Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10639 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10643 Listener Envelopment Marion, Bruno Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10643 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10635 Review of Granulation Effects Williams, Laurence It is within the scope of this second written review to condense and synthesise the material covered in the previous two assignments, as well to present a broader and more comprehensive summary of granular techniques. Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10635 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10638 The Parameters and Modulation of Vocal Vibrato Synthesis Kumar, Nishta To create high quality synthesis of any vocal signal, it is important to analyze and implement the characteristics that are necessary to maintain its fidelity and natural sound. This is particularly complex when it comes to vibrato of a vocal signal that is synthesized for a flat signal.Vibrato is especially important in vocal performance and provides a valuable added dimension for expressive control. Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10638 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10645 Phase Vocoder Design Hook, Sean This paper explores necessary algorithms within the block by block model of the phase vocoder. Namely windowing, the circular shift and phase unwrapping. Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10645 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10632 Musical Applications of the Modulation Signal for Modulation-Based Effects (Vibrato and Tremolo) Colla, James Digital Synthesis of Modulation-Based effects is an area of study that is regularly revisited and improved. The ability to apply a vibrato or tremolo effect that sounds natural is extremely difficult due to a number of factors. This paper discusses how these effects are created, and the problems associated with the simple implementations of these effects. A paper discussing the problems within the digital synthesis of vibrato and tremolo effects. Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10632 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10634 The Using of Digital Compressor In live Sports Program Xun, Jianyang The written review is to discuss how to solve the problems in live sports games by using a digital compressor Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10634 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10629 final review Zhou, Wenzheng Wed, 18 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10629 2014-06-18T00:00:00Z https://hdl.handle.net/2123/10600 Reverberation Szwec, Craig Thu, 05 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10600 2014-06-05T00:00:00Z https://hdl.handle.net/2123/10601 Reverberation simulation from impulse response using the Image Source Method Tu, Alex About Impulse Responses and Image Source Method Thu, 05 Jun 2014 00:00:00 GMT https://hdl.handle.net/2123/10601 2014-06-05T00:00:00Z