https://hdl.handle.net/2123/6726 2026-06-08T02:09:53Z https://hdl.handle.net/2123/7137 BDES2020 - Decorated Shed <Pamela, Maldonado> Maldonado, Pamela The Decorated Shed; is a project that integrates ornament and standard building techniques of shed construction into a unique place of congregation for the SES (State Emergency Service) and the community of Marrickville. 2011-01-20T00:00:00Z https://hdl.handle.net/2123/7138 BDES2020 - Decorated Shed Furkan,Rendeci Rendeci, Furkan 2011-01-20T00:00:00Z https://hdl.handle.net/2123/6999 BDES2020 - Decorated Shed <Rohan Bodman> Bodman, Rohan This proposal is strongly contextual and functional. The circulation diagram reflects the grid of the surrounding streets with an emphasis on ease of movement for pedestrians and vehicles. An inner street connects existing streets to maximise route options for vehicles. The structure and cladding of metal and glass reflects the tesselated tiles seen on nearby houses. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6994 BDES2020 - Decorated Shed <Steven Barry> Barry, Steven Duality. The concept of duality derived from the Repeat project was the driving force behind every design decision in this project for the proposal for a new SES headquarters in the Marrickville area. The concept dictated planning, the screen, numerous environmental controls and the play of materials. In planning it was the play of two opposing grids, in the screen a double layer of brickwork each perforated individually according to the grid to create openings, the roof as an environmental control and the two functional purposes it serves, one being the control of light and the second as an internal waterproofing membrane and finally the play of materials between brickwork and heavy masonry and the seemingly weightlessness of the high glass panels. The design also includes an interactive briefing corridor on the eastern edge of the building where members receive vital information quickly as they proceed into the building via TV screens. Furthermore this design is heavily orientated towards community use with the second of the main two grids being orientated towards what I believe will be the new civic centre. There is a design flexibility that has been instilled that would allow sensitive areas to be closed of to the public. All design decisions were made under this strict but flexible design concept resulting in a cohesive design scheme. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6965 BDES2020 - Decorated Shed <Craig, Johnston> Johnston, Craig Throughout the project, I was interested in an image photographed on the site of some broken glass. This broken glass imagery evokes thoughts of disaster and emergency, which is the main purpose of the SES and indirectly the function of the building. I liked the idea of the form of the building representing the SES’ role in the community. I began to use this imagery of the shards of glass to develop fragmented and fractured shapes. Several iterations were sketched and modeled and one shape began to re appear. A square envelope with subtracted sectors and shards. The typology of the surrounding suburban sprawl also had an influence on form development. The terracotta-tiled roofs of Marrickville were significant when creating a contextual connection. The borrowed shapes of the pitched roofs were flipped upside down revealing more possibilities for interesting openings. Program articulation related to multifunctional and interchangeable spaces that still allowed easy access to large vehicles in both emergency and training modes. A central access point for public and private and reception began to dictate the form with one side being more functional and the other becoming more freeform. I wanted to maintain an open and readable entry point for the public through Lilydale road. While there were specific requirements in the brief, there was an emphasis on multi functional space. The project engages with the suburban fabric by borrowing imagery and form from the Marrickville house. The openings that recede from the building envelope, welcomes community interaction, in contrast to common SES building design. The form, derived from broken glass, evokes a sense of disaster and the significant and valued role the SES provides to the community. The internal spaces are carefully organized around the central void and staircase, which are easily navigated by visitors, SES staff and volunteers alike. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/7000 BDES2020 - Decorated Shed <Aleksandra Rakic> Rakic, Aleksandra No hierarchal spaces, the SES headquarters becomes more efficient with a playful envelope of holed screen brings the outside in. Multiple height roofs are determined by the spaces underneath which combines the relationship between them. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6970 BDES2020 - Decorated Shed <Jessica, Tang> Tang, Jessica Using the patterns of Marrickville to create a decorated shed of the SES headquarter. This ornamental screen is divided into layers, working from the outside to the inside walls. The transformations of hard to soft represent the tough exterior of the SES volunteers when they are working for the community to the nurtured environment of the SES headquarter, training them for the job. The screen also represents light coming through it from been soft and translucent to solid and physical being which is represented as a sculptural piece in the middle of the SES headquarter. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6976 BDES2020 - Decorated Shed <Jimmy He> He, Jimmy The decorated shed is based on a donut plan design. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6989 BDES2020 - Decorated Shed <James Cristallo> Cristallo, James 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6992 BDES2020 - Decorated Shed <Sophie Canaris> Canaris, Sophie Ester 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6987 BDES2020 - Decorated Shed <Myo, KYAW> Kyaw, Myo This is a design proposal for State Emergency Service (S.E.S.) headquarters in Marrickville. The design is developed with the term ‘space in between’ and careful consideration of the site context. The precedent studies for this design development are Seattle Library first floor plan (Anthill program) and Dutch Embassy in Berlin fourth floor plan, 2004 (Engine program) by OMA. By manipulating the 2 programs, design evolved with the circulation space in between the envelope and the building as well as the circulation space inside the building. The environment aspects are also carefully considered i.e. sunlight control with the atrium space (adjustable louver system) and the window openings on the north facade. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6975 BDES2020 - Decorated Shed <Tze Hui, Goh> Tze Hui, Goh 2010-11-23T00:00:00Z https://hdl.handle.net/2123/7003 BDES2020 - Decorated Shed Niki, Gango Gango, Niki SES Decorated Shed Project 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6969 BDES2020 - Decorated Shed <Chiao Hui, Thien> Thien, Chiao Hui 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6991 BDES2020 - Decorated Shed <Hope, Dryden> Dryden, Hope My concept for the SES Decorated shed project was felt. Through researching the ideology and precedent buildings the clear concepts of felt was the interconnection and intertwining of space, but also by being able to visually connecting the spaces. So using this theory I decided to explore this concept through the spaces which connect rooms and area; hence “felt by circulation”. This can be seen mainly through the ramp and stair systems which link the floors together. These allow occupants to change floors but also connect into different spaces while using them visually felting them into the main spaces. For the exterior screen the idea of felt was also explored. Through using the previous screen project a similar component was found and manipulated to create 3 layers of the exterior screen. These layers where then weaved together linking and creating one felted screen. When exploring the site vernacular in Marrickville and searching for pattern the most interesting feature was the wear and tear of materials. Materials seemed take the natural cause of action of. Corroding, decaying recreating the original material to suite its environment. This idea was used for the screen material being Corten; the material will be forever changing linking into the context of Marrickville. The screens play a curial role within the interior. The internal layout has been designed to celebrate the screen allowing the users see and understand the work of the SES, that being weaving and protecting the community in time of need. At night the building will glow allowing the surrounding neighbour to feel protected. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/7006 BDES2020 - Decorated Shed <Hsuan Li> Li, Hsuan 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6998 BDES2020 - Decorated Shed <Holly Lim> Lim, Holly 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6977 BDES2020 - Decorated Shed <Tim, Quirk> Quirk, Tim The program was split into three sections; garage, services and offices. There placement was derived from the "engine floor plan." meaning that the small spaces are arranged together and the large spaces are left to be whatever. The three sections are placed around a central void. The offices are on the first floor and look down into the void and garage area. The facade was derived from an earlier exercise, "the screen." This screen was applied to the building, creating interesting internal spaces. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6990 BDES2020 - Decorated Shed <Jacinta Klein> Klein, Jacinta This project was designed for a SES headquarters in Marrickville. The final design involved a monolithic brick building with a timber and glass interior. The concept for this project was for two bulky walls which supported the lighter more delicate interior. The floor plans are based around a central circulation space that continues in the form of an atrium right up through all three levels of the building. Each room is protruding from the thick brick wall into the heart of the building. Each floor level connects with the others as well the spaces on each level interacting with each other. The building really represents and contains the types of spaces that would be required for the community and the SES. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/7005 BDES2020 - Decorated Shed <Li Vern, Lim> Lim, Li Vern ANTHILL: where spaces are designed based on paths of circulation. There are different ways in which people move through space; past spaces, through spaces, and into spaces. There are a few layers in the building. The top layer consist of a laser-cut aluminium and plastic composite. Each preferation has a meaning as it responds to the program within. The second floor comprises of working areas with interesting balcony spaces while the ground floor comprises of 2 parts; a curvy and fun area for people to hang out and relax, and a more serious work area. Both floors are connected by vertical circulation; a winding stairway leading up to a platform and a lift for disabled access. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6997 BDES2020 - Decorated Shed <Jihyang, Huh> Huh, Jihyang SES Headquarter renovation Project - The State Emergency Services is an emergency and rescue service dedicated to assisting the community in Marrickville. The design is focused on the community-friendly aspect with the irregularly punctured facade that not only to achieve the sense of openness but also to restrict light level within the shed while affording views of the surrounding. Playing on natural light is an important role of my design because it gives a continuous sense of internal circulation and makes occupants less aware of the paper works which takes up 40% of SES operations. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6971 BDES2020 - Decorated Shed <Yen-Yeen, Ong> Ong, Yen-Yeen The plan of my project is based on circulation. First of all I looked at how each relevant space should connect to each other, then I determined how people should move in my building. The ground floor of my plan consists of parking areas and areas for indoor and outdoor activities as well as equipment storeroom, while the first floor comprises members' facilities and office area. I combined my design of the exterior facade with a formula derived from the observation of the ornamental elements around the site in Marrickville. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/7002 BDES2020 - Decorated Shed <Tiffany, Choi> Tiffany, Choi 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6974 BDES2020 - Decorated Shed <janine manzana> Manzana, Janine 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6979 BDES2020 - Decorated Shed <Noa Hackett> Hackett, Noa This semester I found the subversion of the design method interesting as it challenged the traditional architectural process of space informing ornamentation as opposed to ornamentation informing space. I began to realise that architectural ornamentation moves beyond shallow aesthetics into the functional, cultural and social context and that it often exists to inform the reading of the building as a whole. The semi-permeable nature of our screen and the idea of being able to catch glimpses of various views through small pockets of space between undulating strips was then adopted into my own design of the Marrickville SES Building. From the very beginning I was aware of the importance of the volunteers to the organisation and their desire to increase community awareness and involvement. As a result my screen also adopted this semi-permeable attribute to encourage the flow of community through the building. Incisions were then made into this screen in the form of large windows designed to reinforce the babushka style spatial organisation. I chose babushka because I believed the volunteers to be the heart of the organisation and hence the facilities that look after them are contained within the centre of the building and more public, open areas which require easy access then radiate out from this heart. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6985 BDES2020 - Decorated Shed <Tze Hui, Goh> Goh, Tze Hui The SES Marrickville Headquarters with the scheme of donut. The main highlights of this project are the folded entrance and the central courtyard. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6988 BDES2020 - Decorated Shed <Prametthawanich, Harnchai> Prametthawanich, Harnchai 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6995 BDES2020 - Decorated Shed <Gillian Bennett> Bennett, Gillian 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6978 BDES2020 - Decorated Shed <Dionne Youkhana> Youkhana, Dionne 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6983 BDES2020 - Decorated Shed <Susie, Sun> Sun, Xiaoxi 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6964 BDES2020 - Decorated Shed Vincent Chung Chung, Vincent 2010-11-23T00:00:00Z https://hdl.handle.net/2123/7001 BDES2020 - Decorated Shed <NinaMcDonald> McDonald, Nina 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6967 BDES2020 - Decorated Shed <Hugh Johnston> Johnston, Hugh 2010-11-23T00:00:00Z https://hdl.handle.net/2123/7004 BDES2020 - Decorated Shed <Kate, Cecil> Cecil, Kate Selecting an approach for assisting in the design process of SES Marrickville, I chose Babushka. I wanted to create a building where large open space was a key element taking advantage of the screen, both from close up and far away. The design of this screen comes from the inspiration of trees in Marrickville. Upon visiting the site for Marrickville SES building made me start thinking about its context, the trees of the streetscape grabbing my attention. Made from pierced titanium, the main focused on the screen design was the way in which to control the environmental aspects within the building. To control the sun orientation for the SES Marrickville screen I adjusted the pattern on each of the facades. For example, the North facade has more foliage letting in less light. To avoid issues such as glare a layer of ETFE was inserted on the interior of the screen with a gap for an air barrier. The ETFE has a bubbled effect like that of the Watercube in Beijing, having a printed pattern which helps correspond to light by diffusing the light. Each façade of the building is different in some way; titanium screen pattern altering according to the sun orientation and the system behind it either being the ETFE Diaphragm system, ETFE Lenticular system or the ETFE triple layer system. With all these systems into place this made the relationship of the SES building and the screen the interaction of shadows. These shadows will reflected onto a smooth white surface of the interior spaces, allowing the viewer to experience the space at another level. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6968 BDES2020 - Decorated Shed <Jackie Ho> Ho, Jacqueline 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6966 BDES2020 - Decorated Shed <Emmy Omagari> Omagari, Emmy THE DECORATED SHED: MARRICKVILLE SES HEADQUARTERS. Given that the parameters for this project were strict and limited in terms of form, I decided to investigate the subtleties within both spatial and aesthetic qualities in order to make the 'shed' unique. Adopting the Felt scheme allowed me to experiment and explore the relationships between the poetics of movement and a pragmatic configuration of internal spaces. Within the building I have created a logical flow of spaces based on the worker/volunteer routine so that adjacent spaces have inherent connections and which serve to enhance user practicality. However, the drawcard of this project is the bold response to the climbing wall requirement. Having taken its form from initial abstract diagrams, the climbing wall defines the core of the building. The materiality of the wall (corten steel) has been developed for use in the exterior screen thus creating aesthetic continuity within the project. The building seems to be unified through these decisions, where the skin and internal program happily converse. Moreover, the corten steel aesthetic has been contextually influenced; the surrounding streets of Marrickville presenting many beautiful panels of rusted corrugated iron ranging from deep burgundy to rich amber and even hints of midnight blue. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6984 BDES2020 - Decorated Shed <Rosemary Jeremy> Jeremy, Rosemary 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6973 BDES2020 - Decorated Shed - Kristy Whiting Whiting, Kristy 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6980 BDES2020 - Decorated Shed <Xiaorui Hong> Hong, Xiaorui My style for the building is babushka. I used this concept to design the first level to sit on the boxes' on the ground level, in order to free the garage space, training spaces and reception which are the hearts of the building. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6981 BDES2020 - Decorated Shed <Nicole, Van Malder> Van Malder, Nicole Miss Decorated Shed 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6986 BDES2020 - Decorated Shed <Yasaman Deylami> Yasaman, Ziabakhsh Deylami 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6972 BDES2020 - Decorated Shed <Clarissa Luwia> Luwia, Clarissa Astrid 'How can the concept of the ant hill be relevant to the layout of a human building?' This was a question which confused me. But in fact, there was a very simple solution. The ant hill consists of elevated chambers with specific functions, they are inter-connected by sloped tunnels which lead into chambers of differing sizes. It has been proven that such a scheme promotes co-operation, and it was this positive aspect which showed me that this collaborative environment is what I am trying to accomplish in the planning of the SES community. The result consists of a centralized dining area, where executives and the operative unit of the SES can interact with rescue members and even the Marrickville community. This communication is further encouraged by a shared outdoor rooftop space, meandering circulation, as well as open offices, which in certain situations can be closed to the public and entered through a second entrance from the screened veranda. As well as the 'ant hill', the layout is in the shape of two interconnecting 'L' shapes. This notion of the 'L' is the basis of the screen surrounding the shed. Pre-fabricated 'L' elements with various sizes of 'L' openings are stacked together to form a screen. The result is an inter-play between shadow and light which in addition to providing ample luminosity, cast fascinating shapes onto the interior floors and walls. The repetition of the geometric shape of the 'L', together with the 'ant hill' layout have produced here an exciting exploration into the generative possibilities of process within design. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6996 BDES2020 - Decorated Shed <LiHeng, Li> Li, LiHeng This project explores the typology of an "engine" within the context of the SES Centre and the relationship between the facade and the interior. An "engine" typology consists of closely packed, interlocking components to define the floor plan and section. This strategy is applied to generate the design solution to respond to the given brief. The second part of the project focuses on the relationship between the interior functions and the façade. The design response is to use a three-dimension, interlocking set of beams to create a “web” enclosure around the building. 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6982 BDES2020 - Decorated Shed <David, Kirkland> Kirkland, David Decorated Shed 2010-11-23T00:00:00Z https://hdl.handle.net/2123/6837 BDES2020 - Decorated Shed <Annie Thi, Nguyen> Nguyen, Annie Thi Ngoc Tuyen 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6993 BDES2020 - Decorated Shed <Katherine McCourt> McCourt, Katherine 2010-11-23T00:00:00Z