https://hdl.handle.net/2123/6716 2026-06-07T00:59:47Z https://hdl.handle.net/2123/6851 BDES3020 'inside' <DaRong, Chen> Chen, Da Rong Life is a SECRET.... 2010-11-10T00:00:00Z https://hdl.handle.net/2123/7139 BDES3020 'inside' <Sze Chun, Lai> Lai, Sze Chun Under the SKIN, an anatomy theater in Prague, Czech Republic. 2011-01-20T00:00:00Z https://hdl.handle.net/2123/6905 BDES3020 'inside' Thomas Novakovic Novakovic, Thomas 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6909 BDES3020 'inside' Caitlin Nau Nau, Caitlin 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6861 BDES3020 'inside' Edward Yao Yao, Yi Hua Edward 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6897 BDES3020 'inside' William Michaels Michaels, William 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6839 BDES3020 'inside' <Cathie Chen> Chen, Cathie 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6859 BDES3020 'inside' <Yilun, Zhang> Zhang, Yilun So when something doesn't fit anymore, we architects have the ability and responsibility to make sure that our cities don't force us to adapt to outdated leftovers from the past, but actually fit to the way we want to live. --Bjarke Ingels 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6911 BDES3020 'inside' <Kunishige Shirai> Shirai, Kunishige Dungeon Theatre inside cave hidden by Church building. 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6865 BDES3020 'inside' Ye Won James Lee Lee, Ye Won James The design approach I have taken for this project to design a theatre of anatomy in the city of Prague was to create a built form that responds to the pattern of the city. Through site analysis I have particularly focused on the dominance of positive space over the negative space. I have responded to this by inverting this dominance in a way to break the pattern to create a spatial quality that Prague has the potential to achieve within their heavy boundaries, interior facade of the church walls become outside and vice versa. 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6878 BDES3020 'inside' <Nicole Larkin> Larkin, Nicole St Annes Church Prague Theatre of Anatomy 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6868 BDES3020 'inside' <Ka Ying iris, Leung> Leung, Ka Ying iris 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6841 BDES3020 'inside' <Phoebe, Chapman> Chapman, Phoebe 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6850 BDES3020 'inside' Adeline Wang Wang, Adeline 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6856 BDES3020 'inside' <Nicholas, Chadwick> Chadwick, Nicholas peering into the shear 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6844 BDES3020 'inside' William Chan Chan, William 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6891 BDES3020 'inside' Mikaela, Palmer Palmer, Mikaela 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6877 BDES3020 'inside' <Alisha, Gore> Gore, Alisha 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6870 BDES3020 'inside' <Jaeyun, Heo> Heo, Jaeyun 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6883 BDES3020 'inside' <Ying, Wang> Wang, Ying Jr The concept is to really relate to the theatre and its function. I focused on explore different ways of perceiving the process of anatomy in the theatre. There’s 6 ways of viewing the anatomy and each of these actions has its own spatial relations and restrictions to the stage respectively. Hence, 6 set of rooms and space are designed and coordinated in the interior space of the existing church.The design process is to have a play with these 6 different spaces and coordinates them together within the theatre to help enhance the performance of the theatre. It gives more opportunities for viewers to select different ways of viewing and learning the process of anatomy by their own preferences. 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6875 BDES3020 'inside' <Ying Suet, Shiu> Shiu, Ying Suet From Death to life 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6853 BDES3020 'inside' <Miran, Kim> Miran, Kim inside 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6898 BDES3020 'inside' <robert, Asher> Asher, Robert An exploration of faith and science 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6892 BDES3020 'inside' <Christina, Lucic> Lucic, Christina 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6908 BDES3020 'inside' Mockridge, Boyd Mockridge, Boyd 2020-01-01T00:00:00Z https://hdl.handle.net/2123/6867 BDES3020 'inside' Elina, Brunning> Brunning, Elina 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6846 BDES3020 'inside' <Dong Hee, Kim> Kim, Dong Hee 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6907 BDES3020 'inside' <Phan, VanKhanh> Phan, Van Khanh (inside) 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6904 BDES3020 'inside' Emil, Kucevic Kucevic, Emil 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6881 BDES3020 'inside' <Felicity, King> King, Felicity 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6899 BDES3020 'inside' <Robert, Carter> Carter, Robert James 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6869 BDES3020 'inside' Amalia Mayor Mayor, Amalia 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6864 BDES3020 'inside' <Anna, Wu> Wu, Anna 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6900 BDES3020 'inside' <VanKhanh, Phan> Phan, Van Khanh (inside) 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6849 BDES3020 'inside' Phillip Ji Ji, Phillip Fei 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6903 BDES3020 'inside' <SAM, ILIAS> Ilias, Sam 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6873 BDES3020 'inside' <Tina Zheng> Zheng, Tina 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6887 BDES3020 'inside' <KYLE WOLSKY> WOLSKY, EMIL 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6857 BDES3020 'inside' <Vi, Le> Le, Vi 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6906 BDES3020 'inside' <Daniel, Quach> Quach, Daniel 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6840 BDES3020 'inside' <Adam, Linton> Linton, Adam 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6882 BDES3020 'inside' <Lauren, Chua> Chua, Lauren A theatre of anatomy should allow the audience to consider their own body when watching the dissection of another. This scheme imposes the individual with the decision as to where and how their body moves through the theatre. The seating arrangements change from wide, exposed spaces to intense claustrophobic stalls - providing opportunity for the individual to take control of their experience. The ultimate intent is to encourage the audience to grasp an understanding of their own dimensions, and as a result, determine their level of “personal space”. 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6886 BDES3020 'inside' <Shang, Gao> Gao, Shang When we first got this project knowing that we are designing a theatre in a church and moreover, it's an anatomy theatre, my reaction was awkwardness. In my knowledge, anatomy theatre and church just don't belong to one catalogue. They are more like contradicted. Church sometimes may represent death but most of time, it gives hope and life, on the other hand, anatomy theatre is all about dealing with death, and dissecting cadavers. So this contradiction is where I started to dig into design. 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6845 BDES3020 'inside' <Kristen, Geng> Geng, Kristen 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6848 BDES3020 'inside' <Robyn Anita, Chee> Chee, Robyn Anita 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6896 BDES3020 'inside' <David, Gotianun> Gotianun, David 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6893 BDES3020 '(inside)' <Jingjing, Zhang> Zhang, Jingjing My concept is to cut the building in to slices like a dissection. People walk around this building seemingly like a journey of visiting the dissection of the building. The inside walls are expanding outwards, some are pushed inwards, also the wall cut out of the roof represent the dissected of the church. 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6842 BDES3020 'inside' <Megan, Miller> Miller, Megan 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6895 BDES3020 'inside' <ElizaMorton> Morton, Eliza Influenced by the Renaissance concept of a three-day autopsy performance and by Prague’s strong historical connection with the advancement of the sciences, this project retains the high cultural significance of St Anna’s in Prague while transforming it into into an experiential learning space. The design allows for immersion in the programme of an autopsy, lectures, discussion and reflection time as a catalyst for seeking a deeper understanding of what it is to be human. The autopsy will be carried out using a Virtual Autopsy Table, building a 3D recreation of the human form to enable participants to follow the process. 2010-11-10T00:00:00Z https://hdl.handle.net/2123/6866 BDES3020 'inside' <Nik Zulhazmi NIK FUAAD> Nik Zulhazmi, Nik Fuaad 2010-11-10T00:00:00Z