<?xml version="1.0" encoding="UTF-8"?>
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<title>Digital Audio Systems: Final Review (2012)</title>
<link href="https://hdl.handle.net/2123/8176" rel="alternate"/>
<subtitle/>
<id>https://hdl.handle.net/2123/8176</id>
<updated>2026-06-07T16:12:36Z</updated>
<dc:date>2026-06-07T16:12:36Z</dc:date>
<entry>
<title>Flute Vibrato Synthesis</title>
<link href="https://hdl.handle.net/2123/8455" rel="alternate"/>
<author>
<name>Bolster, Liz</name>
</author>
<id>https://hdl.handle.net/2123/8455</id>
<updated>2026-05-07T00:53:11Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Flute Vibrato Synthesis
Bolster, Liz
This report will look at a more detailed approach to flute vibrato synthesis and the possible future implementation of this synthesis.
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Single-Celled Hammond Organism (Leslie Speaker Simluation) - Final Review</title>
<link href="https://hdl.handle.net/2123/8453" rel="alternate"/>
<author>
<name>Tweedley, Hayden</name>
</author>
<id>https://hdl.handle.net/2123/8453</id>
<updated>2026-05-07T00:53:12Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Single-Celled Hammond Organism (Leslie Speaker Simluation) - Final Review
Tweedley, Hayden
This paper addresses the problem of reproducing a faithful Leslie speaker audio effect without suffering the physical and economical overheads associated with the analog hardware.  In response to this, a practical and portable solution is proposed utilising modern digital technology.  This is presented as a lucrative investment opportunity for the suitable venture capitalists.
This document is submitted for DESC9115 Written Assignment 2: Final Review.
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>311107435 Final Review - Vocoder Reverb</title>
<link href="https://hdl.handle.net/2123/8454" rel="alternate"/>
<author>
<name>Carney, Thomas</name>
</author>
<id>https://hdl.handle.net/2123/8454</id>
<updated>2026-05-07T00:53:15Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">311107435 Final Review - Vocoder Reverb
Carney, Thomas
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Final Review: Rotary Loudspeaker Proposal</title>
<link href="https://hdl.handle.net/2123/8437" rel="alternate"/>
<author>
<name>Brennan, Ryan</name>
</author>
<id>https://hdl.handle.net/2123/8437</id>
<updated>2026-05-07T00:53:06Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Final Review: Rotary Loudspeaker Proposal
Brennan, Ryan
My final review for DAS, a rotary loudspeaker effects unit proposal
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Final Review: 3D SOUND SOURCE LOCALIZATION PLUG-IN FOR WORLD OF WARCRAFT ARENA</title>
<link href="https://hdl.handle.net/2123/8438" rel="alternate"/>
<author>
<name>Song, Zhibo (Boey)</name>
</author>
<id>https://hdl.handle.net/2123/8438</id>
<updated>2026-05-07T00:53:08Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Final Review: 3D SOUND SOURCE LOCALIZATION PLUG-IN FOR WORLD OF WARCRAFT ARENA
Song, Zhibo (Boey)
In this paper, the author design a 3D sound source localization plug in especially for 3D massively multiplayer online role-playing game (MMORPG) World of WarCraft. The plug-in will allow players of World of WarCraft Arena   get directional sound cues for localize all the sound source in the game.
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>DATORRO’S NATURAL REVERBERATOR</title>
<link href="https://hdl.handle.net/2123/8436" rel="alternate"/>
<author>
<name>Rizo Barbosa, Jose Dario</name>
</author>
<id>https://hdl.handle.net/2123/8436</id>
<updated>2026-05-07T00:53:08Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">DATORRO’S NATURAL REVERBERATOR
Rizo Barbosa, Jose Dario
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Assignment 2 Final review</title>
<link href="https://hdl.handle.net/2123/8439" rel="alternate"/>
<author>
<name>Chang, Yu-Hsiang</name>
</author>
<id>https://hdl.handle.net/2123/8439</id>
<updated>2026-05-07T00:53:08Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Assignment 2 Final review
Chang, Yu-Hsiang
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Design 3D sound field with FIR filters and IIR filters</title>
<link href="https://hdl.handle.net/2123/8449" rel="alternate"/>
<author>
<name>Gong, EunJu</name>
</author>
<id>https://hdl.handle.net/2123/8449</id>
<updated>2026-05-07T00:53:07Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Design 3D sound field with FIR filters and IIR filters
Gong, EunJu
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Automatic Television Volume Controller - GCuthbert</title>
<link href="https://hdl.handle.net/2123/8458" rel="alternate"/>
<author>
<name>Cuthbert, Grant</name>
</author>
<id>https://hdl.handle.net/2123/8458</id>
<updated>2026-05-07T00:53:07Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Automatic Television Volume Controller - GCuthbert
Cuthbert, Grant
Final Review - Grant Cuthbert
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Spatial chorus effect with fractal modulation - venture capitalist pitch</title>
<link href="https://hdl.handle.net/2123/8446" rel="alternate"/>
<author>
<name>Taylor, Robert Walter</name>
</author>
<id>https://hdl.handle.net/2123/8446</id>
<updated>2026-05-07T00:53:09Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Spatial chorus effect with fractal modulation - venture capitalist pitch
Taylor, Robert Walter
INTERGRATED DIGITAL AUDIO SYSTEMS is a ‘garage’ operation that for the past two years has been designing cutting edge digital audio effects for 21st century audio production. Our products until now have been bootleg beta releases that due to increasing popularity have gone viral around the globe with underground artists. In particular, the success of “Smashup”, an effect system that recognizes the type of distortion required before the artist even thinks about it has become a worldwide sensation. Unfortunately due to the nature of bootleg releases no income has yet been achieved from our designs however our profile has become significantly increased warranting a new direction in implementation. We see commercialization being the next important step in our evolution to become a dominant force in digital audio effects. We are currently seeking a partnership with an established research and development company for the implementation of software and hardware based products for commercial release globally. We would like to take this opportunity to present our latest effect design and explain in detail how it works and why we consider it to be the flagship of this new evolution. Introducing: Spatial Chorus with fractal modulator
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Unreal Convolution</title>
<link href="https://hdl.handle.net/2123/8456" rel="alternate"/>
<author>
<name>Sjarif, Nathaniel</name>
</author>
<id>https://hdl.handle.net/2123/8456</id>
<updated>2026-05-07T00:53:09Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Unreal Convolution
Sjarif, Nathaniel
Product proposal to prospective investors.
DAS Final review
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>DESC9115 2012 Final Review Report</title>
<link href="https://hdl.handle.net/2123/8442" rel="alternate"/>
<author>
<name>Yu-Hsien, Chang</name>
</author>
<id>https://hdl.handle.net/2123/8442</id>
<updated>2026-05-07T00:53:09Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">DESC9115 2012 Final Review Report
Yu-Hsien, Chang
This is a final review report which introduces robot sound effect.
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>SPATIAL EFFECTS: 3D MOVEMENT OF A VIRTUAL SOUND SOURCE</title>
<link href="https://hdl.handle.net/2123/8452" rel="alternate"/>
<author>
<name>Jimenez, Daniel R.</name>
</author>
<id>https://hdl.handle.net/2123/8452</id>
<updated>2026-05-07T00:53:14Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">SPATIAL EFFECTS: 3D MOVEMENT OF A VIRTUAL SOUND SOURCE
Jimenez, Daniel R.
This document intends to explain the audio development project proposed to emulate the spatial effect of having a sound source moving in a 3D sonic environment. Throughout this document the reader will see a detailed explanation of how the problem was approached, the specific requirements needed to achieve the result, how this requirements were implemented using MatLab coding and how the end product was tested to evaluate the effectiveness of the solution provided. MatLab files will also be provided so that the reader can associate the concepts being described in order to have a better understanding of the process followed to develop this application.
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Loudspeaker Protection Plug-In Development</title>
<link href="https://hdl.handle.net/2123/8441" rel="alternate"/>
<author>
<name>Stedman, Christopher</name>
</author>
<id>https://hdl.handle.net/2123/8441</id>
<updated>2026-05-07T00:53:10Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Loudspeaker Protection Plug-In Development
Stedman, Christopher
The assignment examines the necessity of dynamic range compression, specifically limiting, as it applies to loudspeaker protection in the live production industry. The issues surrounding current practice and products are also presented. A theoretical case is made for the development of a new limiting product, based upon a matlab function created in a previous assignment.
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>The Doppler Effect Final Review</title>
<link href="https://hdl.handle.net/2123/8450" rel="alternate"/>
<author>
<name>Shaun, Peffer</name>
</author>
<id>https://hdl.handle.net/2123/8450</id>
<updated>2026-05-07T00:53:09Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">The Doppler Effect Final Review
Shaun, Peffer
The Doppler effect plug-in may be a lucrative niche market that has never been thoroughly explored. The Doppler effect is a real world phenomena than can be implemented musically, the same way a pitch shifter or chorus/flangers have in the past. I propose A Doppler Effect ‘effect’ that can be sold and used as a plug-in on various instruments such as electric guitars, synthesizers or even percussive instruments such as congas or shakers. This will be a revolutionary and one of the only dedicated spatial audio plug-ins to the Doppler Effect made in the world. The lack of Doppler plug-ins on the market indicates that there will be little competition and possibly a valuable niche market. A Doppler effect plug in will give customers a creative tool and a unique opportunity to spatially and melodically manipulate their sounds in an unconventional and new way.
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>McLean Pierce Multiband Compression Proposal</title>
<link href="https://hdl.handle.net/2123/8448" rel="alternate"/>
<author>
<name>Pierce, McLean</name>
</author>
<id>https://hdl.handle.net/2123/8448</id>
<updated>2026-05-07T00:53:11Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">McLean Pierce Multiband Compression Proposal
Pierce, McLean
This proposal describes the specification and implementation of a digital multi-band dynamics compressor for processing audio signals.
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Vocal Multi-FX Plug-in</title>
<link href="https://hdl.handle.net/2123/8443" rel="alternate"/>
<author>
<name>Marlan, Oliver</name>
</author>
<id>https://hdl.handle.net/2123/8443</id>
<updated>2026-05-07T00:53:14Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Vocal Multi-FX Plug-in
Marlan, Oliver
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>DESC 9115 Final Review Report 2012</title>
<link href="https://hdl.handle.net/2123/8445" rel="alternate"/>
<author>
<name>Yu-Hsien, Chang</name>
</author>
<id>https://hdl.handle.net/2123/8445</id>
<updated>2026-05-07T00:53:12Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">DESC 9115 Final Review Report 2012
Yu-Hsien, Chang
This an report which introduces the robotic sound effects.
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>DESC 9115 Final Report</title>
<link href="https://hdl.handle.net/2123/8447" rel="alternate"/>
<author>
<name>Khasmuri, Zul</name>
</author>
<id>https://hdl.handle.net/2123/8447</id>
<updated>2026-05-07T00:53:16Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">DESC 9115 Final Report
Khasmuri, Zul
Venture capitalist for reverb algorithm
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>DESC9115 WRITTEN ASSIGNMENT 2: FINAL REVIEW</title>
<link href="https://hdl.handle.net/2123/8451" rel="alternate"/>
<author>
<name>Johnson, Samuel</name>
</author>
<id>https://hdl.handle.net/2123/8451</id>
<updated>2026-05-07T00:53:05Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">DESC9115 WRITTEN ASSIGNMENT 2: FINAL REVIEW
Johnson, Samuel
The use of delay as an audio and musical effect that has been used since the coming of tape recordings. It involves the signal being taken and “stored” then played back at a later time, either once or multiple times. In modern western music, it is hard to find a song that does not use some form of delay in their mix which is why it is important to create a user friendly, great sounding, accurate delay. A real delay is caused when a sound wave reflects off a surface and because of the extra time taken to get to the receiver (the ear) it has a lagged effect. Their use in the musical realm has been taken to a new level with the use of parameter settings and modulation types, the average Joe can easily create his or her own effect to suit their specific needs.
FINAL REVIEW - Digital Delay Effects Unit
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Spatial Effects: Simulation of Sound Source Motion</title>
<link href="https://hdl.handle.net/2123/8460" rel="alternate"/>
<author>
<name>Fernandes, Daniel</name>
</author>
<id>https://hdl.handle.net/2123/8460</id>
<updated>2026-05-07T00:53:02Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Spatial Effects: Simulation of Sound Source Motion
Fernandes, Daniel
Problem Statement:  In various fields of sound design there is a need to simulate the motion of sound source in space and time.
This report relates to the matlab function moving_source.m which is able to simulate a moving sound source to be reproduced in stereo over loudspeakers.
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>DESC9115 FINAL REVIEW - Mastering Limiter and Filter</title>
<link href="https://hdl.handle.net/2123/8457" rel="alternate"/>
<author>
<name>Rasa, Alexander James</name>
</author>
<id>https://hdl.handle.net/2123/8457</id>
<updated>2026-05-07T00:53:02Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">DESC9115 FINAL REVIEW - Mastering Limiter and Filter
Rasa, Alexander James
DESC9115 FINAL REVIEW - Mastering Limiter and Filter. Alexander James Rasa (420106232)
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Final Technology Review - Pitch Modulated Vibrato Function</title>
<link href="https://hdl.handle.net/2123/8435" rel="alternate"/>
<author>
<name>Leong, Justin</name>
</author>
<id>https://hdl.handle.net/2123/8435</id>
<updated>2026-05-07T00:53:04Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Final Technology Review - Pitch Modulated Vibrato Function
Leong, Justin
Final Technology Review Written Report
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Tsun Kit Lam - LPC Cross-Synth DIstortion (Written Assignment 2)</title>
<link href="https://hdl.handle.net/2123/8459" rel="alternate"/>
<author>
<name>Lam, Tsun Kit</name>
</author>
<id>https://hdl.handle.net/2123/8459</id>
<updated>2026-05-07T00:53:03Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Tsun Kit Lam - LPC Cross-Synth DIstortion (Written Assignment 2)
Lam, Tsun Kit
This is a product proposal for my LPC Cross-Synthesizer (with Distortion)
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Final Review</title>
<link href="https://hdl.handle.net/2123/8434" rel="alternate"/>
<author>
<name>Croteau, Matthew</name>
</author>
<id>https://hdl.handle.net/2123/8434</id>
<updated>2026-05-07T00:53:03Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Final Review
Croteau, Matthew
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Synthetic Vibrato Plugin</title>
<link href="https://hdl.handle.net/2123/8440" rel="alternate"/>
<author>
<name>Gonzalez, Oscar</name>
</author>
<id>https://hdl.handle.net/2123/8440</id>
<updated>2026-05-07T00:53:03Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Synthetic Vibrato Plugin
Gonzalez, Oscar
Final review, vibrato plugin proposal analyzed.
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
<entry>
<title>Adrian Clarke - DAS Final Review</title>
<link href="https://hdl.handle.net/2123/8444" rel="alternate"/>
<author>
<name>Clarke, Adrian</name>
</author>
<id>https://hdl.handle.net/2123/8444</id>
<updated>2026-05-07T00:53:06Z</updated>
<published>2012-06-26T00:00:00Z</published>
<summary type="text">Adrian Clarke - DAS Final Review
Clarke, Adrian
DAS Final Review.
</summary>
<dc:date>2012-06-26T00:00:00Z</dc:date>
</entry>
</feed>
