https://hdl.handle.net/2123/6716 2026-06-07T10:42:57Z 2026-06-07T10:42:57Z Chen, Da Rong https://hdl.handle.net/2123/6851 2026-05-05T00:54:20Z 2010-11-10T00:00:00Z

BDES3020 'inside' <DaRong, Chen> Chen, Da Rong Life is a SECRET....

2010-11-10T00:00:00Z Lai, Sze Chun https://hdl.handle.net/2123/7139 2026-05-05T00:54:25Z 2011-01-20T00:00:00Z

BDES3020 'inside' <Sze Chun, Lai> Lai, Sze Chun Under the SKIN, an anatomy theater in Prague, Czech Republic.

2011-01-20T00:00:00Z Novakovic, Thomas https://hdl.handle.net/2123/6905 2026-05-05T00:54:14Z 2010-11-10T00:00:00Z

BDES3020 'inside' Thomas Novakovic Novakovic, Thomas

2010-11-10T00:00:00Z Nau, Caitlin https://hdl.handle.net/2123/6909 2026-05-05T00:54:14Z 2010-11-10T00:00:00Z

BDES3020 'inside' Caitlin Nau Nau, Caitlin

2010-11-10T00:00:00Z Yao, Yi Hua Edward https://hdl.handle.net/2123/6861 2026-05-05T00:54:14Z 2010-11-10T00:00:00Z

BDES3020 'inside' Edward Yao Yao, Yi Hua Edward

2010-11-10T00:00:00Z Michaels, William https://hdl.handle.net/2123/6897 2026-05-05T00:54:14Z 2010-11-10T00:00:00Z

BDES3020 'inside' William Michaels Michaels, William

2010-11-10T00:00:00Z Chen, Cathie https://hdl.handle.net/2123/6839 2026-05-05T00:54:14Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Cathie Chen> Chen, Cathie

2010-11-10T00:00:00Z Zhang, Yilun https://hdl.handle.net/2123/6859 2026-05-05T00:54:14Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Yilun, Zhang> Zhang, Yilun So when something doesn't fit anymore, we architects have the ability and responsibility to make sure that our cities don't force us to adapt to outdated leftovers from the past, but actually fit to the way we want to live. --Bjarke Ingels

2010-11-10T00:00:00Z Shirai, Kunishige https://hdl.handle.net/2123/6911 2026-05-05T00:54:14Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Kunishige Shirai> Shirai, Kunishige Dungeon Theatre inside cave hidden by Church building.

2010-11-10T00:00:00Z Lee, Ye Won James https://hdl.handle.net/2123/6865 2026-05-05T00:54:15Z 2010-11-10T00:00:00Z

BDES3020 'inside' Ye Won James Lee Lee, Ye Won James The design approach I have taken for this project to design a theatre of anatomy in the city of Prague was to create a built form that responds to the pattern of the city. Through site analysis I have particularly focused on the dominance of positive space over the negative space. I have responded to this by inverting this dominance in a way to break the pattern to create a spatial quality that Prague has the potential to achieve within their heavy boundaries, interior facade of the church walls become outside and vice versa.

2010-11-10T00:00:00Z Larkin, Nicole https://hdl.handle.net/2123/6878 2026-05-05T00:54:15Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Nicole Larkin> Larkin, Nicole St Annes Church Prague Theatre of Anatomy

2010-11-10T00:00:00Z Leung, Ka Ying iris https://hdl.handle.net/2123/6868 2026-05-05T00:54:15Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Ka Ying iris, Leung> Leung, Ka Ying iris

2010-11-10T00:00:00Z Chapman, Phoebe https://hdl.handle.net/2123/6841 2026-05-05T00:54:15Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Phoebe, Chapman> Chapman, Phoebe

2010-11-10T00:00:00Z Wang, Adeline https://hdl.handle.net/2123/6850 2026-05-05T00:54:15Z 2010-11-10T00:00:00Z

BDES3020 'inside' Adeline Wang Wang, Adeline

2010-11-10T00:00:00Z Chadwick, Nicholas https://hdl.handle.net/2123/6856 2026-05-05T00:54:18Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Nicholas, Chadwick> Chadwick, Nicholas peering into the shear

2010-11-10T00:00:00Z Chan, William https://hdl.handle.net/2123/6844 2026-05-05T00:54:19Z 2010-11-10T00:00:00Z

BDES3020 'inside' William Chan Chan, William

2010-11-10T00:00:00Z Palmer, Mikaela https://hdl.handle.net/2123/6891 2026-05-05T00:54:19Z 2010-11-10T00:00:00Z

BDES3020 'inside' Mikaela, Palmer Palmer, Mikaela

2010-11-10T00:00:00Z Gore, Alisha https://hdl.handle.net/2123/6877 2026-05-05T00:54:19Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Alisha, Gore> Gore, Alisha

2010-11-10T00:00:00Z Heo, Jaeyun https://hdl.handle.net/2123/6870 2026-05-05T00:54:19Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Jaeyun, Heo> Heo, Jaeyun

2010-11-10T00:00:00Z Wang, Ying Jr https://hdl.handle.net/2123/6883 2026-05-05T00:54:20Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Ying, Wang> Wang, Ying Jr The concept is to really relate to the theatre and its function. I focused on explore different ways of perceiving the process of anatomy in the theatre. There’s 6 ways of viewing the anatomy and each of these actions has its own spatial relations and restrictions to the stage respectively. Hence, 6 set of rooms and space are designed and coordinated in the interior space of the existing church.The design process is to have a play with these 6 different spaces and coordinates them together within the theatre to help enhance the performance of the theatre. It gives more opportunities for viewers to select different ways of viewing and learning the process of anatomy by their own preferences.

2010-11-10T00:00:00Z Shiu, Ying Suet https://hdl.handle.net/2123/6875 2026-05-05T00:54:19Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Ying Suet, Shiu> Shiu, Ying Suet From Death to life

2010-11-10T00:00:00Z Miran, Kim https://hdl.handle.net/2123/6853 2026-05-05T00:54:13Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Miran, Kim> Miran, Kim inside

2010-11-10T00:00:00Z Asher, Robert https://hdl.handle.net/2123/6898 2026-05-05T00:54:16Z 2010-11-10T00:00:00Z

BDES3020 'inside' <robert, Asher> Asher, Robert An exploration of faith and science

2010-11-10T00:00:00Z Lucic, Christina https://hdl.handle.net/2123/6892 2026-05-05T00:54:16Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Christina, Lucic> Lucic, Christina

2010-11-10T00:00:00Z Mockridge, Boyd https://hdl.handle.net/2123/6908 2026-05-05T00:54:15Z 2020-01-01T00:00:00Z

BDES3020 'inside' Mockridge, Boyd Mockridge, Boyd

2020-01-01T00:00:00Z Brunning, Elina https://hdl.handle.net/2123/6867 2026-05-05T00:54:16Z 2010-11-10T00:00:00Z

BDES3020 'inside' Elina, Brunning> Brunning, Elina

2010-11-10T00:00:00Z Kim, Dong Hee https://hdl.handle.net/2123/6846 2026-05-05T00:54:16Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Dong Hee, Kim> Kim, Dong Hee

2010-11-10T00:00:00Z Phan, Van Khanh https://hdl.handle.net/2123/6907 2026-05-05T00:54:17Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Phan, VanKhanh> Phan, Van Khanh (inside)

2010-11-10T00:00:00Z Kucevic, Emil https://hdl.handle.net/2123/6904 2026-05-05T00:54:17Z 2010-11-10T00:00:00Z

BDES3020 'inside' Emil, Kucevic Kucevic, Emil

2010-11-10T00:00:00Z King, Felicity https://hdl.handle.net/2123/6881 2026-05-05T00:54:17Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Felicity, King> King, Felicity

2010-11-10T00:00:00Z Carter, Robert James https://hdl.handle.net/2123/6899 2026-05-05T00:54:17Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Robert, Carter> Carter, Robert James

2010-11-10T00:00:00Z Mayor, Amalia https://hdl.handle.net/2123/6869 2026-05-05T00:54:17Z 2010-11-10T00:00:00Z

BDES3020 'inside' Amalia Mayor Mayor, Amalia

2010-11-10T00:00:00Z Wu, Anna https://hdl.handle.net/2123/6864 2026-05-05T00:54:16Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Anna, Wu> Wu, Anna

2010-11-10T00:00:00Z Phan, Van Khanh https://hdl.handle.net/2123/6900 2026-05-05T00:54:17Z 2010-11-10T00:00:00Z

BDES3020 'inside' <VanKhanh, Phan> Phan, Van Khanh (inside)

2010-11-10T00:00:00Z Ji, Phillip Fei https://hdl.handle.net/2123/6849 2026-05-05T00:54:17Z 2010-11-10T00:00:00Z

BDES3020 'inside' Phillip Ji Ji, Phillip Fei

2010-11-10T00:00:00Z Ilias, Sam https://hdl.handle.net/2123/6903 2026-05-05T00:54:17Z 2010-11-10T00:00:00Z

BDES3020 'inside' <SAM, ILIAS> Ilias, Sam

2010-11-10T00:00:00Z Zheng, Tina https://hdl.handle.net/2123/6873 2026-05-05T00:54:18Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Tina Zheng> Zheng, Tina

2010-11-10T00:00:00Z WOLSKY, EMIL https://hdl.handle.net/2123/6887 2026-05-05T00:54:20Z 2010-11-10T00:00:00Z

BDES3020 'inside' <KYLE WOLSKY> WOLSKY, EMIL

2010-11-10T00:00:00Z Le, Vi https://hdl.handle.net/2123/6857 2026-05-05T00:54:20Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Vi, Le> Le, Vi

2010-11-10T00:00:00Z Quach, Daniel https://hdl.handle.net/2123/6906 2026-05-05T00:54:20Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Daniel, Quach> Quach, Daniel

2010-11-10T00:00:00Z Linton, Adam https://hdl.handle.net/2123/6840 2026-05-05T00:54:21Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Adam, Linton> Linton, Adam

2010-11-10T00:00:00Z Chua, Lauren https://hdl.handle.net/2123/6882 2026-05-05T00:54:21Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Lauren, Chua> Chua, Lauren A theatre of anatomy should allow the audience to consider their own body when watching the dissection of another. This scheme imposes the individual with the decision as to where and how their body moves through the theatre. The seating arrangements change from wide, exposed spaces to intense claustrophobic stalls - providing opportunity for the individual to take control of their experience. The ultimate intent is to encourage the audience to grasp an understanding of their own dimensions, and as a result, determine their level of “personal space”.

2010-11-10T00:00:00Z Gao, Shang https://hdl.handle.net/2123/6886 2026-05-05T00:54:21Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Shang, Gao> Gao, Shang When we first got this project knowing that we are designing a theatre in a church and moreover, it's an anatomy theatre, my reaction was awkwardness. In my knowledge, anatomy theatre and church just don't belong to one catalogue. They are more like contradicted. Church sometimes may represent death but most of time, it gives hope and life, on the other hand, anatomy theatre is all about dealing with death, and dissecting cadavers. So this contradiction is where I started to dig into design.

2010-11-10T00:00:00Z Geng, Kristen https://hdl.handle.net/2123/6845 2026-05-05T00:54:21Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Kristen, Geng> Geng, Kristen

2010-11-10T00:00:00Z Chee, Robyn Anita https://hdl.handle.net/2123/6848 2026-05-05T00:54:21Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Robyn Anita, Chee> Chee, Robyn Anita

2010-11-10T00:00:00Z Gotianun, David https://hdl.handle.net/2123/6896 2026-05-05T00:54:21Z 2010-11-10T00:00:00Z

BDES3020 'inside' <David, Gotianun> Gotianun, David

2010-11-10T00:00:00Z Zhang, Jingjing https://hdl.handle.net/2123/6893 2026-05-05T00:54:22Z 2010-11-10T00:00:00Z

BDES3020 '(inside)' <Jingjing, Zhang> Zhang, Jingjing My concept is to cut the building in to slices like a dissection. People walk around this building seemingly like a journey of visiting the dissection of the building. The inside walls are expanding outwards, some are pushed inwards, also the wall cut out of the roof represent the dissected of the church.

2010-11-10T00:00:00Z Miller, Megan https://hdl.handle.net/2123/6842 2026-05-05T00:54:22Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Megan, Miller> Miller, Megan

2010-11-10T00:00:00Z Morton, Eliza https://hdl.handle.net/2123/6895 2026-05-05T00:54:26Z 2010-11-10T00:00:00Z

BDES3020 'inside' <ElizaMorton> Morton, Eliza Influenced by the Renaissance concept of a three-day autopsy performance and by Prague’s strong historical connection with the advancement of the sciences, this project retains the high cultural significance of St Anna’s in Prague while transforming it into into an experiential learning space. The design allows for immersion in the programme of an autopsy, lectures, discussion and reflection time as a catalyst for seeking a deeper understanding of what it is to be human. The autopsy will be carried out using a Virtual Autopsy Table, building a 3D recreation of the human form to enable participants to follow the process.

2010-11-10T00:00:00Z Nik Zulhazmi, Nik Fuaad https://hdl.handle.net/2123/6866 2026-05-05T00:54:26Z 2010-11-10T00:00:00Z

BDES3020 'inside' <Nik Zulhazmi NIK FUAAD> Nik Zulhazmi, Nik Fuaad

2010-11-10T00:00:00Z