Research Publications and Outputshttps://hdl.handle.net/2123/209362026-06-07T23:27:44Z2026-06-07T23:27:44ZEntangled Flashes / Verwickelte BlitzeMurphy, ClareTröster Klemm, SaraKelly, Madeleinehttps://hdl.handle.net/2123/329662026-04-28T02:26:08Z2024-01-01T00:00:00ZEntangled Flashes / Verwickelte Blitze
Murphy, Clare; Tröster Klemm, Sara; Kelly, Madeleine
O'Neil, Emma
Madeleine Kelly: Entangled Flashes / Verwickelte Blitze is the exhibition catalogue for a solo exhibition of artworks by Kelly held at Galerie Spinnerei Archiv Massiv, Leipzig, Germany 25 July – 31 August 2024. The project was funded by CREATE NSW and The University of Sydney, Australia. This catalogue features texts by specially commissioned Australian author, Clare Murphy, and German art historian, Sara Tröster Klemm. Additional texts include a statement and poems by the artist. The catalogue includes texts in both English and German with colour illustrations of new works on show and another 16 historical works. This catalogue provides access to selected texts in both languages, English and German. Designed by Ricardo Felipe and Andrew Darragh at Small Tasks and printed by Peachy Print Australia.
2024-01-01T00:00:00ZSeptopia and the wastialized Other: Allegorizing neo-liberalism in the age of COVID-19Wansbrough, Alekshttps://hdl.handle.net/2123/283952026-04-22T03:05:43Z2022-01-01T00:00:00ZSeptopia and the wastialized Other: Allegorizing neo-liberalism in the age of COVID-19
Wansbrough, Aleks
2022-01-01T00:00:00ZScreens in Bed: Visual Art, Sleep and Handheld Screen DevicesBurstow, Stephenhttps://hdl.handle.net/2123/232632026-04-28T02:26:05Z2019-01-01T00:00:00ZScreens in Bed: Visual Art, Sleep and Handheld Screen Devices
Burstow, Stephen
This article seeks an understanding of sleeping and waking life in bed in relation to the use of handheld screen devices. The bedtime use of these devices has come to public attention through the involvement of this practice in the construction of two contemporary crises of sleep: Sleep science’s crisis of chronic sleep deprivation and the wider cultural crisis of the invasion of sleep by fast capitalism, as proposed by Jonathan Crary. Visual art is employed to gain insights into the two related understandings of sleep: one concerned with individual sleep self-regulation and the other with the corporeal commonality of sleep. The sociology of sleep, based on Michele Foucault’s concept of ‘biopower’, is augmented by philosophical insights from Jean-Luc Nancy and Gilles Deleuze to reconfigure the sleeping body beyond the bounds of disciplinary regimes and permit a reassessment of the affective potential of sleep. Works of digital media art, together with ethnographic and cultural studies on the use of mobile devices, are employed to tease out the entanglement of these screen devices with waking and sleeping bedroom life. An ontology of sleep as a pre-individual affective state is proposed as an alternative basis for resisting the appropriation of sleep by the always-waking world accessed through the use of smartphones and tablets.
2019-01-01T00:00:00ZNature NatusKelly, Madeleinehttps://hdl.handle.net/2123/208512026-04-28T02:26:05Z2019-07-13T00:00:00ZNature Natus
Kelly, Madeleine
Representation of painting Nature Natus. Oil on polyester 137 x 101 cm. Painting was exhibited in: "What the Centre Cannot Hold", Ipswich Art Gallery 13th July- Oct 7th 2019
2019-07-13T00:00:00Z