<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/">
<title>Honours Theses and Postgraduate Coursework</title>
<link href="https://hdl.handle.net/2123/18683" rel="alternate"/>
<subtitle/>
<id>https://hdl.handle.net/2123/18683</id>
<updated>2026-06-13T23:55:05Z</updated>
<dc:date>2026-06-13T23:55:05Z</dc:date>
<entry>
<title>MIRAGE: A SELF PORTRAIT</title>
<link href="https://hdl.handle.net/2123/20170" rel="alternate"/>
<author>
<name>Baldissera, Julien</name>
</author>
<id>https://hdl.handle.net/2123/20170</id>
<updated>2026-04-22T05:23:24Z</updated>
<published>2019-03-18T00:00:00Z</published>
<summary type="text">MIRAGE: A SELF PORTRAIT
Baldissera, Julien
</summary>
<dc:date>2019-03-18T00:00:00Z</dc:date>
</entry>
<entry>
<title>Evening Flash in the Dusking of the Sun</title>
<link href="https://hdl.handle.net/2123/20117" rel="alternate"/>
<author>
<name>LE, BA AN</name>
</author>
<id>https://hdl.handle.net/2123/20117</id>
<updated>2026-04-22T05:23:24Z</updated>
<published>2019-03-06T00:00:00Z</published>
<summary type="text">Evening Flash in the Dusking of the Sun
LE, BA AN
</summary>
<dc:date>2019-03-06T00:00:00Z</dc:date>
</entry>
<entry>
<title>The Discarded Image</title>
<link href="https://hdl.handle.net/2123/20118" rel="alternate"/>
<author>
<name>KAYROOZ, GILLIAN</name>
</author>
<id>https://hdl.handle.net/2123/20118</id>
<updated>2026-04-22T05:23:25Z</updated>
<published>2019-03-06T00:00:00Z</published>
<summary type="text">The Discarded Image
KAYROOZ, GILLIAN
</summary>
<dc:date>2019-03-06T00:00:00Z</dc:date>
</entry>
<entry>
<title>There Was an Old Lady Who Swallowed a Bird</title>
<link href="https://hdl.handle.net/2123/20108" rel="alternate"/>
<author>
<name>COOPER, PAUL</name>
</author>
<id>https://hdl.handle.net/2123/20108</id>
<updated>2026-04-22T05:23:24Z</updated>
<published>2019-03-06T00:00:00Z</published>
<summary type="text">There Was an Old Lady Who Swallowed a Bird
COOPER, PAUL
</summary>
<dc:date>2019-03-06T00:00:00Z</dc:date>
</entry>
<entry>
<title>Wild Country: Australian masculinity from the frontier to the social front</title>
<link href="https://hdl.handle.net/2123/20105" rel="alternate"/>
<author>
<name>HIRSH, JACOB</name>
</author>
<id>https://hdl.handle.net/2123/20105</id>
<updated>2026-04-22T05:23:23Z</updated>
<published>2019-03-06T00:00:00Z</published>
<summary type="text">Wild Country: Australian masculinity from the frontier to the social front
HIRSH, JACOB
</summary>
<dc:date>2019-03-06T00:00:00Z</dc:date>
</entry>
<entry>
<title>I HUNG OUT HIS WASHING AND IT MADE ME FEEL GUILTY: CONTEMPORARY FEMINISM, EMPOWERMENT AND CONFUSION</title>
<link href="https://hdl.handle.net/2123/20111" rel="alternate"/>
<author>
<name>BOOTH, MELANIE</name>
</author>
<id>https://hdl.handle.net/2123/20111</id>
<updated>2026-04-22T05:23:23Z</updated>
<published>2019-03-06T00:00:00Z</published>
<summary type="text">I HUNG OUT HIS WASHING AND IT MADE ME FEEL GUILTY: CONTEMPORARY FEMINISM, EMPOWERMENT AND CONFUSION
BOOTH, MELANIE
</summary>
<dc:date>2019-03-06T00:00:00Z</dc:date>
</entry>
<entry>
<title>The Perspective of the Monstrous Other</title>
<link href="https://hdl.handle.net/2123/20114" rel="alternate"/>
<author>
<name>MEHIGAN, KATERINA</name>
</author>
<id>https://hdl.handle.net/2123/20114</id>
<updated>2026-04-22T05:23:23Z</updated>
<published>2019-03-06T00:00:00Z</published>
<summary type="text">The Perspective of the Monstrous Other
MEHIGAN, KATERINA
</summary>
<dc:date>2019-03-06T00:00:00Z</dc:date>
</entry>
<entry>
<title>take one, please leave a comment: an exploration of participatory aesthetics</title>
<link href="https://hdl.handle.net/2123/20113" rel="alternate"/>
<author>
<name>TALLIS, TAYLA</name>
</author>
<id>https://hdl.handle.net/2123/20113</id>
<updated>2026-04-22T05:23:23Z</updated>
<published>2019-03-06T00:00:00Z</published>
<summary type="text">take one, please leave a comment: an exploration of participatory aesthetics
TALLIS, TAYLA
</summary>
<dc:date>2019-03-06T00:00:00Z</dc:date>
</entry>
<entry>
<title>Distort</title>
<link href="https://hdl.handle.net/2123/20110" rel="alternate"/>
<author>
<name>BENTON, KAREN</name>
</author>
<id>https://hdl.handle.net/2123/20110</id>
<updated>2026-04-22T05:23:24Z</updated>
<published>2019-03-06T00:00:00Z</published>
<summary type="text">Distort
BENTON, KAREN
</summary>
<dc:date>2019-03-06T00:00:00Z</dc:date>
</entry>
<entry>
<title>Nietzsche's Dog and Other Happy Accidents</title>
<link href="https://hdl.handle.net/2123/20112" rel="alternate"/>
<author>
<name>BRENNAN, LUKE</name>
</author>
<id>https://hdl.handle.net/2123/20112</id>
<updated>2026-04-22T05:23:24Z</updated>
<published>2019-03-06T00:00:00Z</published>
<summary type="text">Nietzsche's Dog and Other Happy Accidents
BRENNAN, LUKE
</summary>
<dc:date>2019-03-06T00:00:00Z</dc:date>
</entry>
<entry>
<title>Disabled: Media, Fashion and Identity</title>
<link href="https://hdl.handle.net/2123/20106" rel="alternate"/>
<author>
<name>LIU, MINGYUAN</name>
</author>
<id>https://hdl.handle.net/2123/20106</id>
<updated>2026-04-22T05:23:24Z</updated>
<published>2019-03-06T00:00:00Z</published>
<summary type="text">Disabled: Media, Fashion and Identity
LIU, MINGYUAN
</summary>
<dc:date>2019-03-06T00:00:00Z</dc:date>
</entry>
<entry>
<title>I'm a Pervert and I like My Eggs Sunny Side Up</title>
<link href="https://hdl.handle.net/2123/20109" rel="alternate"/>
<author>
<name>SON, EUN JUNG (EJ)</name>
</author>
<id>https://hdl.handle.net/2123/20109</id>
<updated>2026-04-22T05:23:25Z</updated>
<published>2019-03-06T00:00:00Z</published>
<summary type="text">I'm a Pervert and I like My Eggs Sunny Side Up
SON, EUN JUNG (EJ)
</summary>
<dc:date>2019-03-06T00:00:00Z</dc:date>
</entry>
<entry>
<title>ART AS AN AGENT OF RESISTANCE AGAINST CONSUMERISM AND MASS-PRODUCTION</title>
<link href="https://hdl.handle.net/2123/20094" rel="alternate"/>
<author>
<name>Biondi, Patrizia</name>
</author>
<id>https://hdl.handle.net/2123/20094</id>
<updated>2026-04-22T05:23:24Z</updated>
<published>2019-03-05T00:00:00Z</published>
<summary type="text">ART AS AN AGENT OF RESISTANCE AGAINST CONSUMERISM AND MASS-PRODUCTION
Biondi, Patrizia
</summary>
<dc:date>2019-03-05T00:00:00Z</dc:date>
</entry>
<entry>
<title>Navigating the Void: Field observations from the space between</title>
<link href="https://hdl.handle.net/2123/18674" rel="alternate"/>
<author>
<name>DE BIASI, GEORGIA ALEXIS</name>
</author>
<id>https://hdl.handle.net/2123/18674</id>
<updated>2026-04-22T05:23:23Z</updated>
<published>2016-10-01T00:00:00Z</published>
<summary type="text">Navigating the Void: Field observations from the space between
DE BIASI, GEORGIA ALEXIS
</summary>
<dc:date>2016-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Laying Out Space</title>
<link href="https://hdl.handle.net/2123/18675" rel="alternate"/>
<author>
<name>Stanczew, Justyna</name>
</author>
<id>https://hdl.handle.net/2123/18675</id>
<updated>2026-04-22T05:23:23Z</updated>
<published>2016-10-01T00:00:00Z</published>
<summary type="text">Laying Out Space
Stanczew, Justyna
</summary>
<dc:date>2016-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>No Tricks: A Reflexive Ruse</title>
<link href="https://hdl.handle.net/2123/18676" rel="alternate"/>
<author>
<name>Wotton, Jack T</name>
</author>
<id>https://hdl.handle.net/2123/18676</id>
<updated>2026-04-22T05:23:25Z</updated>
<published>2017-10-01T00:00:00Z</published>
<summary type="text">No Tricks: A Reflexive Ruse
Wotton, Jack T
</summary>
<dc:date>2017-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>SITE, SPACE AND PLACE: THINKING ABOUT THE INSTALLATION</title>
<link href="https://hdl.handle.net/2123/18679" rel="alternate"/>
<author>
<name>SAMMAN, OLIVIA</name>
</author>
<id>https://hdl.handle.net/2123/18679</id>
<updated>2026-04-22T05:23:25Z</updated>
<published>2017-10-01T00:00:00Z</published>
<summary type="text">SITE, SPACE AND PLACE: THINKING ABOUT THE INSTALLATION
SAMMAN, OLIVIA
</summary>
<dc:date>2017-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Conversation With a Strange Stranger</title>
<link href="https://hdl.handle.net/2123/18678" rel="alternate"/>
<author>
<name>ZHUCHENKO, MARIA</name>
</author>
<id>https://hdl.handle.net/2123/18678</id>
<updated>2026-04-22T05:23:24Z</updated>
<published>2017-10-01T00:00:00Z</published>
<summary type="text">Conversation With a Strange Stranger
ZHUCHENKO, MARIA
</summary>
<dc:date>2017-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>THE FOURTH STATE</title>
<link href="https://hdl.handle.net/2123/18680" rel="alternate"/>
<author>
<name>HARDCASTLE, SOPHIE</name>
</author>
<id>https://hdl.handle.net/2123/18680</id>
<updated>2026-04-22T05:23:24Z</updated>
<published>2017-10-01T00:00:00Z</published>
<summary type="text">THE FOURTH STATE
HARDCASTLE, SOPHIE
</summary>
<dc:date>2017-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>THE DE-LEGITIMISATION OF CONTEMPORARY INDIGENOUS EXPRESSIONS AND INTERSECTIONAL FEMINIST REPRESENTATION</title>
<link href="https://hdl.handle.net/2123/18681" rel="alternate"/>
<author>
<name>JOHNSON, EMILY</name>
</author>
<id>https://hdl.handle.net/2123/18681</id>
<updated>2026-04-22T05:23:24Z</updated>
<published>2016-10-01T00:00:00Z</published>
<summary type="text">THE DE-LEGITIMISATION OF CONTEMPORARY INDIGENOUS EXPRESSIONS AND INTERSECTIONAL FEMINIST REPRESENTATION
JOHNSON, EMILY
</summary>
<dc:date>2016-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Beauty?</title>
<link href="https://hdl.handle.net/2123/18677" rel="alternate"/>
<author>
<name>NOLAN, LAURA PATIENCE</name>
</author>
<id>https://hdl.handle.net/2123/18677</id>
<updated>2026-04-22T05:23:25Z</updated>
<published>2017-10-01T00:00:00Z</published>
<summary type="text">Beauty?
NOLAN, LAURA PATIENCE
</summary>
<dc:date>2017-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>‘NO SCIENTIFIC ACCOUNT ESCAPES BEING STORY-LADEN’: TECHNOLOGY, CULTURE, AND EXPERIENCE IN THE POSTINTERNET</title>
<link href="https://hdl.handle.net/2123/18663" rel="alternate"/>
<author>
<name>Cotterill, Bethan</name>
</author>
<id>https://hdl.handle.net/2123/18663</id>
<updated>2026-04-22T05:23:23Z</updated>
<published>2017-10-01T00:00:00Z</published>
<summary type="text">‘NO SCIENTIFIC ACCOUNT ESCAPES BEING STORY-LADEN’: TECHNOLOGY, CULTURE, AND EXPERIENCE IN THE POSTINTERNET
Cotterill, Bethan
</summary>
<dc:date>2017-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Australian ‘Un-identity’ and the Significance of Professional Sport on Local Community</title>
<link href="https://hdl.handle.net/2123/18669" rel="alternate"/>
<author>
<name>CLARKE, EDWARD JAMES LUTHER</name>
</author>
<id>https://hdl.handle.net/2123/18669</id>
<updated>2026-04-22T05:23:23Z</updated>
<published>2017-10-01T00:00:00Z</published>
<summary type="text">Australian ‘Un-identity’ and the Significance of Professional Sport on Local Community
CLARKE, EDWARD JAMES LUTHER
</summary>
<dc:date>2017-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>MASSIVELY MULTIPLAYER ONLINE ROLE PLAYING GAMES AND THE DOCUMENTARY GENRE: SIMULATIONS OF REALITY?</title>
<link href="https://hdl.handle.net/2123/18668" rel="alternate"/>
<author>
<name>LAYFIELD, CHARLOTTE</name>
</author>
<id>https://hdl.handle.net/2123/18668</id>
<updated>2026-04-22T05:23:25Z</updated>
<published>2017-10-01T00:00:00Z</published>
<summary type="text">MASSIVELY MULTIPLAYER ONLINE ROLE PLAYING GAMES AND THE DOCUMENTARY GENRE: SIMULATIONS OF REALITY?
LAYFIELD, CHARLOTTE
</summary>
<dc:date>2017-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Reconsidering Contemporary Masculinity</title>
<link href="https://hdl.handle.net/2123/18670" rel="alternate"/>
<author>
<name>JACKSON, FARLEY</name>
</author>
<id>https://hdl.handle.net/2123/18670</id>
<updated>2026-04-22T05:23:25Z</updated>
<published>2017-10-01T00:00:00Z</published>
<summary type="text">Reconsidering Contemporary Masculinity
JACKSON, FARLEY
</summary>
<dc:date>2017-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>ELEMENTAL ENTANGLEMENTS IN THE MEDIUM OF CERAMICS</title>
<link href="https://hdl.handle.net/2123/18666" rel="alternate"/>
<author>
<name>BATTERSBY, ANNA</name>
</author>
<id>https://hdl.handle.net/2123/18666</id>
<updated>2026-04-22T05:23:23Z</updated>
<published>2017-10-01T00:00:00Z</published>
<summary type="text">ELEMENTAL ENTANGLEMENTS IN THE MEDIUM OF CERAMICS
BATTERSBY, ANNA
</summary>
<dc:date>2017-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>BECOMING MOTHER: PHYSIOLOGICAL MOTHERING PRACTICES AS ART AND FEMINIST ACTIVISM</title>
<link href="https://hdl.handle.net/2123/18665" rel="alternate"/>
<author>
<name>HOLMES, ALLEGRA</name>
</author>
<id>https://hdl.handle.net/2123/18665</id>
<updated>2026-04-22T05:23:24Z</updated>
<published>2017-10-01T00:00:00Z</published>
<summary type="text">BECOMING MOTHER: PHYSIOLOGICAL MOTHERING PRACTICES AS ART AND FEMINIST ACTIVISM
HOLMES, ALLEGRA
</summary>
<dc:date>2017-10-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>INTO THE KNOWN: The Spaces of Stories and Stories of Space</title>
<link href="https://hdl.handle.net/2123/18667" rel="alternate"/>
<author>
<name>DAVIS, ASHLEIGH</name>
</author>
<id>https://hdl.handle.net/2123/18667</id>
<updated>2026-04-22T05:23:25Z</updated>
<published>2017-10-01T00:00:00Z</published>
<summary type="text">INTO THE KNOWN: The Spaces of Stories and Stories of Space
DAVIS, ASHLEIGH
</summary>
<dc:date>2017-10-01T00:00:00Z</dc:date>
</entry>
</feed>
