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<title>Papers from the Buddha of Suburbia: Proceedings of the Eighth Australian and International Religion, Literature and the Arts Conference 2004</title>
<link href="https://hdl.handle.net/2123/1246" rel="alternate"/>
<subtitle>Proceedings of the Eighth Australian and International Religion, Literature and the Arts Conference 2004</subtitle>
<id>https://hdl.handle.net/2123/1246</id>
<updated>2026-06-13T15:10:34Z</updated>
<dc:date>2026-06-13T15:10:34Z</dc:date>
<entry>
<title>Philip Pullman: Postcolonial Dark Materials, the Daemon and the Search for Indigenous Authenticity</title>
<link href="https://hdl.handle.net/2123/1248" rel="alternate"/>
<author>
<name>Berry, Esther</name>
</author>
<id>https://hdl.handle.net/2123/1248</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Philip Pullman: Postcolonial Dark Materials, the Daemon and the Search for Indigenous Authenticity
Berry, Esther
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>…with great expectations I change all my clothes</title>
<link href="https://hdl.handle.net/2123/1265" rel="alternate"/>
<author>
<name>Stewart, Brendon</name>
</author>
<id>https://hdl.handle.net/2123/1265</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">…with great expectations I change all my clothes
Stewart, Brendon
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Re-doing Da Vinci: Appropriation and Misappropriation of Religious History in Conspiracy Fiction</title>
<link href="https://hdl.handle.net/2123/1266" rel="alternate"/>
<author>
<name>Wearring, Andrew</name>
</author>
<id>https://hdl.handle.net/2123/1266</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Re-doing Da Vinci: Appropriation and Misappropriation of Religious History in Conspiracy Fiction
Wearring, Andrew
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Pebblemix a path to Nirvana</title>
<link href="https://hdl.handle.net/2123/1255" rel="alternate"/>
<author>
<name>Hoyle, Anna</name>
</author>
<id>https://hdl.handle.net/2123/1255</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Pebblemix a path to Nirvana
Hoyle, Anna
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Living in the End Times:  the Prophetic Language of Bob Dylan</title>
<link href="https://hdl.handle.net/2123/1253" rel="alternate"/>
<author>
<name>Di Lauro, Frances</name>
</author>
<id>https://hdl.handle.net/2123/1253</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Living in the End Times:  the Prophetic Language of Bob Dylan
Di Lauro, Frances
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Imperial and Epic: Philip Pullman’s Dead God</title>
<link href="https://hdl.handle.net/2123/1254" rel="alternate"/>
<author>
<name>Hartney, Christopher</name>
</author>
<id>https://hdl.handle.net/2123/1254</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Imperial and Epic: Philip Pullman’s Dead God
Hartney, Christopher
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Beauty, Myth and Monolith: Picnic at Hanging Rock and the Vibration of Sacrality</title>
<link href="https://hdl.handle.net/2123/1249" rel="alternate"/>
<author>
<name>Carr, Annabel</name>
</author>
<id>https://hdl.handle.net/2123/1249</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Beauty, Myth and Monolith: Picnic at Hanging Rock and the Vibration of Sacrality
Carr, Annabel
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Between Sacred and Secular: The Pop Cult Saviour Approacheth!</title>
<link href="https://hdl.handle.net/2123/1247" rel="alternate"/>
<author>
<name>Hartney, Christopher</name>
</author>
<id>https://hdl.handle.net/2123/1247</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Between Sacred and Secular: The Pop Cult Saviour Approacheth!
Hartney, Christopher
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Innocence and Experience: The Subversion of the Child Hero Archetype in Philip Pullman’s Speculative Soteriology</title>
<link href="https://hdl.handle.net/2123/1250" rel="alternate"/>
<author>
<name>Crosby, Vanessa</name>
</author>
<id>https://hdl.handle.net/2123/1250</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Innocence and Experience: The Subversion of the Child Hero Archetype in Philip Pullman’s Speculative Soteriology
Crosby, Vanessa
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>The Written Word in Islamic Art</title>
<link href="https://hdl.handle.net/2123/1267" rel="alternate"/>
<author>
<name>Weitzel, Chela</name>
</author>
<id>https://hdl.handle.net/2123/1267</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">The Written Word in Islamic Art
Weitzel, Chela
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>From God to Marx: (Meta)Physicalities in Arundhati Roy’s The God of Small Things</title>
<link href="https://hdl.handle.net/2123/1261" rel="alternate"/>
<author>
<name>Rofail, Lydia Saleh</name>
</author>
<id>https://hdl.handle.net/2123/1261</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">From God to Marx: (Meta)Physicalities in Arundhati Roy’s The God of Small Things
Rofail, Lydia Saleh
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Dancing Up Circular Quay: Indigenous Australian Popular Culture, Hybridization and the Local Performance of the Global</title>
<link href="https://hdl.handle.net/2123/1251" rel="alternate"/>
<author>
<name>Adrahtas, Vassilios</name>
</author>
<id>https://hdl.handle.net/2123/1251</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Dancing Up Circular Quay: Indigenous Australian Popular Culture, Hybridization and the Local Performance of the Global
Adrahtas, Vassilios
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Tibetan Buddhist Wisdom in Hildegard of Bingen’s Visions</title>
<link href="https://hdl.handle.net/2123/1256" rel="alternate"/>
<author>
<name>Markwick, Laura</name>
</author>
<id>https://hdl.handle.net/2123/1256</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Tibetan Buddhist Wisdom in Hildegard of Bingen’s Visions
Markwick, Laura
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Cyclical history, gnosis, and memory: a study in the role and significance of Mystical Poetry as a medium of Popular Culture for Persian Sufism</title>
<link href="https://hdl.handle.net/2123/1257" rel="alternate"/>
<author>
<name>Milani, Milad</name>
</author>
<id>https://hdl.handle.net/2123/1257</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Cyclical history, gnosis, and memory: a study in the role and significance of Mystical Poetry as a medium of Popular Culture for Persian Sufism
Milani, Milad
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Scarlet and Black: Non-Mainstream Religion as ‘Other’ in Detective Fiction</title>
<link href="https://hdl.handle.net/2123/1252" rel="alternate"/>
<author>
<name>Cusack, Carole M.</name>
</author>
<id>https://hdl.handle.net/2123/1252</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Scarlet and Black: Non-Mainstream Religion as ‘Other’ in Detective Fiction
Cusack, Carole M.
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>The Interplay Between the Contemporary Sacred and Secular</title>
<link href="https://hdl.handle.net/2123/1259" rel="alternate"/>
<author>
<name>Quadrio, Philip A</name>
</author>
<id>https://hdl.handle.net/2123/1259</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">The Interplay Between the Contemporary Sacred and Secular
Quadrio, Philip A
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Willow and Which Craft? The portrayal of witchcraft in Joss Whedon’s Buffy: the Vampire Slayer</title>
<link href="https://hdl.handle.net/2123/1268" rel="alternate"/>
<author>
<name>Wilson, Dominique</name>
</author>
<id>https://hdl.handle.net/2123/1268</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Willow and Which Craft? The portrayal of witchcraft in Joss Whedon’s Buffy: the Vampire Slayer
Wilson, Dominique
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>The Symbol of the Hybrid Human/Alien Child in the Abduction Phenomenon: Rebirthing within the Psyche and the Psychosomatic Imagination</title>
<link href="https://hdl.handle.net/2123/1263" rel="alternate"/>
<author>
<name>Williams, Robert J</name>
</author>
<id>https://hdl.handle.net/2123/1263</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">The Symbol of the Hybrid Human/Alien Child in the Abduction Phenomenon: Rebirthing within the Psyche and the Psychosomatic Imagination
Williams, Robert J
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Neural Nirvana: `No mind' or out on a limbic?</title>
<link href="https://hdl.handle.net/2123/1258" rel="alternate"/>
<author>
<name>O’Shea, Marius Paul</name>
</author>
<id>https://hdl.handle.net/2123/1258</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Neural Nirvana: `No mind' or out on a limbic?
O’Shea, Marius Paul
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Art, Amway and the Australian Religious Consciousness</title>
<link href="https://hdl.handle.net/2123/1262" rel="alternate"/>
<author>
<name>von Behrens, Tanja</name>
</author>
<id>https://hdl.handle.net/2123/1262</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Art, Amway and the Australian Religious Consciousness
von Behrens, Tanja
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Goetia, Exorcism and Demonic Struggles in Christianity and Tibetan Buddhism</title>
<link href="https://hdl.handle.net/2123/1264" rel="alternate"/>
<author>
<name>Wu, John</name>
</author>
<id>https://hdl.handle.net/2123/1264</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">Goetia, Exorcism and Demonic Struggles in Christianity and Tibetan Buddhism
Wu, John
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>‘The Path of Return Continues the Journey’ – Engaged Buddhism and the Prajñāpāramitā Heart Sūtra in the Popular Theatre of Thích Nh´ât Hanh</title>
<link href="https://hdl.handle.net/2123/1260" rel="alternate"/>
<author>
<name>Rawlings-Way, Olivia</name>
</author>
<id>https://hdl.handle.net/2123/1260</id>
<updated>2026-05-08T06:29:55Z</updated>
<published>2005-01-01T00:00:00Z</published>
<summary type="text">‘The Path of Return Continues the Journey’ – Engaged Buddhism and the Prajñāpāramitā Heart Sūtra in the Popular Theatre of Thích Nh´ât Hanh
Rawlings-Way, Olivia
</summary>
<dc:date>2005-01-01T00:00:00Z</dc:date>
</entry>
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