https://hdl.handle.net/2123/10416 2026-06-07T02:08:51Z 2026-06-07T02:08:51Z Martens, William https://hdl.handle.net/2123/14875 2026-05-07T00:53:03Z 2016-05-07T00:00:00Z

INSTRUCTIONS FOR DESC9115 2016 FINAL WRITTEN REVIEW Martens, William The objective of this assignment is to provide students with the opportunity to demonstrate their ability to explain the application of digital audio technology in a product development scenario. This will require both the explanation of fundamental digital audio principles and a specification of how a practical problem can be solved using digital audio signal processing (DSP). To successfully complete this assignment students will submit typewritten text of about 1200 words (about 4 pages) to explain the audio product development project that they have chosen. The text should include at least one original diagram to present the details of the proposed DSP application (not copied from another publication). In explaining the fundamental digital audio principles associated with the application, a mathematical specification of the applied DSP technique(s) should be included (e.g., equations specifying how filter output samples are calculated from input samples). The key to success here is to present the product development in such a way that there is no doubt in the readers’ minds you will be able to complete the work by a projected date: There should be no uncertain details in this functional specification.

2016-05-07T00:00:00Z Chiara, Peregrin https://hdl.handle.net/2123/11440 2026-05-07T00:53:14Z 2014-06-29T00:00:00Z

Beat Tracking with Randomised Audio Effects Processing Chiara, Peregrin

2014-06-29T00:00:00Z Anderson, David https://hdl.handle.net/2123/10630 2026-05-07T00:53:10Z 2014-06-18T00:00:00Z

Final Review Anderson, David In this written review the author discusses the physical properties of a particular audio effect, the Leslie rotary speaker, as well as audio signal processing and DSP techniques required to simulate the effect in the digital domain, comparing existing two methodologies. A implementation performed by the author in then discussed, with improvements suggested.

2014-06-18T00:00:00Z Nirwandar, Rizkirrahman https://hdl.handle.net/2123/10642 2026-05-07T00:53:06Z 2014-06-18T00:00:00Z

Multi-Band Limiter Value to Production Chain and Its Processing Limitation Nirwandar, Rizkirrahman

2014-06-18T00:00:00Z Dowdy, Rachel https://hdl.handle.net/2123/10636 2026-05-07T00:53:07Z 2014-06-18T00:00:00Z

Pitch Shifting with Formants of Original Sound Dowdy, Rachel Pitch shifting is the process of changing the frequencies of a sound but keeping the same duration. This change in frequency creates new formants, changing the character of the original sound. This paper proposes a way to maintain the original formants while pitch shifting the sound.

2014-06-18T00:00:00Z Marco, Velasco https://hdl.handle.net/2123/10641 2026-05-07T00:53:10Z 2014-06-18T00:00:00Z

Emulating Reverb and Delay Units Using Fast Convolution Marco, Velasco

2014-06-18T00:00:00Z Xiao, Han https://hdl.handle.net/2123/10646 2026-05-07T00:53:11Z 2014-06-18T00:00:00Z

ANALYZE THE PRINCIPALS OF PITCH-SHIFTING Xiao, Han

2014-06-18T00:00:00Z Basa, Tony https://hdl.handle.net/2123/10637 2026-05-07T00:53:10Z 2014-06-18T00:00:00Z

Digital Flangers Basa, Tony This paper will look at the implementation of flangers in the digital domain and address the key issues facing their use.

2014-06-18T00:00:00Z Ahmad Rasidi, Ainnol Lilisuliani https://hdl.handle.net/2123/10633 2026-05-07T00:53:14Z 2014-06-18T00:00:00Z

Final Review Ahmad Rasidi, Ainnol Lilisuliani A review on artificial reverb

2014-06-18T00:00:00Z Park, Sangkyou https://hdl.handle.net/2123/10644 2026-05-07T00:53:09Z 2014-06-18T00:00:00Z

THREE MAIN SPATIAL TECHNIQUES of SPATIAL MIXING SYSTEM Park, Sangkyou This written review is to have a deep review for three techniques to realize spatial effects, which are Head Related Transfer Functions, Image Source Method, and Schroeder Reverberation, utilized in Spatial Mixing System, 2nd lab report.

2014-06-18T00:00:00Z Boog, Damien https://hdl.handle.net/2123/10640 2026-05-07T00:53:16Z 2014-06-18T00:00:00Z

Written Review 2 - Vibrato Boog, Damien

2014-06-18T00:00:00Z O'Brien, David https://hdl.handle.net/2123/10639 2026-05-07T00:53:16Z 2014-06-18T00:00:00Z

Vibrato O'Brien, David A review on the digital effect Vibrato

2014-06-18T00:00:00Z Marion, Bruno https://hdl.handle.net/2123/10643 2026-05-07T00:53:05Z 2014-06-18T00:00:00Z

Listener Envelopment Marion, Bruno

2014-06-18T00:00:00Z Williams, Laurence https://hdl.handle.net/2123/10635 2026-05-07T00:53:05Z 2014-06-18T00:00:00Z

Review of Granulation Effects Williams, Laurence It is within the scope of this second written review to condense and synthesise the material covered in the previous two assignments, as well to present a broader and more comprehensive summary of granular techniques.

2014-06-18T00:00:00Z Kumar, Nishta https://hdl.handle.net/2123/10638 2026-05-07T00:53:02Z 2014-06-18T00:00:00Z

The Parameters and Modulation of Vocal Vibrato Synthesis Kumar, Nishta To create high quality synthesis of any vocal signal, it is important to analyze and implement the characteristics that are necessary to maintain its fidelity and natural sound. This is particularly complex when it comes to vibrato of a vocal signal that is synthesized for a flat signal.Vibrato is especially important in vocal performance and provides a valuable added dimension for expressive control.

2014-06-18T00:00:00Z Hook, Sean https://hdl.handle.net/2123/10645 2026-05-07T00:53:03Z 2014-06-18T00:00:00Z

Phase Vocoder Design Hook, Sean This paper explores necessary algorithms within the block by block model of the phase vocoder. Namely windowing, the circular shift and phase unwrapping.

2014-06-18T00:00:00Z Colla, James https://hdl.handle.net/2123/10632 2026-05-07T00:53:04Z 2014-06-18T00:00:00Z

Musical Applications of the Modulation Signal for Modulation-Based Effects (Vibrato and Tremolo) Colla, James Digital Synthesis of Modulation-Based effects is an area of study that is regularly revisited and improved. The ability to apply a vibrato or tremolo effect that sounds natural is extremely difficult due to a number of factors. This paper discusses how these effects are created, and the problems associated with the simple implementations of these effects. A paper discussing the problems within the digital synthesis of vibrato and tremolo effects.

2014-06-18T00:00:00Z Xun, Jianyang https://hdl.handle.net/2123/10634 2026-05-07T00:53:02Z 2014-06-18T00:00:00Z

The Using of Digital Compressor In live Sports Program Xun, Jianyang The written review is to discuss how to solve the problems in live sports games by using a digital compressor

2014-06-18T00:00:00Z Zhou, Wenzheng https://hdl.handle.net/2123/10629 2026-05-07T00:53:04Z 2014-06-18T00:00:00Z

final review Zhou, Wenzheng

2014-06-18T00:00:00Z Szwec, Craig https://hdl.handle.net/2123/10600 2026-05-07T00:53:11Z 2014-06-05T00:00:00Z

Reverberation Szwec, Craig

2014-06-05T00:00:00Z Tu, Alex https://hdl.handle.net/2123/10601 2026-05-07T00:53:03Z 2014-06-05T00:00:00Z

Reverberation simulation from impulse response using the Image Source Method Tu, Alex About Impulse Responses and Image Source Method

2014-06-05T00:00:00Z