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http://hdl.handle.net/2123/2514
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| Title: | Performing Confessions: Making Sense Afterwards of Field Immersion |
| Authors: | Rossmanith, Kate |
| Keywords: | fieldwork ethnography temporality |
| Issue Date: | 17-Jun-2008 |
| Abstract: | “You have to create a fiction about yourself to make sense to people. I never lied; but I had to tell a story.” Joanne Good, a 42-year-old anthropology postgraduate, spent seven years in a rural Indonesian village conducting fieldwork. Now she is back, but she cannot put the pieces together. Based on research for a documentary, and drawing on lengthy interviews with Joanne, this paper charts her changing relationship to her fieldwork. The discipline of ethnography – central to many performance studies projects – insists of the coeval experience of fieldwork as the source of ethnographic knowledge (Conquergood 1991: 182). However, experiences of temporality are ongoing as the researcher returns ‘home’ to write about the field experience. This paper explores Joanne’s struggle to weave together – and tell stories from – a chronology based on chaotic field-notes that don’t add up. At the same time it considers the ways in which anthropologists have negotiated the post-fieldwork phase of research. |
| URI: | http://hdl.handle.net/2123/2514 |
| ISSN: | 978-1-74210-012-8 |
| Rights and Permissions: | Copyright Australasian Association for Drama, Theatre and Performance Studies |
| Type of Work: | Conference paper |
| Appears in Collections: | Being There: |
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