Sydney eScholarship Community:

BDES3020 'inside'

Thu, 20 Jan 2011 00:00:00 GMT

Title: BDES3020 'inside' Authors: Lai, Sze Chun Abstract: Under the SKIN, an anatomy theater in Prague, Czech Republic.

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Shirai, Kunishige Abstract: Dungeon Theatre inside cave hidden by Church building.

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Rohan, Michelle Abstract: The Projection Theatre: a camera obscura theatre experience.

BDES3020 'inside' Caitlin Nau

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Caitlin Nau Authors: Nau, Caitlin

BDES3020 'inside' Mockridge, Boyd

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Mockridge, Boyd Authors: Mockridge, Boyd

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Phan, VanKhanh Abstract: (inside)

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Quach, Daniel

BDES3020 'inside' Thomas Novakovic

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Thomas Novakovic Authors: Novakovic, Thomas

BDES3020 'inside' Emil, Kucevic

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Emil, Kucevic Authors: Kucevic, Emil

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: ILIAS, SAM

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Peng, Jiaying

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Fernandes, Jonathan

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Phan, Van Khanh Abstract: (inside)

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Carter, Robert James

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Asher, Robert Abstract: An exploration of faith and science

BDES3020 'inside' William Michaels

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' William Michaels Authors: Michaels, William

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Gotianun, David

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Morton, Eliza Abstract: Influenced by the Renaissance concept of a three-day autopsy performance and by Prague’s strong historical connection with the advancement of the sciences, this project retains the high cultural significance of St Anna’s in Prague while transforming it into into an experiential learning space. The design allows for immersion in the programme of an autopsy, lectures, discussion and reflection time as a catalyst for seeking a deeper understanding of what it is to be human. The autopsy will be carried out using a Virtual Autopsy Table, building a 3D recreation of the human form to enable participants to follow the process.

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Davies, Jonathan Abstract: The anatomy of the mass and the mass of the individual, confronted through the medium of dissection.

BDES3020 '(inside)'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 '(inside)' Authors: Zhang, Jingjing Abstract: My concept is to cut the building in to slices like a dissection. People walk around this building seemingly like a journey of visiting the dissection of the building. The inside walls are expanding outwards, some are pushed inwards, also the wall cut out of the roof represent the dissected of the church.

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Lucic, Christina

BDES3020 'inside' Mikaela, Palmer

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Mikaela, Palmer Authors: Palmer, Mikaela

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Puang, Lionel Abstract: A theatrical slaughterhouse that examines the processes of bodily consumption.

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Abu-sharifa, Aysha

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Foo, Michelle Abstract: (INSIDE)

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: WOLSKY, EMIL

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Gao, Shang Abstract: When we first got this project knowing that we are designing a theatre in a church and moreover, it's an anatomy theatre, my reaction was awkwardness. In my knowledge, anatomy theatre and church just don't belong to one catalogue. They are more like contradicted. Church sometimes may represent death but most of time, it gives hope and life, on the other hand, anatomy theatre is all about dealing with death, and dissecting cadavers. So this contradiction is where I started to dig into design.

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Blecher, Marshall

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Gao, Xing Jr

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Wang, Ying Jr Abstract: The concept is to really relate to the theatre and its function. I focused on explore different ways of perceiving the process of anatomy in the theatre. There’s 6 ways of viewing the anatomy and each of these actions has its own spatial relations and restrictions to the stage respectively. Hence, 6 set of rooms and space are designed and coordinated in the interior space of the existing church.The design process is to have a play with these 6 different spaces and coordinates them together within the theatre to help enhance the performance of the theatre. It gives more opportunities for viewers to select different ways of viewing and learning the process of anatomy by their own preferences.

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Chua, Lauren Abstract: A theatre of anatomy should allow the audience to consider their own body when watching the dissection of another. This scheme imposes the individual with the decision as to where and how their body moves through the theatre. The seating arrangements change from wide, exposed spaces to intense claustrophobic stalls - providing opportunity for the individual to take control of their experience. The ultimate intent is to encourage the audience to grasp an understanding of their own dimensions, and as a result, determine their level of “personal space”.

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: King, Felicity

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Yang, Kanru Jr

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Viljoen, Seugnèt

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Larkin, Nicole Abstract: St Annes Church Prague Theatre of Anatomy

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Gore, Alisha

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Mohammad, Marzuki Abstract: PRAGUE CROSSROADS - THE ARCHITECTURE OF LOVE AND ROMANCE

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Shiu, Ying Suet Abstract: From Death to life

BDES3020 'inside' Clifford Luu

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Clifford Luu Authors: Luu, Clifford

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Zheng, Tina

BDES3020 'inside' Yvonne Cai

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Yvonne Cai Authors: Cai, Yvonne Abstract: Theatre in a Glimpse The blink; as momentarily flashes of exploration. Set in Prague Crossroads, St Anna’s Church is brought alive by the inseparable ideas of history, space and movement. Theatre in a Glimpse pursues a prolonged journey, hints moments suggesting anatomical dissection, directed by a thread of lingering light leading to the final revelation to the dissection performance. Suspense and curiosity, apprehension and excitement, hesitation and tension; the body moves with the emotion.

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Selke, Benjamin, Jack Abstract: memory :-)

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Heo, Jaeyun

BDES3020 'inside' Amalia Mayor

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Amalia Mayor Authors: Mayor, Amalia

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Leung, Ka Ying iris

BDES3020 'inside' Elina, Brunning>

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Elina, Brunning> Authors: Brunning, Elina

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Nik Zulhazmi, Nik Fuaad

BDES3020 'inside' Ye Won James Lee

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Ye Won James Lee Authors: Lee, Ye Won James Abstract: The design approach I have taken for this project to design a theatre of anatomy in the city of Prague was to create a built form that responds to the pattern of the city. Through site analysis I have particularly focused on the dominance of positive space over the negative space. I have responded to this by inverting this dominance in a way to break the pattern to create a spatial quality that Prague has the potential to achieve within their heavy boundaries, interior facade of the church walls become outside and vice versa.

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Wu, Anna

BDES3020 'inside'

Wed, 10 Nov 2010 00:00:00 GMT

Title: BDES3020 'inside' Authors: Wu, Cathy Yue Abstract: Project Title: Theatre of Anatomy Prague My inspiration for this project came from parasites in the ear cannel. The intention of the architecture is to emphasize the fragility of the human body. To show how a weaker body could easily invade a stronger one, such as when a miniscule parasite penetrates and occupies a strong, healthy body. I aimed to achieve this through the use of materials by creating a crystalline form made from glass and steel that pervades the stone walls of St Anna’s through the apertures of the existing building, and occupies those spaces.