Sydney eScholarship Community:

BDES1020 David, Pierotti

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 David, Pierotti Authors: Pierotti, David

BDES1020 Continuos City

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Continuos City Authors: Chen, Joanna (Yu An) Abstract: The New York urbanism museum is located at the corner between 50th street and Rockefeller plaza, and it is to sit on the site of “Anthropologie (a recently developed modern high-end women department store)”. New York withholds several famous landmarks including Rockefeller Centre, GE building, Statue Of Liberty, Empire State Building, Twin Tower...etc. For being one of the most prestigious city in the world, its historical significance should be celebrated as well as its future development, therefore I decided to design an urbanism museum and place it in the middle of one of the most high densely populated block in New York, so the wider the population can get the chance to know their city. Urbanism museum is designed to showcase the past, presence and the future. The theme of the exterior design is “grid“ to reflect the modern New York City, as the buildings in the city vary in heights instead of its appearance, and the strict ruled pattern of the streets. Most importantly, this is designed as a sustainable architecture, in which it uses recyclable built materials, renewable energy and recycle rainwater system, aiming to raise awareness regarding to environmental issues in the wide public.

BDES1020 Continuous City

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Continuous City Authors: ZHENG, YUMENG Abstract: Asakusa is a relatively traditional part of Tokyo, which includes the most popular tourism attractions-Asakusa Temple, and Kaminarimon. Tourists pouring into Tokyo are not only curious about the Japanese old face, but also looking forward to ‘lose’ themselves in the modern Japanese fashion wonderland. This was the initial reason for choosing a shopping village as the program for this proposed project. My site L16 is located on the same spot of Asakusa Station, which is regarded as the heart core of the Asakusa district seen through both commercial and social lens. Thus, an incredibly large number of people are believed to move through this area. It offers me a great opportunity to incorporate with the infrastructure of the public transportation system. Public transportation in Asakusa, consisting mainly of trains and subways, serves as intricate but efficient lifelines for the city of Tokyo. To be attached to the Asakusa station, my shopping village is to direct a considerable stream of people into the shops, which is favourable. Driven by an underlying idea, which is that urban buildings are often shapers of the space. The building shapes can be secondary to the shape of public space, which can be read from this parti diagram. I’m trying to depict a strong-minded circulation, which shapes the figures of the floor plan configuration of this ideal shopping village, by implicating its experiential and aesthetic sensibility. Beyond a place for purchase, shopping is a site for social exchange, diversion, and entertainment. In this proposed project, I’m trying to convey an idea that shopping malls start to replace the parks and squares that were traditionally the home of free speech, as a result of high-pace Tokyo lifestyle. To this extend, it seems that not only tourists, but also the Tokyo citizens need a place to roam, to sit down, and to talk, whilst shopping. That’s why varied levels of rooftop gardens and a cafe are positioned in this street corner shopping village without creating any enclosure or boundaries. An incredible array of diversity, complicity, and flexibility in the structure and behaviour becomes apparent when one experiences the shopping village in a user-friendly way. Fluidity and flexibility, connectivity and continuity are crucial in this ecological web of shopping. So the proposed shopping village project is comprised of an assemblage of differently shaped individual brand pavilions distant to one another, forming inter-relative public spaces within this site as well as specifying its circulatory veins. These separated pavilions are not restricted by pathways in between them, but connected by undulations of a continuous circulation, which rises and falls to accommodate the shops area and roof top gardens, while allowing shoppers to cross this internal landscape. This approach largely satisfies the aim of creating a sense of fullness and experiential richness, which explains the name of this shopping village: VISIONARY HILLS. The structure of these assemblage pavilions is simply constructed by a family of different thickness pillars support the floors formed by concrete in reality, which enables these shops stay in a same constructive style. By understanding the Manifestations of the Japanese Aesthetic, which is that Simplification leading to richness. I’m using a symbolic Japanese material: Timber strips in every individual pavilion’s cladding, which has shown a variation of density and length to speak a language of Japanese simplified fashion. Other materials are there to indicate the specific branded style, while not disturbing the sense of a whole. It is precisely because the whole is present in the details that the details are able to keep their distance from one another and harmonize in the form of an aggregate consisting of details alone. These approaches of structure and cladding are tightly engaged with the connectivity and continuity of a shopping environment, which might provide the shoppers with a sense Japanese Style in a coherent visual language. At the same time the existence of those traditional Japanese elements addressed the shopping village into the urban context of Asakusa, other than being isolated as an individual piece of artificial landscape.

BDES1020

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Authors: Heng, Sunly Abstract: Jerusalem is a holy city known for its strong religious background, it is a city that has been in many long religious battles in history. Most of those battles were between the Jewish, Christian and Islamic people, at times they occurred amongst two different religions and at other times the battles were between all religions at the same time. Each religious group would attempt to claim their part of the city. Today Jerusalem is made up of many divided areas which is home to each of the different religious communities. Many of these areas have access restrictions imposed on the locals and outsiders, mainly other religious communities. I wanted to create a vision to introduce affordable and sustainable living options to the people of Jerusalem, through the introduction of a building that promotes the creation of new living, new lifestyles, new communities and new friendships which leads to a harmonic and peaceful Jerusalem. As a result I chose the Local Apartment program. I wanted to bring people together in Jerusalem, to create peace between people of all different religious backgrounds and to break the barriers of traditional behaviours and beliefs, where as a result of friendships networks will form and enable people to have access to other restricted community sites and food and healthcare availability, therefore people will have an opportunity to have better lifestyles. My Vision: • To provide for & to bring together multicultural families in Jerusalem by providing modern, sustainable and affordable living, • To create opportunities for new living, new lifestyles, new experiences, new communities and new friendships for the people of Jerusalem, and • To accommodate people of all religious backgrounds and beliefs to encourage the freedom of religion and to bring people together regardless of their backgrounds and religious beliefs.

BDES1020 Continuous City

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Continuous City Authors: Yoon, Suk Min

BDES1020 Continuous City Tu Zhuyun

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Continuous City Tu Zhuyun Authors: Zhuyun, Tu Abstract: The ‘GREEN’ Fitness Centre is located near the Place of Vendome. The concept of the building advocates a healthy and active lifestyle. By using the roof with some holes, beautiful sunlight will go through. It’s the wonderful place to enjoy both physical training and comfortable sunshine at the same time. The random arrangement of boxes hanging on the wall represents the mellow characteristic of yoga and dance while strong steel columns stand for the power of gym practise.Above the ‘healthy’ green roof, the huge glass covers gap between two buildings so that it will reflects the green colour to pedestrians like a mirror. Everyone can appreciate the modern design of the fitness centre in this busy area. In this fitness centre, you will receive more than you wish.

BDES1020 Continuous City

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Continuous City Authors: Ho, Koon Kau Abstract: The building is a cultural library. It is a library which contains books that related to the culture of Amsterdam. Amsterdam Cultural Library will be a landmark in this city because it is a modern building which will have a big contrast with the surrounding old style buildings. The shape of the building comes with an idea that some books being pulled out from a bookshelf. These pulled out spaces are supposed to be some reading areas for the people to read after they grab a book or magazine or something from central area of the library. Moreover, they can have computer access in some areas of the building. About the cladding of the building, the materials that I use for cladding are mainly glasses with some translucent plastic and some metal strips. The reason that I choose glass is because Amsterdam is a kind of “open in mind” city. It seems there is nothing to hide from peoples’ eyes. But, indeed, when you get to know more about Amsterdam. There is something people want to cover up. Something they don’t want you to know at all. That’s why I choose translucent material in some area of the cladding. You can see a bit what is going on in the library but not 100%. The reason I choose metal strips is because these strips represent four different aspects of Amsterdam. They are in four different colors- red, purple, yellow and green. Red represents violence in Amsterdam. Purple represents water in Amsterdam. Yellow represents aesthetics side of Amsterdam. Green represents the vegetation in Amsterdam. In a sense, the metal strips are pretty chaotic in terms of position, but they are all pointing at same direction. It is just kind of like Amsterdam, you can see chaos of the Amsterdam but that chaos is in orders.

BDES1020 Continuous City Robert Martin

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Continuous City Robert Martin Authors: Martin, Robert Abstract: Rem Koolhaas once described New York as a culture of congestion. The epitomy of the modern city, New York encapsulates the fundamental ideals of the 20th century. However, research has brought to light the fact that the current model of living is environmentally unsustainable. In a move towards a greener city, the New York City Council is investing heavily into the improvement of existing road infrastructure by building separate buffered cycle-lanes. Unfortunately, studies have shown that the primary reason commuters choose not to cycle to work is the lack of secure, off-street bike parking. I propose to build a dedicated bike parking tower, equipped with all the facilities a cycling commuter requires for safety, comfort and convenience. The tower, situated on the main highway running through the city, would act as a hub for commuters as they travel from surrounding localities into the metropolitan area.

BDES1020

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Authors: D'Souza, Steve

BDES1020

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Authors: Putri, Dewi Abstract: This residential house is a modern house based on the features of traditional houses in Iran where courtyard is the main feature of the house. An enclosed courtyard where family will gather is a usual characteristics in Iranian family. In this particular design, two houses of different generation family is connected through a courtyard. The spaces within the house is divided clearly yet connected at the same time. This design incorporates a process of transformation, moving from basic single cube to a more complex one. The transformation involves connection and separation of the different spaces contained in the house. This design has shown how the different spaces intersect and overlap with each other yet it still has its own separate language. The outer look of the house suggesting the division of the spaces and at the same time showing the dynamic form of the house.

BDES1020 Continuous City

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Continuous City Authors: Huckstepp, Paros Abstract: New York is home to fashion, music, film, art, business… and thousands of homeless people. The proposed design aims to physically get these people “off the streets”. The building clings to the Radio City Music Hall. Below, a new street space has been carved into the block. It has been filled with a new kitchen, clothing depot, and multi-purpose levels to provide space to the public. It will become an area to share, develop, and grow with those less fortunate. The shelter itself consists of individual bedroom pods and a bathroom on each floor. These pods designed to provide a private space for an individual. By providing each room with a louver system that allows the occupants to control their level of privacy and views.

BDES1020

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Authors: Sherwood, Eugene Abstract: Women's Hospital, Isfahan. This project is for the creation of a specialist hospital for women , who need care and attention during the perinatal period, the twentieth week of gestation to the twenty-eighth day of newborn life. The hospital will be set up with 15 intensive care units in single bed private wards, and 3 wards containing 5 beds. Each floor will host a garden and meditation area where mothers or expectant mothers can find piece and relaxation, away from tense surrounds, or play host to family members who are in attendance. The hospital is centrally located behind the north west side of Imam Square, not far from the new transport hub proposal to the north east of Imam Square. Access to the hospital can be gained from 3 different directions, north, east and west. The main entry to the hospital is via the north west corner. The design of the hospital was inspired by the pattern found on tiles that clad the Jameh Mosque which contain Kufic script, the oldest calligraphic Arabic script and it was in this script that the first copies of the Qur'an were written. Further more, the design has also tried to incorporate the warmth and feel of the honeycomb pattern, as a metaphor, for the community of workers in attendance to the life giving queen bee.

BDES1020 Continuous City

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Continuous City Authors: O Brien, Jim Abstract: corner site is created through the merging of a city grid plan with a traditional city form facilitation of the new streets/lanes results in the removal of the existing facades/buildings on the site demolition exposes gable walls of existing neighbouring buildings proposed building retains gable walls ‘as-revealed’ incorporating them into fabric of new building new facades reinterpret traditional rigor of rectangular internal views from upper floor parisian facades both in dimension and orientation

BDES 1020 Continuous City

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES 1020 Continuous City Authors: Assavapayukul, Pawat Abstract: About the project I choose a police station as my program for this project because of the area of place Vendome. The area has a lot of 5 stars hotels and shops that come to my attention that they might need some sort of a security or protection. I like the idea of challenging of the police’s image of the public. Most of police stations have strong and rigid feeling and form. So I would like to challenge that idea. At the first stage of the design I wanted to design a curvy shape structure that sits behind the existing structure. Where it can be seen by the public that the building its self is harmony to the rest of the city. Along the process I was both curious and temped to review the whole structure to the public and wonder what kind of respond I would get from doing that, not until the final presentation that I finally decided to not using the existing structure and review my complex structure to the public, the function its self I believe that works as a police station but did not have any strong point or selling point to the project which is what I regret the most about my project I spend a lot of time figuring out the structure without realizing the important of the “inside”but I think that is what I leaned this semester that the inside is as much important as the outside。

BDES1020

Mon, 14 Feb 2011 00:00:00 GMT

Title: BDES1020 Authors: Upton, Michaela

BDES1020 Continuous City

Fri, 11 Feb 2011 00:00:00 GMT

Title: BDES1020 Continuous City Authors: Parcasio, Geoff Mark Abstract: The proposed development for this site in Isfahan is an underground metro station. It is intended to extend the current railway project undergoing in this city, allowing more accessible locations for travellers. The design is also appropriate due to closest current railway in Iran is several kilometres away from this city, as well the city having high tourism activities. With high levels of residential areas located within, the metro station will strongly provide a more efficient and economical method of travelling people to locations around the city. The building further increases its efficiency in moving people to the underground platform, from the lifts and escalators located right at the entrance of the station. The ground has adequate open space for the public and station guards’ office to be on patrol, making it a welcoming experience and enabling a flow of movement for huge crowds upon arriving and departing from the station. The building will provide an upper plaza on the first floor that is catered for the public, a large space providing in particular for people to socialise or for other recreational and refreshment use. The view of the exterior of the building on either side is in the shape of a signpost, which although makes people on the street reflect on the idea of a traveller’s guide, but becomes an effective symbolism for the station, enabling people on the street to notice it easier and even use it a guide to help their way around the city.

BDES1020

Fri, 11 Feb 2011 00:00:00 GMT

Title: BDES1020 Authors: Tory-Henderson, Nina

BDES1020 Continuous City

Fri, 11 Feb 2011 00:00:00 GMT

Title: BDES1020 Continuous City Authors: Hamersley, Doug

BDES1020

Fri, 11 Feb 2011 00:00:00 GMT

Title: BDES1020 Authors: MARSHALL, WILLIAM Abstract: 'Wahat El Salam/Neve Shalom is Arabic and Hebrew for Oasis of Peace.'It is an organisation jointly established by Jewish and Palestinian citizens of Israel, that is engaged in educational work for peace, equality and understanding between the two peoples. My design for a school for this organisation attempts to aid this process by creating an environment where students from both groups feel safe, comfortable and are encouraged to meet and make contact with each other in attempt to break down these barriers. As a result my design focuses on a central courtyard where most of the circulation takes place providing an open atmosphere, and allowing light into the school whilst also forcing contact to be made in the hope that stereotypes held by each group can be diminished. A secure feeling is created by a copper cladding that acts as an armor to the troubles of the outside world.

BDES1020 'Continuous City'

Fri, 11 Feb 2011 00:00:00 GMT

Title: BDES1020 'Continuous City' Authors: Looyschelder, Christine Abstract: Retreating from the city center one stumbles across this modest community library which houses not only a great selection of books appropriate for the local people, but also a separate series of private study rooms as well as an adjoining bookstore. Made for the people, it provides gathering spaces, learning areas and a large computer facility. There is a requirement to produce a calm space within the library walls, which has been closely considered in the organization of small spaces. With two exterior skins on the private study tower and the adjoining bookstore, these places remain isolated from the surrounding passers-by, allowing the interior space to exist in peace, vital for efficient study and the security required for store purposes. The confining nature of the external circulation throughout the streets which encase these buildings is reversed for the main library, through which the circulation intrudes following the central axes. In this fashion it becomes the entry to the building, undulating up to the farthest heights of the building. This focus on upwards motion calls upon those entering to explore this space rather than remaining on the compressed ground floor. By drawing the public up to the higher floors they too feel removed from the presence of public congestion out on the streets. As the design of the building concentrates on the removal of circulation elements from the interior space, this needed to continue in the structural composition and cladding materials. The walls that link directly to wall faces are deemed supporting walls whilst the floors virtually cantilever off this base, with minimal additional supports to maintain a secure structure. In doing this the structure enclosing the circulation passages remains in wireframe, continuing the notion of a progression into the privacy of the interior. This is particularly clear in the two smaller buildings in which the circulation wraps around two faces causing the structure to remain separate from the main construction of the building. The design of the structure remains prominent as the glass cladding sits within the matrix of the supports rather than simply overlaid. There is an additional layer of material that works in two forms; a wall texture and a cladding in its own right. The textural pattern connects the circulation paths throughout the series of buildings in an abstract way via the use of material. The void in the main building is a dramatic statement lined with a red shading material, which then diverges off between the two adjoining buildings and continues along the exterior facing walls making prominent the staircases that run within these areas. Through a series of construction choices this design allows the public to escape to this relaxed environment whilst also providing a necessary function.

BDES1020 CONTINUOUS CITY

Fri, 11 Feb 2011 00:00:00 GMT

Title: BDES1020 CONTINUOUS CITY Authors: ZHU, RUI TAO Abstract: My site, the northern end of the Great Square of Isfahan, marks the start of a network of bazaars which acts as a very central part of the city. Thus it came logically to develop a modern or contemporary bazaar that is to be integrated into the market areas rather than an isolated building that would hugely disengage with the context. The existing bazaars appear as a rather rigid and enclosed complex where each one of them functions independently to another. Traditional bazaars are arranged in a rectangular format, of repeated units/stores centring a courtyard and divided by a central axis that connects the two main portals. The configuration promotes circular movements within itself however constrains its possibilities to communicate with the surrounding areas in a larger context. In my proposed Contemporary Bazaar, the skeleton of traditional bazaars is extracted and physically bended to reconstruct an active organism that stimulates a more dynamic and intimate trading atmosphere. The construction system-a combination of rectangle and triangle and arch/curve coincides with the existing bazaar construction and even the historical one of poles and tents. Therefore it is fair to say that the new bazaar is not something completely modern and inappropriately strange and disassociating but rather it echoes with the existing bazaars on both its functional and aesthetic level. The new market lanes open up to the streets and the adjacent bazaars as well as the Square to attract visitors from all directions. Instead of acting as an enclosed individual entity with definite boundaries, it connects and interacts with the surrounding market areas to together invigorate the free and fluid essence of a marketplace, as shown by the circulation axonometric diagram. The structure of the Bazaar also suggests an area where private and public spaces are loosely defined. The space of the building is not physically bound to limit its accessibility to the public. It doesn’t aim to filter or exclude any class of people thus it serves no purpose of forging a social disintegration of the locally grounded forms on togetherness and shared communal living. The trading stands are in fact mobile and can be packed away in occasions when it would become a spacious pavilion and turn into a pedestrian zone. The civic precinct it creates would comfortably accommodate larger flows of visitors/pedestrians and public and passive cultural and social activities hence benefit social interactions. The undulating roof floating above the structure, visually it realises the vibrant flow of the bazaar. It reinforces the absence of definite structural boundaries which frees any seemingly restricted movements and the porosity of its skin encourages the building to breathe with an inviting gesture. Finally, I believe the proposed Contemporary Bazaar would tightly associate and integrate into the existing network of bazaars and as a result advocate and revitalise the bazaar culture.

BDES1020 Continuous City

Fri, 11 Feb 2011 00:00:00 GMT

Title: BDES1020 Continuous City Authors: Abeysinghe, Savini Abstract: KOSHIKAKERU Sushi Bar and Restaurant Koshikakeru, is a Sushi bar and restaurant which sits on the waters of the Asakusa canal in Tokyo, Japan. The structure incorporates aspects from the traditional Japanese culture such as the stilts on which it rests on, which originated from the early Shinto Shrine styles- namely the Taisha Zukuri. The basic form and exterior style incorporates aspects from the earliest form of Japanese paper art- Origami. The black and white exterior combined with the glass sliding panels that surround the building, is strongly influenced by Zen Architecture which combines traditional Japanese architecture, Zen Buddhism and contemporary life. The black and white symbolizes the ‘balance’ or the ‘balance of opposites’. In this case it represents the relationship or the balance between water and land. Its black and white exterior makes it an iconic figure on the canal visible to both Tokyo’s city slickers and countless tourists. The restaurant, accessible by both land and water, provides guests with a new and refreshing experience. The underlying vision for this project was to not only give guests an experience of one of the best cuisines in the world, but to also let them experience the city itself. The glass exterior achieves this by creating a space that stretches far beyond the buildings ‘four walls’ and therefore blurs the line between the exterior and the interior, where it then achieves Zen’s ultimate goal where one’s self and surroundings merge together as one.

BDES3020 'inside'

Thu, 20 Jan 2011 00:00:00 GMT

Title: BDES3020 'inside' Authors: Lai, Sze Chun Abstract: Under the SKIN, an anatomy theater in Prague, Czech Republic.

BDES2020 - Decorated Shed Furkan,Rendeci

Thu, 20 Jan 2011 00:00:00 GMT

Title: BDES2020 - Decorated Shed Furkan,Rendeci Authors: Rendeci, Furkan

BDES2020 - Decorated Shed

Thu, 20 Jan 2011 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Maldonado, Pamela Abstract: The Decorated Shed; is a project that integrates ornament and standard building techniques of shed construction into a unique place of congregation for the SES (State Emergency Service) and the community of Marrickville.

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Li, Hsuan

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed

Authors: Lim, Li Vern Abstract: ANTHILL: where spaces are designed based on paths of circulation. There are different ways in which people move through space; past spaces, through spaces, and into spaces. There are a few layers in the building. The top layer consist of a laser-cut aluminium and plastic composite. Each preferation has a meaning as it responds to the program within. The second floor comprises of working areas with interesting balcony spaces while the ground floor comprises of 2 parts; a curvy and fun area for people to hang out and relax, and a more serious work area. Both floors are connected by vertical circulation; a winding stairway leading up to a platform and a lift for disabled access.

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Cecil, Kate Abstract: Selecting an approach for assisting in the design process of SES Marrickville, I chose Babushka. I wanted to create a building where large open space was a key element taking advantage of the screen, both from close up and far away. The design of this screen comes from the inspiration of trees in Marrickville. Upon visiting the site for Marrickville SES building made me start thinking about its context, the trees of the streetscape grabbing my attention. Made from pierced titanium, the main focused on the screen design was the way in which to control the environmental aspects within the building. To control the sun orientation for the SES Marrickville screen I adjusted the pattern on each of the facades. For example, the North facade has more foliage letting in less light. To avoid issues such as glare a layer of ETFE was inserted on the interior of the screen with a gap for an air barrier. The ETFE has a bubbled effect like that of the Watercube in Beijing, having a printed pattern which helps correspond to light by diffusing the light. Each façade of the building is different in some way; titanium screen pattern altering according to the sun orientation and the system behind it either being the ETFE Diaphragm system, ETFE Lenticular system or the ETFE triple layer system. With all these systems into place this made the relationship of the SES building and the screen the interaction of shadows. These shadows will reflected onto a smooth white surface of the interior spaces, allowing the viewer to experience the space at another level.

BDES2020 - Decorated Shed Niki, Gango

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Niki, Gango Authors: Gango, Niki Abstract: SES Decorated Shed Project

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Tiffany, Choi

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: McDonald, Nina

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Rakic, Aleksandra Abstract: No hierarchal spaces, the SES headquarters becomes more efficient with a playful envelope of holed screen brings the outside in. Multiple height roofs are determined by the spaces underneath which combines the relationship between them.

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Bodman, Rohan Abstract: This proposal is strongly contextual and functional. The circulation diagram reflects the grid of the surrounding streets with an emphasis on ease of movement for pedestrians and vehicles. An inner street connects existing streets to maximise route options for vehicles. The structure and cladding of metal and glass reflects the tesselated tiles seen on nearby houses.

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Lim, Holly

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Huh, Jihyang Abstract: SES Headquarter renovation Project - The State Emergency Services is an emergency and rescue service dedicated to assisting the community in Marrickville. The design is focused on the community-friendly aspect with the irregularly punctured facade that not only to achieve the sense of openness but also to restrict light level within the shed while affording views of the surrounding. Playing on natural light is an important role of my design because it gives a continuous sense of internal circulation and makes occupants less aware of the paper works which takes up 40% of SES operations.

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Li, LiHeng Abstract: This project explores the typology of an "engine" within the context of the SES Centre and the relationship between the facade and the interior. An "engine" typology consists of closely packed, interlocking components to define the floor plan and section. This strategy is applied to generate the design solution to respond to the given brief. The second part of the project focuses on the relationship between the interior functions and the façade. The design response is to use a three-dimension, interlocking set of beams to create a “web” enclosure around the building.

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Bennett, Gillian

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Barry, Steven Abstract: Duality. The concept of duality derived from the Repeat project was the driving force behind every design decision in this project for the proposal for a new SES headquarters in the Marrickville area. The concept dictated planning, the screen, numerous environmental controls and the play of materials. In planning it was the play of two opposing grids, in the screen a double layer of brickwork each perforated individually according to the grid to create openings, the roof as an environmental control and the two functional purposes it serves, one being the control of light and the second as an internal waterproofing membrane and finally the play of materials between brickwork and heavy masonry and the seemingly weightlessness of the high glass panels. The design also includes an interactive briefing corridor on the eastern edge of the building where members receive vital information quickly as they proceed into the building via TV screens. Furthermore this design is heavily orientated towards community use with the second of the main two grids being orientated towards what I believe will be the new civic centre. There is a design flexibility that has been instilled that would allow sensitive areas to be closed of to the public. All design decisions were made under this strict but flexible design concept resulting in a cohesive design scheme.

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: McCourt, Katherine

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Canaris, Sophie

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Dryden, Hope Abstract: My concept for the SES Decorated shed project was felt. Through researching the ideology and precedent buildings the clear concepts of felt was the interconnection and intertwining of space, but also by being able to visually connecting the spaces. So using this theory I decided to explore this concept through the spaces which connect rooms and area; hence “felt by circulation”. This can be seen mainly through the ramp and stair systems which link the floors together. These allow occupants to change floors but also connect into different spaces while using them visually felting them into the main spaces. For the exterior screen the idea of felt was also explored. Through using the previous screen project a similar component was found and manipulated to create 3 layers of the exterior screen. These layers where then weaved together linking and creating one felted screen. When exploring the site vernacular in Marrickville and searching for pattern the most interesting feature was the wear and tear of materials. Materials seemed take the natural cause of action of. Corroding, decaying recreating the original material to suite its environment. This idea was used for the screen material being Corten; the material will be forever changing linking into the context of Marrickville. The screens play a curial role within the interior. The internal layout has been designed to celebrate the screen allowing the users see and understand the work of the SES, that being weaving and protecting the community in time of need. At night the building will glow allowing the surrounding neighbour to feel protected.

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Klein, Jacinta Abstract: This project was designed for a SES headquarters in Marrickville. The final design involved a monolithic brick building with a timber and glass interior. The concept for this project was for two bulky walls which supported the lighter more delicate interior. The floor plans are based around a central circulation space that continues in the form of an atrium right up through all three levels of the building. Each room is protruding from the thick brick wall into the heart of the building. Each floor level connects with the others as well the spaces on each level interacting with each other. The building really represents and contains the types of spaces that would be required for the community and the SES.

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Cristallo, James

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Prametthawanich, Harnchai

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Kyaw, Myo Abstract: This is a design proposal for State Emergency Service (S.E.S.) headquarters in Marrickville. The design is developed with the term ‘space in between’ and careful consideration of the site context. The precedent studies for this design development are Seattle Library first floor plan (Anthill program) and Dutch Embassy in Berlin fourth floor plan, 2004 (Engine program) by OMA. By manipulating the 2 programs, design evolved with the circulation space in between the envelope and the building as well as the circulation space inside the building. The environment aspects are also carefully considered i.e. sunlight control with the atrium space (adjustable louver system) and the window openings on the north facade.

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Yasaman, Ziabakhsh Deylami

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Goh, Tze Hui Abstract: The SES Marrickville Headquarters with the scheme of donut. The main highlights of this project are the folded entrance and the central courtyard.

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Jeremy, Rosemary

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Sun, Xiaoxi

BDES2020 - Decorated Shed

Tue, 23 Nov 2010 00:00:00 GMT

Title: BDES2020 - Decorated Shed Authors: Kirkland, David Abstract: Decorated Shed