https://hdl.handle.net/2123/1625 Tue, 09 Jun 2026 19:54:58 GMT 2026-06-09T19:54:58Z https://hdl.handle.net/2123/32966 Entangled Flashes / Verwickelte Blitze Murphy, Clare; Tröster Klemm, Sara; Kelly, Madeleine O'Neil, Emma Madeleine Kelly: Entangled Flashes / Verwickelte Blitze is the exhibition catalogue for a solo exhibition of artworks by Kelly held at Galerie Spinnerei Archiv Massiv, Leipzig, Germany 25 July – 31 August 2024. The project was funded by CREATE NSW and The University of Sydney, Australia. This catalogue features texts by specially commissioned Australian author, Clare Murphy, and German art historian, Sara Tröster Klemm. Additional texts include a statement and poems by the artist. The catalogue includes texts in both English and German with colour illustrations of new works on show and another 16 historical works. This catalogue provides access to selected texts in both languages, English and German. Designed by Ricardo Felipe and Andrew Darragh at Small Tasks and printed by Peachy Print Australia. Mon, 01 Jan 2024 00:00:00 GMT https://hdl.handle.net/2123/32966 2024-01-01T00:00:00Z https://hdl.handle.net/2123/28395 Septopia and the wastialized Other: Allegorizing neo-liberalism in the age of COVID-19 Wansbrough, Aleks Sat, 01 Jan 2022 00:00:00 GMT https://hdl.handle.net/2123/28395 2022-01-01T00:00:00Z https://hdl.handle.net/2123/23263 Screens in Bed: Visual Art, Sleep and Handheld Screen Devices Burstow, Stephen This article seeks an understanding of sleeping and waking life in bed in relation to the use of handheld screen devices. The bedtime use of these devices has come to public attention through the involvement of this practice in the construction of two contemporary crises of sleep: Sleep science’s crisis of chronic sleep deprivation and the wider cultural crisis of the invasion of sleep by fast capitalism, as proposed by Jonathan Crary. Visual art is employed to gain insights into the two related understandings of sleep: one concerned with individual sleep self-regulation and the other with the corporeal commonality of sleep. The sociology of sleep, based on Michele Foucault’s concept of ‘biopower’, is augmented by philosophical insights from Jean-Luc Nancy and Gilles Deleuze to reconfigure the sleeping body beyond the bounds of disciplinary regimes and permit a reassessment of the affective potential of sleep. Works of digital media art, together with ethnographic and cultural studies on the use of mobile devices, are employed to tease out the entanglement of these screen devices with waking and sleeping bedroom life. An ontology of sleep as a pre-individual affective state is proposed as an alternative basis for resisting the appropriation of sleep by the always-waking world accessed through the use of smartphones and tablets. Tue, 01 Jan 2019 00:00:00 GMT https://hdl.handle.net/2123/23263 2019-01-01T00:00:00Z https://hdl.handle.net/2123/20851 Nature Natus Kelly, Madeleine Representation of painting Nature Natus. Oil on polyester 137 x 101 cm. Painting was exhibited in: "What the Centre Cannot Hold", Ipswich Art Gallery 13th July- Oct 7th 2019 Sat, 13 Jul 2019 00:00:00 GMT https://hdl.handle.net/2123/20851 2019-07-13T00:00:00Z https://hdl.handle.net/2123/20170 MIRAGE: A SELF PORTRAIT Baldissera, Julien Mon, 18 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20170 2019-03-18T00:00:00Z https://hdl.handle.net/2123/20117 Evening Flash in the Dusking of the Sun LE, BA AN Wed, 06 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20117 2019-03-06T00:00:00Z https://hdl.handle.net/2123/20118 The Discarded Image KAYROOZ, GILLIAN Wed, 06 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20118 2019-03-06T00:00:00Z https://hdl.handle.net/2123/20108 There Was an Old Lady Who Swallowed a Bird COOPER, PAUL Wed, 06 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20108 2019-03-06T00:00:00Z https://hdl.handle.net/2123/20105 Wild Country: Australian masculinity from the frontier to the social front HIRSH, JACOB Wed, 06 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20105 2019-03-06T00:00:00Z https://hdl.handle.net/2123/20111 I HUNG OUT HIS WASHING AND IT MADE ME FEEL GUILTY: CONTEMPORARY FEMINISM, EMPOWERMENT AND CONFUSION BOOTH, MELANIE Wed, 06 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20111 2019-03-06T00:00:00Z https://hdl.handle.net/2123/20114 The Perspective of the Monstrous Other MEHIGAN, KATERINA Wed, 06 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20114 2019-03-06T00:00:00Z https://hdl.handle.net/2123/20113 take one, please leave a comment: an exploration of participatory aesthetics TALLIS, TAYLA Wed, 06 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20113 2019-03-06T00:00:00Z https://hdl.handle.net/2123/20110 Distort BENTON, KAREN Wed, 06 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20110 2019-03-06T00:00:00Z https://hdl.handle.net/2123/20112 Nietzsche's Dog and Other Happy Accidents BRENNAN, LUKE Wed, 06 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20112 2019-03-06T00:00:00Z https://hdl.handle.net/2123/20106 Disabled: Media, Fashion and Identity LIU, MINGYUAN Wed, 06 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20106 2019-03-06T00:00:00Z https://hdl.handle.net/2123/20109 I'm a Pervert and I like My Eggs Sunny Side Up SON, EUN JUNG (EJ) Wed, 06 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20109 2019-03-06T00:00:00Z https://hdl.handle.net/2123/20094 ART AS AN AGENT OF RESISTANCE AGAINST CONSUMERISM AND MASS-PRODUCTION Biondi, Patrizia Tue, 05 Mar 2019 00:00:00 GMT https://hdl.handle.net/2123/20094 2019-03-05T00:00:00Z https://hdl.handle.net/2123/18674 Navigating the Void: Field observations from the space between DE BIASI, GEORGIA ALEXIS Sat, 01 Oct 2016 00:00:00 GMT https://hdl.handle.net/2123/18674 2016-10-01T00:00:00Z https://hdl.handle.net/2123/18675 Laying Out Space Stanczew, Justyna Sat, 01 Oct 2016 00:00:00 GMT https://hdl.handle.net/2123/18675 2016-10-01T00:00:00Z https://hdl.handle.net/2123/18676 No Tricks: A Reflexive Ruse Wotton, Jack T Sun, 01 Oct 2017 00:00:00 GMT https://hdl.handle.net/2123/18676 2017-10-01T00:00:00Z https://hdl.handle.net/2123/18679 SITE, SPACE AND PLACE: THINKING ABOUT THE INSTALLATION SAMMAN, OLIVIA Sun, 01 Oct 2017 00:00:00 GMT https://hdl.handle.net/2123/18679 2017-10-01T00:00:00Z https://hdl.handle.net/2123/18678 Conversation With a Strange Stranger ZHUCHENKO, MARIA Sun, 01 Oct 2017 00:00:00 GMT https://hdl.handle.net/2123/18678 2017-10-01T00:00:00Z https://hdl.handle.net/2123/18680 THE FOURTH STATE HARDCASTLE, SOPHIE Sun, 01 Oct 2017 00:00:00 GMT https://hdl.handle.net/2123/18680 2017-10-01T00:00:00Z https://hdl.handle.net/2123/18681 THE DE-LEGITIMISATION OF CONTEMPORARY INDIGENOUS EXPRESSIONS AND INTERSECTIONAL FEMINIST REPRESENTATION JOHNSON, EMILY Sat, 01 Oct 2016 00:00:00 GMT https://hdl.handle.net/2123/18681 2016-10-01T00:00:00Z https://hdl.handle.net/2123/18677 Beauty? NOLAN, LAURA PATIENCE Sun, 01 Oct 2017 00:00:00 GMT https://hdl.handle.net/2123/18677 2017-10-01T00:00:00Z https://hdl.handle.net/2123/18663 ‘NO SCIENTIFIC ACCOUNT ESCAPES BEING STORY-LADEN’: TECHNOLOGY, CULTURE, AND EXPERIENCE IN THE POSTINTERNET Cotterill, Bethan Sun, 01 Oct 2017 00:00:00 GMT https://hdl.handle.net/2123/18663 2017-10-01T00:00:00Z https://hdl.handle.net/2123/18669 Australian ‘Un-identity’ and the Significance of Professional Sport on Local Community CLARKE, EDWARD JAMES LUTHER Sun, 01 Oct 2017 00:00:00 GMT https://hdl.handle.net/2123/18669 2017-10-01T00:00:00Z https://hdl.handle.net/2123/18668 MASSIVELY MULTIPLAYER ONLINE ROLE PLAYING GAMES AND THE DOCUMENTARY GENRE: SIMULATIONS OF REALITY? LAYFIELD, CHARLOTTE Sun, 01 Oct 2017 00:00:00 GMT https://hdl.handle.net/2123/18668 2017-10-01T00:00:00Z https://hdl.handle.net/2123/18670 Reconsidering Contemporary Masculinity JACKSON, FARLEY Sun, 01 Oct 2017 00:00:00 GMT https://hdl.handle.net/2123/18670 2017-10-01T00:00:00Z https://hdl.handle.net/2123/18666 ELEMENTAL ENTANGLEMENTS IN THE MEDIUM OF CERAMICS BATTERSBY, ANNA Sun, 01 Oct 2017 00:00:00 GMT https://hdl.handle.net/2123/18666 2017-10-01T00:00:00Z https://hdl.handle.net/2123/18665 BECOMING MOTHER: PHYSIOLOGICAL MOTHERING PRACTICES AS ART AND FEMINIST ACTIVISM HOLMES, ALLEGRA Sun, 01 Oct 2017 00:00:00 GMT https://hdl.handle.net/2123/18665 2017-10-01T00:00:00Z https://hdl.handle.net/2123/18667 INTO THE KNOWN: The Spaces of Stories and Stories of Space DAVIS, ASHLEIGH Sun, 01 Oct 2017 00:00:00 GMT https://hdl.handle.net/2123/18667 2017-10-01T00:00:00Z https://hdl.handle.net/2123/1799 Fondue Smith, Oliver .950 silver, .925 silver, monel, stainless steel, teflon, silicon fibre. 20 cm. 2002. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1799 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1816 Is our life a square circle or triangle? - transformation : [detail] Shoji, Mitsuo colour stain and clear glaze on stoneware and porcelain. approx. 4 m x 5 m. 2006 Location: National Gallery of Wroclaw, Poland. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1816 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1815 Is our life a square circle or triangle?- universal thought : [detail] Shoji, Mitsuo coloured oxide stain on porcelain. approx. 4 m x 10 m. 2005. Location: National Gallery of Wroclaw, Poland Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1815 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1804 Bouba Lavery, Andrew freeblown glass. 39 x 29 x 23 cm. 2004. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1804 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1795 Petal spoons Smith, Oliver original prototypes: .925 silver; production pieces: 316 stainless steel. 14cm, 2006. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1795 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1817 Untitled Conboy, Janette digital print on paper. 70 x 120 cm. 2007. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1817 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1814 Is our life a square circle or triangle?- universal thought Shoji, Mitsuo coloured oxide stain on porcelain. - approx. 4 m x 10 m. 2005. Location: National Gallery of Wroclaw, Poland. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1814 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1797 The Governor General’s table bells Smith, Oliver .925 silver, .900 silver, stainless steel, monel, delrin. 19 cm h. 2006. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1797 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1802 Ductus Findeis, Karin brooch. 925 silver, wool felt, silk. Photography by B. Langrishe. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1802 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1806 Scarlet skyline Lavery, Andrew freeblown glass. 64 x 35 x 35 cm. 2001. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1806 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1798 Tillers Smith, Oliver serving utensils. .900 silver. 33 cm. 2005. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1798 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1800 Venae Findeis, Karin brooch. 925 silver, enamel paint, wool felt, dyed shell. 2005. Photography by B. Langrishe. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1800 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1808 Cut vessel Lavery, Andrew freeblown glass. 15 x 11x 9 cm. 1997. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1808 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1818 Welcome to Merrylands 2 : Installation view of Wooden ball trap Dawson, Marley wood. 2006. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1818 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1796 Arc cheese knives Smith, Oliver Dorsal serving blades. 316 stainless steel. 23 cm. 2006. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1796 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1812 Is our life a square circle or triangle? - transformation Shoji, Mitsuo colour stain and clear glaze on stoneware and porcelain. - approx. 4 m x 5 m. 2006 Location: National Gallery of Wroclaw, Poland. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1812 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1807 Pinstripe Lavery, Andrew One of a series. freeblown glass. tallest: 12 x 12 x 50 cm. 1996. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1807 2007-06-26T00:00:00Z https://hdl.handle.net/2123/1801 Clavicle Findeis, Karin necklace. wool felt, 925 silver, shell, rose quartz. Photography by B. Langrishe. Tue, 26 Jun 2007 00:00:00 GMT https://hdl.handle.net/2123/1801 2007-06-26T00:00:00Z