http://hdl.handle.net/2123/1133 Search the Channel search http://ses.library.usyd.edu.au/simple-search http://hdl.handle.net/2123/3944 Title: Nigel Kellaway 1994-2007 selected work records<br/><br/>Authors: Kellaway, Nigel<br/><br/>Abstract: A collection of selected work records by the performer, director and producer Nigel Kellaway for the years 1994 to 2007 including scripts, reviews, funding body acquitals, photographs and video extracts.<br/><br/>Description: Inventory of contents by type: PDF text, image and video files. Tue, 02 Dec 2008 14:05:37 GMT http://hdl.handle.net/2123/3943 Title: Fourteen Years: a cautionary tale.1994-2007 Chapters 1-14<br/><br/>Authors: Kellaway, Nigel<br/><br/>Abstract: A collection of 14 chapters documenting the work of Nigel Kellaway between 1994 and 2007.Scripts, press releases, critiques, Nigel's commentaries and financial acquitals are included in each chapter. Photo and video documents of selected productions are included as seperate items.<br/><br/>Description: A collection of documents including reviews, scripts,grant applications and acquittals, program notes, personal notes, still photographs and video files relating to the work of Nigel Kellaway between 1994 and 2007. Tue, 02 Dec 2008 13:56:51 GMT http://hdl.handle.net/2123/2550 Title: Being There: After. An Introduction to the Proceedings of the 2006 Conference of the Australasian Association for Drama, Theatre and Performance Studies<br/><br/>Authors: Maxwell, Ian<br/><br/>Abstract: This introductory essay contextualises the planning and realisation of the 2006 conference of the Australasian Association for Drama, Theatre and Performance Studies, convened by the author at the Department of Performance Studies at the University of Sydney. Sun, 29 Jun 2008 00:54:12 GMT http://hdl.handle.net/2123/2549 Title: Live Media and the 'Alive' Actor<br/><br/>Authors: Fewster, Russell<br/><br/>Abstract: This paper considers the presence of the actor in relation to mediatisation of the theatre space. In particular the kinetic relationship of the performer to real time and simulated real time video projection. This will be based on my recent production of 'The Lost Babylon' by Takeshi Kawamura at the 2006 Adelaide Fringe Festival—an Australian-Japanese co-production combining various acting styles with video projection. Fri, 27 Jun 2008 00:07:57 GMT