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<title>Australian made: a multicultural reader</title>
<link href="https://hdl.handle.net/2123/7663" rel="alternate"/>
<subtitle/>
<id>https://hdl.handle.net/2123/7663</id>
<updated>2026-06-10T06:41:42Z</updated>
<dc:date>2026-06-10T06:41:42Z</dc:date>
<entry>
<title>Slovenian migrant literature in Australia: an overview with a reading of the work of Jože Žohar</title>
<link href="https://hdl.handle.net/2123/13055" rel="alternate"/>
<author>
<name>Maver, Ivor</name>
</author>
<id>https://hdl.handle.net/2123/13055</id>
<updated>2026-05-12T06:32:02Z</updated>
<published>2010-05-05T00:00:00Z</published>
<summary type="text">Slovenian migrant literature in Australia: an overview with a reading of the work of Jože Žohar
Maver, Ivor
</summary>
<dc:date>2010-05-05T00:00:00Z</dc:date>
</entry>
<entry>
<title>Australian Made: A multicultural reader. Front matter and table of contents.</title>
<link href="https://hdl.handle.net/2123/7666" rel="alternate"/>
<author>
<name/>
</author>
<id>https://hdl.handle.net/2123/7666</id>
<updated>2025-10-20T00:14:23Z</updated>
<published>2010-01-01T00:00:00Z</published>
<summary type="text">Australian Made: A multicultural reader. Front matter and table of contents.
</summary>
<dc:date>2010-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>The Radical Poetics of the Gendered Urban Quotidian: Reading Anna Couani’s Literary Experimentalism of the 1970s and 1980s</title>
<link href="https://hdl.handle.net/2123/7672" rel="alternate"/>
<author>
<name>Brewster, Anne</name>
</author>
<id>https://hdl.handle.net/2123/7672</id>
<updated>2025-10-20T00:14:18Z</updated>
<published>2010-01-01T00:00:00Z</published>
<summary type="text">The Radical Poetics of the Gendered Urban Quotidian: Reading Anna Couani’s Literary Experimentalism of the 1970s and 1980s
Brewster, Anne
Anna Couani is an important iconoclastic writer whose main body of work, published in the late 1970s and throughout the 1980s, redefined the parameters of the Australian literary field. This article examines Anna Couani’s formal experimentation which it locates within the gendered and cultural contexts of minoritisation. It examines how Couani’s postromantic critique of realism constitutes an exploration of subjectivity and identity formation. Her experimental fiction, I argue, in its efforts to defamiliarise reading conventions, articulates a crisis of belonging. In its radical poetics of the gendered everyday it seeks to locate the body in the alternative communities which characterise minority constituencies.
</summary>
<dc:date>2010-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Contributors</title>
<link href="https://hdl.handle.net/2123/7667" rel="alternate"/>
<author>
<name/>
</author>
<id>https://hdl.handle.net/2123/7667</id>
<updated>2025-10-20T00:14:18Z</updated>
<published>2010-01-01T00:00:00Z</published>
<summary type="text">Contributors
</summary>
<dc:date>2010-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Introduction</title>
<link href="https://hdl.handle.net/2123/7665" rel="alternate"/>
<author>
<name>Mycak, Sonia</name>
</author>
<author>
<name>Sarwal, Amit</name>
</author>
<id>https://hdl.handle.net/2123/7665</id>
<updated>2025-10-20T00:14:18Z</updated>
<published>2010-01-01T00:00:00Z</published>
<summary type="text">Introduction
Mycak, Sonia; Sarwal, Amit
</summary>
<dc:date>2010-01-01T00:00:00Z</dc:date>
</entry>
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