http://hdl.handle.net/2123/7136 2013-05-24T04:56:00Z 2013-05-24T04:56:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7855 2011-10-20T15:59:57Z 2011-01-01T00:00:00Z

Title: The Jew of Malta Authors: Fitzpatrick, Tim Description: Last revised 2002, final act is problematical.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7854 2011-10-20T15:59:56Z 2011-01-01T00:00:00Z

Title: The Winter's Tale Authors: Fitzpatrick, Tim Description: Table revised 1998. Note spacing of entrances and exits in final act: text structured to avoid congestions at outwards door, suggests inwards door commited for discovery of Hermione.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7853 2011-10-20T15:59:56Z 2011-01-01T00:00:00Z

Title: Love's Labour's Lost Authors: Fitzpatrick, Tim Description: Table initially done by Penny Gay, revised in 1998.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7852 2011-10-20T15:59:56Z 2011-01-01T00:00:00Z

Title: Edward II Authors: Fitzpatrick, Tim Description: Last revised 2002.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7851 2011-10-20T15:59:56Z 2011-01-01T00:00:00Z

Title: Richard II Authors: Fitzpatrick, Tim Description: Last revised 1998

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7849 2011-10-20T15:59:55Z 2011-01-01T00:00:00Z

Title: The Distresses Authors: Fitzpatrick, Tim Description: Clear inwards-outwards logic in dialogue references to enable discovery at inwards door. Scene breaks not marked in text, has been segmented according to 'clere' stage principle.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7850 2011-10-20T15:59:56Z 2011-01-01T00:00:00Z

Title: The Revenger's Tragedy Authors: Fitzpatrick, Tim Description: Revised 1998. Note interesting repeat exit patterns for Hippolito.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7848 2011-10-20T15:59:55Z 2011-01-01T00:00:00Z

Title: The Devil's Charter Authors: Fitzpatrick, Tim Description: Last revised 2002.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7847 2011-10-20T15:59:55Z 2011-01-01T00:00:00Z

Title: The Spanish Tragedy Authors: Fitzpatrick, Tim Description: Revised 2002. Hieronimo's various runnings 'lunatic' in and out of doors represent his insanity. Leads to chaotic door patterns at times.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7846 2011-10-20T15:59:55Z 2011-01-01T00:00:00Z

Title: King Henry V Authors: Fitzpatrick, Tim Description: Last revised 1998

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7845 2011-10-20T15:59:55Z 2011-01-01T00:00:00Z

Title: A Maidenhead Well Lost Authors: Fitzpatrick, Tim Description: Last revised 2002.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7844 2011-10-20T15:59:54Z 2011-01-01T00:00:00Z

Title: The Comedy of Errors Authors: Fitzpatrick, Tim Description: Table revised 1998

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7843 2011-10-20T15:59:54Z 2011-01-01T00:00:00Z

Title: The Duchess of Malfi Authors: Fitzpatrick, Tim Description: Last revised 2002.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7841 2011-10-20T15:59:54Z 2011-01-01T00:00:00Z

Title: The Knight of Malta Authors: Fitzpatrick, Tim Description: Analysis done 1999, revised July 2002. Note tomb scene which foresees only two doors, and bookholder's SD on preparing altar for final scene.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7842 2011-10-20T15:59:54Z 2011-01-01T00:00:00Z

Title: Coriolanus Authors: Fitzpatrick, Tim Description: Last revised 1998

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7840 2011-10-20T15:59:53Z 2011-01-01T00:00:00Z

Title: All's Well that Ends Well Authors: Fitzpatrick, Tim Description: High incidence of marked congestions to delineate changes of lcation.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7839 2011-10-20T15:59:53Z 2011-01-01T00:00:00Z

Title: Romeo and Juliet Authors: Fitzpatrick, Tim Description: Revised 1998. Note deliberate congestion patterns on either side of Mantua scene to establish location change.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7838 2011-10-20T15:59:53Z 2011-01-01T00:00:00Z

Title: The Taming of the Shrew Authors: Fitzpatrick, Tim Description: A number of congestions marked as minimal in belief that they would have been resolved by interludes evident in the anonymous The Taming of a Shrew. See conference paper (unpublished), 'The Two Doors Traffic of our Stage' attached to end of table, which discusses more general issues but in particular the interludes and this play.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7837 2011-10-20T15:59:53Z 2011-01-01T00:00:00Z

Title: Measure for Measure Authors: Fitzpatrick, Tim Description: Last revised 2002

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7836 2011-10-20T15:59:53Z 2011-01-01T00:00:00Z

Title: The Second Maiden's Tragedy Authors: Fitzpatrick, Tim Description: High number of marked congestions between two plot strands. Note use of onstage choric figure to facilitate logistics.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7835 2011-10-20T15:59:52Z 2011-01-01T00:00:00Z

Title: Henry VI part 2 Authors: Fitzpatrick, Tim Description: Checked 2002.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7834 2011-10-20T15:59:52Z 2011-01-01T00:00:00Z

Title: Orlando Furioso Authors: Fitzpatrick, Tim Description: Slightly adapted from table kindly supplied by David Hertzberg (a table which formed part of his 1998 Honours thesis in the Dept of Performance Studies, Sydney University).

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7832 2011-10-20T15:59:52Z 2011-01-01T00:00:00Z

Title: Cymbeline Authors: Fitzpatrick, Tim Description: Quite high count of congestions between scenes, but most of them minimal or minimised.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7833 2011-10-20T15:59:52Z 2011-01-01T00:00:00Z

Title: As You Like It Authors: Fitzpatrick, Tim Description: Last revised 2002

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7831 2011-10-20T15:59:52Z 2011-01-01T00:00:00Z

Title: Antonio and Mellida Part 1 Authors: Fitzpatrick, Tim Description: Stage directions are explicit and very interesting, particularly regarding use of gallery. Analysis 1999.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7829 2011-10-20T15:59:51Z 2011-01-01T00:00:00Z

Title: The Battle of Alcazar Authors: Fitzpatrick, Tim Description: Slightly adapted from table kindly supplied by David Hertzberg (a table which formed part of his 1998 Honours thesis in the Dept of Performance Studies, Sydney University). The table includes annotations regarding the 'plot' of the play held in the Alleyn Collection at Dulwich College.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7830 2011-10-20T15:59:52Z 2011-01-01T00:00:00Z

Title: A Knack to Know an Honest Man Authors: Fitzpatrick, Tim Description: This play contains a number of references to 'door' and 'doors' in the singular and plural which lead Andrew Gurr to posit a stage configuration with two single lateral doors and a set of double doors upstage centre. But he has missed some references that refer to plural doors on the sides...see text of book.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7827 2011-10-20T15:59:51Z 2011-01-01T00:00:00Z

Title: The Alchemist Authors: Fitzpatrick, Tim Description: Unusually low number of scene breaks with 'clere' stage, as Face or Subtle remains onstage between 'scenes' with entering characters.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7828 2011-10-20T15:59:51Z 2011-01-01T00:00:00Z

Title: The English Traveller Authors: Fitzpatrick, Tim Description: Parallel plots seem to be 'ruled off' from each other by marked congestion patterns between the relevant scenes.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7826 2011-10-20T15:59:51Z 2011-01-01T00:00:00Z

Title: Othello Authors: Fitzpatrick, Tim Description: This table published in full in Theatre Research International article 1999. There are interesting differences in some entrance stage directions between Quarto and Folio.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7825 2011-10-20T15:59:50Z 2011-01-01T00:00:00Z

Title: Much Ado about Nothing Authors: Fitzpatrick, Tim Description: Note particularly the implications of two doors for the monument scene and that following, where same door must serve as monument and Leonato's house.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7824 2011-10-20T15:59:50Z 2011-01-01T00:00:00Z

Title: Antonio's Revenge Authors: Fitzpatrick, Tim Description: This play is also known as Antonio and Mellida Part 2. Stage directions are explicit and very interesting, particularly regarding discoveries. Analysis 1999.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7822 2011-10-20T15:59:50Z 2011-01-01T00:00:00Z

Title: Tamburlaine the Great part 1 Authors: Fitzpatrick, Tim Description: Last revised 2002; one section of binrary rather than triangulated opposition between Tamburlaine and his enemies.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7823 2011-10-20T15:59:50Z 2011-01-01T00:00:00Z

Title: Macbeth Authors: Fitzpatrick, Tim Description: analysis done 1998, revised 2002. Some scenes I would now characterise as extrusions; and I would switch Lady Macbeth's entrance in 2.2 to the inwards door. Despite Banquo's references in 2.1 that would place her elsewhere than Duncan's chambers, she now suddenly appears from there, having 'laid their daggers ready' (2.2.11). A surprise re-entrance as in Antony and Cleopatra 1.2.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7820 2011-10-20T15:59:49Z 2011-01-01T00:00:00Z

Title: Hengist, King of Kent Authors: Fitzpatrick, Tim Description: Fortune's altar needs only a pre-set concealment space, not a discovery space. Interesitng split stage in III,iii.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7821 2011-10-20T15:59:50Z 2011-01-01T00:00:00Z

Title: Twelfth Night Authors: Fitzpatrick, Tim Description: Table initially done by Penny Gay, revised in 1998 and 2002 (overtaking scene)

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7819 2011-10-20T15:59:49Z 2011-01-01T00:00:00Z

Title: Richard III Authors: Fitzpatrick, Tim Description: Last revised 2002

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7818 2011-10-20T15:59:49Z 2011-01-01T00:00:00Z

Title: The Widow's Tears [2 doors] Authors: Fitzpatrick, Tim Description: Sense of fictional space and logistical sense is vague and unsatisfactory. High incidence of congestions; this led to an attempt to chart a three-door version (see mapping for The Widow's Tears [3 doors]), which is only slightly more satisfactory.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7817 2011-10-20T15:59:48Z 2011-01-01T00:00:00Z

Title: Eastward Ho! Authors: Fitzpatrick, Tim Description: Use of central feature in first three scenes carefully avoids requiring access to tiring house. Not used thereafter, rest of play two-door patterning. Last revised 1998.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7816 2011-10-20T15:59:48Z 2011-01-01T00:00:00Z

Title: The Cardinal Authors: Fitzpatrick, Tim Description: Features some clear instances of simultaneous mid-scene entrances and exits.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7814 2011-10-20T15:59:48Z 2011-01-01T00:00:00Z

Title: Hamlet Authors: Fitzpatrick, Tim Description: Analysis done 1998. This reflects the ('good') second Quarto and Folio texts.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7815 2011-10-20T15:59:48Z 2011-01-01T00:00:00Z

Title: A Chaste Maid in Cheapside Authors: Fitzpatrick, Tim Description: Analysis 1999.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7813 2011-10-20T15:59:47Z 2011-01-01T00:00:00Z

Title: A Midsummer Night's Dream Authors: Fitzpatrick, Tim Description: Revised 2002. Modern editors' scene breaks are questionable, likely characters don't exit stage at some points in the chase sequence.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7812 2011-10-20T15:59:47Z 2011-01-01T00:00:00Z

Title: Tamburlaine the Great part 2 Authors: Fitzpatrick, Tim Description: Last revised 2002.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7811 2011-10-20T15:59:47Z 2011-01-01T00:00:00Z

Title: Antony and Cleopatra Authors: Fitzpatrick, Tim Description: Analysis done 1998

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7810 2011-10-20T15:59:47Z 2011-01-01T00:00:00Z

Title: Titus Andronicus Authors: Fitzpatrick, Tim Description: Scene and act breaks do not follow 'clere' stage convention. 11 scene breaks marked include 'clere' stage instances not marked as scen-breaks.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7809 2011-10-20T15:59:47Z 2011-01-01T00:00:00Z

Title: A Jovial Crew Authors: Fitzpatrick, Tim Description: Revsed 2002. Clear binary polarities in entrance and exit patterns. Even with play within play, congestions are 'spaced' by dialogue from onstage audience.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7807 2011-10-20T15:59:46Z 2011-01-01T00:00:00Z

Title: The Merchant of Venice Authors: Fitzpatrick, Tim Description: Last revised 2002.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7808 2011-10-20T15:59:46Z 2011-01-01T00:00:00Z

Title: The Roaring Girl Authors: Fitzpatrick, Tim Description: Easily accommodated with two doors for most scenes. Three shops in third scene interesting, they would congest even three doors. Revised 2002.

2011-01-01T00:00:00Z Fitzpatrick, Tim http://hdl.handle.net/2123/7806 2011-10-20T15:59:46Z 2011-01-01T00:00:00Z

Title: Julius Caesar Authors: Fitzpatrick, Tim Description: Last revised 2002

2011-01-01T00:00:00Z