<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <title>Sydney eScholarship Community:</title>
  <link rel="alternate" href="http://hdl.handle.net/2123/1245" />
  <subtitle />
  <id>http://hdl.handle.net/2123/1245</id>
  <updated>2013-05-19T21:07:40Z</updated>
  <dc:date>2013-05-19T21:07:40Z</dc:date>
  <entry>
    <title>Grounding the Angels: An Attempt to Harmonise Science and Spiritism in the Celestial Conferences of John Dee</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/7922" />
    <author>
      <name>Carr, Annabel</name>
    </author>
    <id>http://hdl.handle.net/2123/7922</id>
    <updated>2012-05-01T17:09:24Z</updated>
    <published>2006-01-01T00:00:00Z</published>
    <summary type="text">Title: Grounding the Angels: An Attempt to Harmonise Science and Spiritism in the Celestial Conferences of John Dee
Authors: Carr, Annabel
Abstract: The retrospective catechisation of largely bygone beliefs is a naturally difficult assignment. An even more slavish task attends those philosophies which are not merely antiquated but which belonged, during their time of eminence, to a tradition of deliberate secrecy. An attempt to crack the ‘orphic’ codes of any such occult tradition will rely on a well-formed understanding of its position on the wider esoteric map as well as an appreciation of the clandestine nature of&#xD;
esoteric movements in general. Indeed, the seasoned esoteric historian will be closely familiar with the sentiment of Trithemius’s seventeenth-century caution to Agrippa: “... communicate&#xD;
vulgar secrets to vulgar friends, but higher and secret to higher, and secret friends only”. The would-be decrypter must therefore accept as inflexible the possibility that his or her quest&#xD;
might yield at best fragmentary fruits, for, as French warns in his biography of John Dee, the knotty complexity of old esoteric manuscripts “must necessarily elude modern readers”</summary>
    <dc:date>2006-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Messianic Ideas: Historical Sources, and some Contemporary Expectations of Fulfilment</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/7194" />
    <author>
      <name>Sarbatoare, Octavian</name>
    </author>
    <id>http://hdl.handle.net/2123/7194</id>
    <updated>2011-02-14T18:03:34Z</updated>
    <published>2004-01-01T00:00:00Z</published>
    <summary type="text">Title: Messianic Ideas: Historical Sources, and some Contemporary Expectations of Fulfilment
Authors: Sarbatoare, Octavian
Abstract: The aim of this work is to provide basic historical insights into the origins of the&#xD;
messianic myth and its future developments within various world religions (see&#xD;
our Table of contents). Issues of millenarian ideas in connection to the world&#xD;
saviour theme are also part of the study. We intend to provide an enlarged&#xD;
picture upon the subject of the world saviours including some current trends. All&#xD;
major characters we present herein are messianic per se; some will prove to&#xD;
have eschatological features as well.</summary>
    <dc:date>2004-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Spiritual Tourism: Religion and Spirituality in Contemporary Travel</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/6150" />
    <author>
      <name>Norman, Alex</name>
    </author>
    <id>http://hdl.handle.net/2123/6150</id>
    <updated>2010-05-25T12:28:33Z</updated>
    <published>2004-01-01T00:00:00Z</published>
    <summary type="text">Title: Spiritual Tourism: Religion and Spirituality in Contemporary Travel
Authors: Norman, Alex
Abstract: Tourism and pilgrimage have been said to be closely related1. However, the&#xD;
relationship between tourists and the religions and religious contexts they visit has&#xD;
been neglected. Why tourists travel to places of religious significance and how they&#xD;
conceive of their travels are important questions to both the study of tourism and of&#xD;
religion. This thesis is particularly concerned with those tourists who engage in&#xD;
religious practice or have some form of spiritual experience in a religious context.&#xD;
These I am tentatively calling ‘spiritual tourists’. What the study of their experiences&#xD;
can yield is information on the nature of touristic experiences and the position of&#xD;
religion within society. These patterns are conspicuously played out in the context of&#xD;
travel writing, where stories of personal transformation and self discovery can often&#xD;
seem the standard.</summary>
    <dc:date>2004-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Men of Faith: Stravinsky, Maritain and the Ideal Christian Artifex</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/6111" />
    <author>
      <name>Penicka, Sarah</name>
    </author>
    <id>http://hdl.handle.net/2123/6111</id>
    <updated>2010-05-10T12:32:21Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Men of Faith: Stravinsky, Maritain and the Ideal Christian Artifex
Authors: Penicka, Sarah
Abstract: In this paper I explore the relationship and mutual influences between Stravinsky&#xD;
and Maritain. Despite the connections between these two men, and the prominence which&#xD;
Stravinsky at least still holds, scholars have neglected to examine their relationship in any&#xD;
depth. Although there is an abundance of recent scholarship on Stravinsky, most of it&#xD;
concentrates on Stravinsky during his Russian period, or on the workings of Stravinsky’s&#xD;
serial music divorced from its religious subject matter.8 I will demonstrate how&#xD;
Stravinsky met the criteria of Maritain’s ideal Christian artifex by analysing Canticum&#xD;
Sacrum (1955) through the lens of Maritain’s philosophy. One of Stravinsky’s major&#xD;
religious works, Canticum Sacrum was also one of his first works to use serialism.&#xD;
Although it is neither neo-classical nor from the period of Stravinsky’s rededication, it&#xD;
demonstrates not only how Stravinsky exemplified Maritain’s ideal, but that he continued&#xD;
to exemplify this ideal in his later works. While neither man changed his work to comply&#xD;
with the beliefs of the other, both Stravinsky and Maritain used each others’ writings –&#xD;
both musical and philosophical – to support and explain their methods, ideas and&#xD;
inspirations. Maritain’s enshrinement of Stravinsky as the prime living example of his&#xD;
artistic ideal boosted the popularity of his own philosophy, and Stravinsky ultimately&#xD;
lived up to the role of the ideal Christian artifex with pleasure, publicly describing&#xD;
himself in Maritain’s terms and finding a method of worship through his art that required&#xD;
no overt prostrations, only humble belief.</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Rethinking Plato’s Theory of Art: Aesthetics and the Timaeus</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/6103" />
    <author>
      <name>Tofighian, Omid</name>
    </author>
    <id>http://hdl.handle.net/2123/6103</id>
    <updated>2010-05-03T21:54:15Z</updated>
    <published>2003-01-01T00:00:00Z</published>
    <summary type="text">Title: Rethinking Plato’s Theory of Art: Aesthetics and the Timaeus
Authors: Tofighian, Omid
Abstract: The Timaeus presents a fascinating account of the cosmos. It includes a creation myth that introduces the figure known as the Demiurge who, despite the fact that he is the cause of the sensible world, is reverently attributed with reason, and whose creation – the cosmos – is actually beautiful and good. In this dialogue Plato offers his readers a panorama of the universe. But just what are his intentions for this? Is his approach a precursor to the methods of natural science,1 or does the Timaeus fall under the category of theology? This thesis will discuss the outcome Plato wished to achieve by finally writing on cosmology and how the methods used to accomplish these ends reveal a more existential attitude towards aesthetics.</summary>
    <dc:date>2003-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>An Examination of the Ideologies Underlying Nineteenth Century Scholarly Researches into the Viking Age</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/6081" />
    <author>
      <name>Cusack, Carole M.</name>
    </author>
    <id>http://hdl.handle.net/2123/6081</id>
    <updated>2010-04-27T12:33:29Z</updated>
    <published>1984-01-01T00:00:00Z</published>
    <summary type="text">Title: An Examination of the Ideologies Underlying Nineteenth Century Scholarly Researches into the Viking Age
Authors: Cusack, Carole M.
Abstract: This thesis concerns the (more or less) systematic rehabilitation of the Viking Period, which was undertaken by a collection of poets and philologists, scholars and amateurs, from the latter half of the eighteenth century through the Victorian Era into the twentieth century. The reasons underlying their efforts were, in both the broad and the narrow sense, political. For example, William Morris was a Socialist, and he employed his knowledge of pre-Christian Scandinavian society in the development of a Socialist Utopia. Similarly, William Stubbs was an authority on the Anglo-Saxon legal system, and this enabled him to convincingly argue for the Germanic origin of the English democratic institutions. The works discussed range from crude propaganda to painstakingly accurate translations, and as such there are varying levels of subtlety in their ideological messages.</summary>
    <dc:date>1984-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>‘The Path of Return Continues the Journey’ – Engaged Buddhism and the Prajñāpāramitā Heart Sūtra in the Popular Theatre of Thích Nh´ât Hanh</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1260" />
    <author>
      <name>Rawlings-Way, Olivia</name>
    </author>
    <id>http://hdl.handle.net/2123/1260</id>
    <updated>2008-06-17T12:45:01Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: ‘The Path of Return Continues the Journey’ – Engaged Buddhism and the Prajñāpāramitā Heart Sūtra in the Popular Theatre of Thích Nh´ât Hanh
Authors: Rawlings-Way, Olivia</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>…with great expectations I change all my clothes</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1265" />
    <author>
      <name>Stewart, Brendon</name>
    </author>
    <id>http://hdl.handle.net/2123/1265</id>
    <updated>2008-06-17T12:45:01Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: …with great expectations I change all my clothes
Authors: Stewart, Brendon</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Re-doing Da Vinci: Appropriation and Misappropriation of Religious History in Conspiracy Fiction</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1266" />
    <author>
      <name>Wearring, Andrew</name>
    </author>
    <id>http://hdl.handle.net/2123/1266</id>
    <updated>2008-06-17T12:45:01Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Re-doing Da Vinci: Appropriation and Misappropriation of Religious History in Conspiracy Fiction
Authors: Wearring, Andrew</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The Written Word in Islamic Art</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1267" />
    <author>
      <name>Weitzel, Chela</name>
    </author>
    <id>http://hdl.handle.net/2123/1267</id>
    <updated>2008-06-17T12:45:01Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: The Written Word in Islamic Art
Authors: Weitzel, Chela</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Willow and Which Craft? The portrayal of witchcraft in Joss Whedon’s Buffy: the Vampire Slayer</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1268" />
    <author>
      <name>Wilson, Dominique</name>
    </author>
    <id>http://hdl.handle.net/2123/1268</id>
    <updated>2008-06-17T12:45:02Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Willow and Which Craft? The portrayal of witchcraft in Joss Whedon’s Buffy: the Vampire Slayer
Authors: Wilson, Dominique</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Neural Nirvana: `No mind' or out on a limbic?</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1258" />
    <author>
      <name>O’Shea, Marius Paul</name>
    </author>
    <id>http://hdl.handle.net/2123/1258</id>
    <updated>2008-06-17T12:45:02Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Neural Nirvana: `No mind' or out on a limbic?
Authors: O’Shea, Marius Paul</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Scarlet and Black: Non-Mainstream Religion as ‘Other’ in Detective Fiction</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1252" />
    <author>
      <name>Cusack, Carole M</name>
    </author>
    <id>http://hdl.handle.net/2123/1252</id>
    <updated>2009-05-21T04:29:52Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Scarlet and Black: Non-Mainstream Religion as ‘Other’ in Detective Fiction
Authors: Cusack, Carole M</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Living in the End Times:  the Prophetic Language of Bob Dylan</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1253" />
    <author>
      <name>Di Lauro, Frances</name>
    </author>
    <id>http://hdl.handle.net/2123/1253</id>
    <updated>2008-06-17T12:45:06Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Living in the End Times:  the Prophetic Language of Bob Dylan
Authors: Di Lauro, Frances</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Between Sacred and Secular: The Pop Cult Saviour Approacheth!</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1247" />
    <author>
      <name>Hartney, Christopher</name>
    </author>
    <id>http://hdl.handle.net/2123/1247</id>
    <updated>2008-06-17T12:44:55Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Between Sacred and Secular: The Pop Cult Saviour Approacheth!
Authors: Hartney, Christopher</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Tibetan Buddhist Wisdom in Hildegard of Bingen’s Visions</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1256" />
    <author>
      <name>Markwick, Laura</name>
    </author>
    <id>http://hdl.handle.net/2123/1256</id>
    <updated>2008-06-17T12:45:06Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Tibetan Buddhist Wisdom in Hildegard of Bingen’s Visions
Authors: Markwick, Laura</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Cyclical history, gnosis, and memory: a study in the role and significance of Mystical Poetry as a medium of Popular Culture for Persian Sufism</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1257" />
    <author>
      <name>Milani, Milad</name>
    </author>
    <id>http://hdl.handle.net/2123/1257</id>
    <updated>2008-06-17T12:45:07Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Cyclical history, gnosis, and memory: a study in the role and significance of Mystical Poetry as a medium of Popular Culture for Persian Sufism
Authors: Milani, Milad</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>From God to Marx: (Meta)Physicalities in Arundhati Roy’s The God of Small Things</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1261" />
    <author>
      <name>Rofail, Lydia Saleh</name>
    </author>
    <id>http://hdl.handle.net/2123/1261</id>
    <updated>2008-06-17T12:45:07Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: From God to Marx: (Meta)Physicalities in Arundhati Roy’s The God of Small Things
Authors: Rofail, Lydia Saleh</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Art, Amway and the Australian Religious Consciousness</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1262" />
    <author>
      <name>von Behrens, Tanja</name>
    </author>
    <id>http://hdl.handle.net/2123/1262</id>
    <updated>2008-06-17T12:45:07Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Art, Amway and the Australian Religious Consciousness
Authors: von Behrens, Tanja</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The Symbol of the Hybrid Human/Alien Child in the Abduction Phenomenon: Rebirthing within the Psyche and the Psychosomatic Imagination</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1263" />
    <author>
      <name>Williams, Robert J</name>
    </author>
    <id>http://hdl.handle.net/2123/1263</id>
    <updated>2009-05-21T06:25:08Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: The Symbol of the Hybrid Human/Alien Child in the Abduction Phenomenon: Rebirthing within the Psyche and the Psychosomatic Imagination
Authors: Williams, Robert J</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Innocence and Experience: The Subversion of the Child Hero Archetype in Philip Pullman’s Speculative Soteriology</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1250" />
    <author>
      <name>Crosby, Vanessa</name>
    </author>
    <id>http://hdl.handle.net/2123/1250</id>
    <updated>2008-06-17T12:45:08Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Innocence and Experience: The Subversion of the Child Hero Archetype in Philip Pullman’s Speculative Soteriology
Authors: Crosby, Vanessa</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Goetia, Exorcism and Demonic Struggles in Christianity and Tibetan Buddhism</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1264" />
    <author>
      <name>Wu, John</name>
    </author>
    <id>http://hdl.handle.net/2123/1264</id>
    <updated>2008-06-17T12:45:08Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Goetia, Exorcism and Demonic Struggles in Christianity and Tibetan Buddhism
Authors: Wu, John</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Imperial and Epic: Philip Pullman’s Dead God</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1254" />
    <author>
      <name>Hartney, Christopher</name>
    </author>
    <id>http://hdl.handle.net/2123/1254</id>
    <updated>2008-06-17T12:45:06Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Imperial and Epic: Philip Pullman’s Dead God
Authors: Hartney, Christopher</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Philip Pullman: Postcolonial Dark Materials, the Daemon and the Search for Indigenous Authenticity</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1248" />
    <author>
      <name>Berry, Esther</name>
    </author>
    <id>http://hdl.handle.net/2123/1248</id>
    <updated>2009-11-12T01:06:16Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Philip Pullman: Postcolonial Dark Materials, the Daemon and the Search for Indigenous Authenticity
Authors: Berry, Esther</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Beauty, Myth and Monolith: Picnic at Hanging Rock and the Vibration of Sacrality</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1249" />
    <author>
      <name>Carr, Annabel</name>
    </author>
    <id>http://hdl.handle.net/2123/1249</id>
    <updated>2008-06-17T12:45:00Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Beauty, Myth and Monolith: Picnic at Hanging Rock and the Vibration of Sacrality
Authors: Carr, Annabel</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Dancing Up Circular Quay: Indigenous Australian Popular Culture, Hybridization and the Local Performance of the Global</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1251" />
    <author>
      <name>Adrahtas, Vassilios</name>
    </author>
    <id>http://hdl.handle.net/2123/1251</id>
    <updated>2008-06-17T12:45:00Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Dancing Up Circular Quay: Indigenous Australian Popular Culture, Hybridization and the Local Performance of the Global
Authors: Adrahtas, Vassilios</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Pebblemix a path to Nirvana</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1255" />
    <author>
      <name>Hoyle, Anna</name>
    </author>
    <id>http://hdl.handle.net/2123/1255</id>
    <updated>2008-06-17T12:45:00Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Pebblemix a path to Nirvana
Authors: Hoyle, Anna</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The Interplay Between the Contemporary Sacred and Secular</title>
    <link rel="alternate" href="http://hdl.handle.net/2123/1259" />
    <author>
      <name>Quadrio, Philip A</name>
    </author>
    <id>http://hdl.handle.net/2123/1259</id>
    <updated>2009-05-21T06:00:17Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: The Interplay Between the Contemporary Sacred and Secular
Authors: Quadrio, Philip A</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
</feed>

